Alla
搜索"Alla" ，找到 以下影视作品
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年青女孩露西·克莱沃（Chloé Coulloud 饰）在某关照机构找就任务,她下班的第一天等于前去一幢位于郊野密林深处的陈旧别墅,照看在那边堕入深深苏醒并依附医疗装备保持性命的前芭蕾舞先生德博拉·杰塞尔（玛丽-克劳德·皮塔卡拉 Marie-Claude Pietragalla 饰）。传说这幢别墅里藏着无价之宝的法宝,露西在男友人威廉（Félix Moati 饰）的鼓动下,跟他们的友人本（Jérémy Kapone 饰）在一个万圣节的晚上潜入别墅寻宝。但是经由一番寻觅后却发明,别墅内除了杰塞尔夫人好像另有其余人的存在,而那恰是夫人本应早已逝世去的女儿。 匪夷所思的恐惧变乱接连产生,露西他们将阅历了长生难忘的一夜……
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A story of nephew and a son which re册ves around their emotions and village drama and army based story.
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Ozgur a young boy who lost his parents since childhood was heir to his grandfather's wealth but there is one condition that he has to live a while in a village otherwise it will be donated to a charity.ozgur will go to that village and he ran in to a girl named elif
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蔡扬名
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A martial arts fighter, haunted by his past, takes a job as a dock worker in a small village. His vow never to fight again is tested by the cruel owner of the pier.
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布莱恩·奥斯汀·格林
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迈克·克拉克·邓肯
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维尼·琼斯
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汤姆·塞兹摩尔
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丹尼·特雷霍
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罗伯特·卡拉丁
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杰克·布塞
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Gianni
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Capaldi
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C·托马斯·豪威尔
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提姆·阿贝尔
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洛里·海瑞
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迈克尔·马西尼
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苏茜·阿布罗梅特
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威廉.泽布卡
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André
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Gordon
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Jonathan
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Sachar
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巴特·约翰逊
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罗曼·米蒂齐扬
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Gary
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Castro
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Churchwell
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詹姆斯·罗根
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Ralph
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Lliteras
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Hollie
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Doker
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杰夫·普雷韦特
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Steve
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Shane
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Anthony
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Cafaro
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「十字追杀令 Cross」2011最新的西欧举措大片。 神将封印了奥秘气力的护身符赏给被选中的家属们,这些家属生生世世同罪恶气力作战,挽救人们于暗中。Callan在父亲逝世后继续了最为壮大的凯尔特十字架跟家属任务,率领各有特长的搭档战役在洛杉矶遍地。在跟平的表象下,这个都会的暗中权势再度跃跃欲试。多名女性不明掉落,另一神器涌当初洛杉矶,在考察进程中Callan得到了气力,纠葛在本人的从前之中,他要怎样走出这场经心谋划的圈套……
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HeidiKlumandTimGunnarebackatitinthisglobalfashioncompetitionseries,whereestablisheddesignersfromaroundtheworldcompetetobethenextgreatfashionbrand.Eachweek,winninglookswillbeavailabletobuyonAmazonintheMakingtheCutstore,andthelastdesignerstandingwillreceiveonemilliondollarstoinvestintheirbrand.
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NetflixEspañahapublicadoenredessocialesunafotoenelsetdemaquillajede'MuertosS.L.'protagonizadaporLauraCaballeroyelactorCarlosArecesTorregrosers,tenemosbuenasnoticiasparavosotros.LaurayAlbertoCaballerosiguendedulceyconfirmanquehabrácuartatemporadade'MuertosS.L.',unadelasgrandesficcionesespañolasenelgénerodelacomedia,quellegóaNetflixesteveranotrasdosprimerastemporadasbajoelsellodeMovistarPlus+.Lapropiadirectorahaprotagonizadoelanunciojuntoalgranactoryprotagonistadelaserie,CarlosAreces,corroborandoquehabrámásaventurasdelosempleadosdelaFunerariaTorregrosa.
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Jackisengagedtofindamissingperson,onlytobelaterframedforhismurder.JackisquicklycaughtupinacomplexwebofpowerfulvestedintereststhatstretchesfromhishometownofFitzroytoaremotevillageinthePhilippines.
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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Victoria, 8 year old girl whose mother just passed away, relocates with her father in a small mountain village. She finds solace in the adoption of a puppy of unknown origin found in an isolated farm.
