Tahalea

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战线之外
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It's the close of World War II. Unwilling to surrender| rogue German forces shoot down a returning British squadron leaving Sydney Baker wounded and lost with the enemy closing in. He's saved by American soldier and the duo must face their fears both internal and external| to defeat the enemy and make it back to friendly territory alive.
影星永驻利物浦
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AromancesparksbetweenayoungactorandaHollywoodleadinglady.本片根据PeterTurner所写的同名传记改编,讲述了奥斯卡奖得主、40/50年代“黑色电影”女神之一GloriaGrahame(AnnetteBening饰)的晚年生活。当57岁的GloriaGrahame患上癌症时,一位年轻的演员PeterTurner(JamieBell饰)进入她的生活,照顾这位行将离开人世的女演员,两人也渐生情愫。
裁缝的抉择
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Aseamstressgetstangledinherownthreadafterstealingabriefcasefromadrugdealgonebad.Inanescalatinggameofcatandmouse,herdifferentchoicesleadtodrasticallydifferentoutcomesalongtheway.
鲸之歌
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Clara and Alejandro are moving to a new home, but soon he goes on a work trip and she stays alone, surrounded by closed boxes. This mess compels her to live new experiences that will lead her to question the closed and hermetic world where she lives.
罚球
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¿How far does a soccer fan go for his beloved national team? Mariano Cárdenas (Adrian Uribe), a married man and a civil servant, shows us that crossing the line when supporting the national team is a must. Mexico and the USA are in the final qualifying match for the 2018 - World Cup. Mariano is committed to giving everything he has, including his time and relationship with his wife, to be present in the game because he is convinced that his presence in the stadium is the only thing factor that will guarantee the victory. Everything is ready and organized for the big day. Unfortunately, plans change when Mariano learns of the death of his uncle, with whom he lived and with whom he wagered a large bet on the team. Mariano is torn between being at the funeral or escaping to accompany the team. Thanks to the decision he makes, he loses his job, his wife, his home but his heart is full as Mexico qualifies for the World Cup.
无人呼叫
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50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。  In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
亲爱的莉亚
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Jonas, a 40 something Parisian, is still desperately in love with his ex-girlfriend Léa. When he knocks on her door to confess his feelings and she turns him down, he ends up at the café downstairs.  Inspiration strikes and he sits down to write her a long love letter, dodging everything he was supposed to do that day. What begins as a last attempt to get her back surprisingly turns into a vivid musing on the state of his life.  Over the course of a day, helped by a wisecracking bartender and an array of patrons from the neighborhood, Jonas has to face his past relationships, his uncertain future and, most of all, himself.
迷路2018
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 In a cold and remote landscape, two strangers struggle to repair their broken pasts. A young man is on parole after serving time for attempting to murder the man who killed his girlfriend in a hit and run. A woman is released from a psychiatric facility far from her homeland. These two damaged strangers cross paths in the mountains in winter and fall into a complex intimate relationship, putting to the test their capacity to trust and heal.
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