Vause
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提·辛纳帕拉迪
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当一个新的出租房屋租客遇到一个失忆的幽灵。抢救发生在死亡后49天。让我们一起看看他能不能逃脱的结论。)~~改编自泰国漫画《我和我房间里的鬼》。Whenanewrentalhousemovesleadingtomeetanamnesiacwraith.Therescueoccurred49daysafterdeath.Let'sseetheconclusiontogetherthathecanescapeornot.~~AdaptedfromtheThaicomic“MeandtheGhostInMyRoom”.
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NoahLuke
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AglobalsteelworkscompanypartnerswithanaerospacefirmtominetheMoon.However,whenadrillingaccidentcausesagiantpieceoftheMoontocrackoffandhurtletowardsEarth,thesurvivingspaceteamandtheheadofthefirmmustfigureouthowtodestroythemeteoroidbeforeitwipesouttheentireplanet…
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Nearfuture.Mankindissuccessfullyexploringspace:nowahugeDeltastationislocatedintheearth'sorbit.MaksimBortnikovisoneofthemembersofthestationrepairteam.AnunexpectedcatastrophecausedbyaprotonstormcutsoffMaksimfromtherest,andheisleftaloneinouterspace.
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After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --? Official Site
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‘TreasuresfromtheWreckoftheUnbelievable’chartsthestorybehindDamienHirst’smostambitiousprojecttodate.Almosttenyearsinthemaking,theeponymousexhibitionwasdisplayedacrossthePuntadellaDoganaandPalazzoGrassiinVenicefrom9thApril–3rdDecember2017.HirstcollaboratedwithdirectorSamHobkinsonandproducerNicolasKenttochronicletheexhibi...
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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A shy teenager accidentally kills a mocking peer, and his mother helps him hide in a spare room in their house. Problems arise when the mother goes for an operation and dies, and the house is sold to a new family, with the teen still living inside. Written by Kyle Palkowski Scott Jacoby, a nerdy high school youth, accidently kills a neighbor's young daughter. Panicking mother, Kim Hunter, fears the police will not believe that it was an accident. She moves her son into a bathroom that she turned into a secret hiding place. After her death, a new family moves in. In the mean time, Ronald has gotten lost in a fantasy world created in his own head from being hidden away for so long. Written by Humberto Amador
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新西兰笑剧片子「四序友缘人」的暖和好像凑巧燃起的红炉。初次执导长片的Hamish Bennett同时也是一名先生,透过「四序友缘人」延长本身的短片作品「Ross & Beth」,重探新西兰北岛农夫缄默而关闭的天下。当爱妻猝逝,Ross与同本人一模一样!不擅言词的儿子各分货色,他生机儿子能继续家属工业,但不善务农的儿子却占有本人酷爱的任务。扮演Bruce下属的Rachel House表示亮眼,而年青的Kahukura Retimana扮演酷爱乡土的毛利少年,表示亦相称出色,恰到好处地陪衬出本片配角父子档Marshall Napier及Cohen Holloway极富沾染力的敌手戏。拍摄取景的乡村场景及此中抢镜的牲畜,在拍照师Grant McKinnon的精致操刀下也分外令人打动。
