Manichar
搜索"Manichar" ，找到 以下影视作品
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厄尼·巴巴拉什
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冰冷血腥、精密恐怖的立方体外部，埃瑞克·韦恩（扎卡里·贝内特 Zachary Bennett 饰）和多德（戴维·哈本德 David Huband 饰）两名看守者百无聊赖应否手头的工作，偶尔一瞥屏幕中受困者的行动。这一次，美丽干练的妈妈卡珊德拉?瑞恩斯（史蒂芬·穆尔 Stephanie Moore 饰）和女儿安娜在林间遭到袭击。当她醒来时，发现自己丧失部分记忆，身处一个隔绝密闭的空间。她好不容易找到另外四名受困的陌生人，并和他们策划逃脱，谁知设施内杀机四伏，稍不留意便会毙命。另一边，埃瑞克对受困者渐渐产生同情，他似乎试图破坏这座充满阴谋的杀人机器…… 本片荣获2004年纽约恐怖电影节最佳特效奖、2004年尖叫电影节最佳化妆和最佳特效奖。
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瓦蒂姆·吉恩
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大卫·杰森
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马克·沃伦
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米歇尔·道克瑞
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大卫·沃纳
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托尼·罗宾逊
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奈格尔·派纳
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彼得·吉尼斯
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斯蒂芬·马库斯
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克雷格·康威
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Rhodri
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Meilir
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西妮德·马修斯
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伊恩·理查森
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内尔·皮尔森
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Nicholas
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Tennant
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Richard
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Katz
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艾德·科尔曼
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杰弗里·哈钦斯
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约翰·福兰克林·罗宾斯
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蒂莫西·贝特森
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John
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Boswall
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罗伯特·波特尔
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马德琳·拉基克-普拉特
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Bridget
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Turner
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Dominic
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Borrelli
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申德
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蒂姆·
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普莱斯特
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Andy
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Robb
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特里·普拉
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故事产生在一个名为迪斯科的异想天下之中。一年一度的Hogswatchnight行将到来,这是这个天下里最为盛大跟盛大的一个节日。每逢此佳节到来,圣猪老爹（多米尼克·波雷里 Dominic Borrelli 饰）都市骑着野猪拉的雪橇,挨家挨户满意孩子们许下的欲望。但是这一次,圣猪老爹却好像碰到了费事。 奥秘构造派出了杀手Teatime（马克·沃伦 Marc Warren 饰）追杀圣猪老爹,由于后者的存在严峻捣乱了这个安分守纪的天下的法则。Teatime绑架了牙仙（西妮德·马修斯 Sinead Matthews 饰）,令全部孩子忘却了圣猪老爹的存在。在这个节骨眼上,逝世神（伊安·理查德森 Ian Richardson 饰）自告奋勇接替了圣猪老爹的任务,与此同时,逝世神的孙女苏珊（米歇尔·道克瑞 Michelle Dockery 饰）也在尽力的找寻着圣猪老爹的着落。
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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CharlieCaleisbackontherun,andinSeason2we’vetakenherjourneytothenextlevelonemurdermysteryatatime,"JohnsonandLyonneteasedinajointstatement."Fromminorleaguebaseballtobigboxretail,fromfuneralhomestoalligatorfarmsandevenagradeschooltalentshow,Charlienavigateshercrimesolvingexistentialroad-tripwithdeadpanwit,humanempath...
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ppoy is a school kid with a creative mind who couldn't cope up with the formal system. All the while he got attention through his art. When he was forced to the edge of the system he begin to lose his identity. Later he is pushed into a loser category. At one point he begins to get attention when he started to perform outside of the system as a wild character. Because of the strong outer factor of the system and due to confused feelings he chose to remain as a wild character without knowing he is actually being a slave of the rottening system.…
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恩斯特·刘别谦
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Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family. As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did. Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano. The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving wrong impressions in the minds of the public about the character of the story. It ultimately was released as Broken Lullaby.
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亚当·麦凯
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39岁的布伦南?哈夫（威尔?法瑞尔 Will Ferrell 饰）无业，一直在母亲南希（玛丽?斯汀伯根 Mary Steenburgen 饰）家蹭吃蹭住。40岁的戴尔?多巴克（约翰?赖利 John Reilly 饰）也是个与父亲罗伯特（理查德?詹金斯 Richard Jenkins 饰）住在一起的大龄男，靠父亲的接济生活。南希与罗伯特一见钟情，婚后搬入罗伯特家居住，布伦南也随母亲一起搬入，从此被迫以继兄弟的身份与戴尔同处一室。二人从相互敌视逐渐成为最佳拍档，共同对付布伦南的优秀弟弟德里克（亚当?斯科特 Adam Scott 饰），玩闹得不亦乐乎。可没想到他们的胡作非为却毁了父母刚建立起来的美满婚姻，二人后悔万分，终于决定痛改前非……
