Sco
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唐·迈克尔·保罗
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Major Ronan Jackson (Devon Sawa), an accomplished fighter pilot for the Israel Defense Forces and son of a U.S. Senator (Robert Patrick), is shot down while flying through Syrian airspace. After miraculously surviving the crash, Jackson is taken captive by a group of Hezbollah militiamen. A gripping and powerful story packed with hard-hitting action, Jarhead: Law of Return follows a squad of Marines, led by Sergeant Dave Flores (Amaury Nolasco), as they risk their own lives in the hopes of saving an ally they've never met.
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Whydidtheworldsuddenlytreatstuffedanimalslikegold?TyWarnerwasafrustratedtoysalesmanuntilhiscollaborationwiththreewomengrewhismasterstrokeofanideaintothebiggesttoycrazeinhistory.“TheBeanieBubble”isaninventivestoryaboutwhatandwhowevalue,andtheunsungheroeswhosenamesdidn'tappearontheheart-shapedtag.
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DidierKonings’simmeringmediaevalhorrorWitteWievenexplorestheconfluenceofreligionandpatriarchyinanexcessivelypuritanicalDutchvillage.Blamedbyhercommunityforbeingchildless,Friedaimmersesherselfinprayerandritual.Whenshereturnsunscathedfromtheforbiddenforestsurroundingthevillage,havingevadedalecherousbutcher,sheiscondemnedasanagentofthedevil.Frieda,however,findsnewfaithinthedarkpowersthatinhabitthewoods.Shotinareducedcolourpaletteattheedgeofvisibility,Konings’grippingfilmconstructsaconvincingpre-modernsocietywhosepracticesitelucidateswithpatienceandattention.AlthoughsetintheMiddleAges,WitteWievendisplaysanunmistakablycontemporaryspirit,craftingafeministparableaboutwomendiscoveringnewwaysofunderstandingtheirlivesandtheworld.
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格雷丝·格洛威克
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伊莲恩·戴维斯
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黛拉格·坎贝尔
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马克西姆·高德特
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Julia·Beyer
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伊芙·杜兰索
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玛丽亚·杜埃尼亚斯
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Melanie·Scheiner
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Mary-Margaret·O'Hara
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Yannick·Nézet-Séguin
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Rosa·Johan-Uddoh
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Kieran·Adams
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Anni·Spadafora
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Fan·Wu
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Heidi·Galvez
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Darrah·Teitel
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Aaron·Danby
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Thefilmisinspiredbythetrue-to-lifestoryofthediscoveryofthelong-lost“Opus28”manuscriptfromNorwegiancomposerJohanHalvorsen,originallyperformedin1909byCanadianviolinistKathleenParlow,towhomthepiecewasdedicated.CampbellportraysastudentwhoseekstocompleteherthesisonParlowbyorganizingapublicperformanceof“Opus28”fromTorontotoOslo.ThecastincludesDueñas,MelanieScheiner,EveDuranceau,MaximGaudette,Rosa-JohanUddoh,andEileenDavies.
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Whenhislongsufferinggirlfrienddisappearssuddenly,leavingacrypticnoteasheronlyexplanation,Hankscomfortablelifeandhissanitybegintocrack.Then,fromthewoodssurroundinghishouse,somethingterriblestartstryingtobreakin.
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MónicaadoresherdaughterClara.Oneday,theteenagerisfoundunconsciousandinacoma,acomathateventhedoctorscantexplain.Anxious,filledwithpainanddrivenbydesperation,Monicawoulddoanythingtosaveherandbringherbacktolife.Evensomethingthatcouldcauseunexpectedconsequences...DavidVictoridivesintothesupernaturalhorrorthrillerrealmtopresenthisdebut,andhedoesitbybeingateasewithalltheelementsofthegenre.Heintroducesastorythatshowsthedarknessweallhaveinside,bringingthecharacterstotheemotionalverge.Elegantandfilledwithasuggestiveatmosphere,combiningsubtlehintsandsuspensetraces,thefilmisenhancedbytheperformancesofthecharismaticBelénRuedaandDaríoGrandinetti.Victorihasalreadyachievedalot,heisawinnerofYoutube’sFilmFestivalandmadeawebseries,Zero(2015),whichwasproducedbyRidleyScottandMichaelFassbender.ThePactisyetanotherexcitingnewstepinhisjourneyasfilmmaker.
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Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
