d
搜索"d" ，找到 以下影视作品
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艾瑞克·莎莫
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At the 20th floor of a skyscraper, a gas leak has started a fire. Anne and Ben Bronson, two teenage kids, are trapped in a fiery inferno 20 - storeys above the ground, while the fire is spreading throughout the entire building. From the 60th floor, their parents, Brianna and Tom, who were about to sign their divorce papers, will have to fight together to save their family from the flames. Even if Brianna is a brilliant structural engineer, will she find out a way to stop this uncontrolled fire ?
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It follows four individuals as they attempt to find their perfect spouse via astrological matchmaking.
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容凯琪聪慧俏丽,是家属的骄子跟继承人,却被叔叔绑架欲图杀戮,琪冒死逃走却因不测而得到影象,流浪陌头,幸得歌舞团的女乐依依收容并参加歌舞团,成为成员之一,团长沈辉煌晚期跟挚友彩蝶为情侣拍档的歌星,蝶对辉一片痴心,辉伪装不懂,令蝶悲伤绝望。琪的未婚夫林子聪是执业状师,前程无穷,却在完婚前夜不测中得到未婚妻,遭到严峻袭击,然而一直为废弃寻觅琪,一次陌头相逢曾经更名为红红的凯琪,大为惊喜,然而红红完整不料识他,并以为他居心叵测,子聪惟有从一般友人做起,渐渐压服红红信任她就是他的未婚妻凯琪。依依与未婚夫王旭亮是欢乐冤家,整天在喧华中过日子,红红奔忙在两人之中做跟事佬,亮出生黑社会,为人课本气,红红在一次争论中意识黑社会老迈,并为之欣赏以为寄父,跟亮一同为他办事,人深得老迈重视,黑社会老迈另一部下欧兆佳见状不满,总跟亮过不去,后为了争权害逝世老迈,红红跟亮一同反抗佳,与亮产生奥妙情感,亮感到与依依缘尽,红红为了依依的幸福躲开亮,然而纸包不住火,终于依依晓得亮倾慕于红红大为盛怒,喊打喊杀,亮掉落臂依依有了身孕执意分别,依依为了救亮而挨了佳一刀,送院无救身亡,红红悲伤欲绝,而琪之叔叔发明白琪的着落,继承派人追杀,这时琪才接收子聪劝喻到病院做DNA测试,终于信任了子聪的话,子聪跟亮与琪叔叔开展奋斗,然而这时琪叔叔被杀身亡,琪成为第一怀疑人被推上法庭,子聪跟亮争相认罪,最后三自我能否能坦然过关,而琪又终极挑选了谁呢！
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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亚当·格林
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Tenyearsaftertheeventsoftheoriginalmovie,VictorCrowleyismistakenlyresurrectedandproceedstokilloncemore.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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马克·韦布
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瑞秋·齐格勒
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安德鲁·伯纳普
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盖尔·加朵
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安德鲁·巴特·费尔德曼
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杰里米·斯威夫特
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泰塔斯·伯吉斯
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马丁·科勒巴
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贾森·克拉维茨
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乔治·萨拉萨尔
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安迪·格罗特卢鲁申
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帕特里克·佩奇
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艾米莉亚·福彻
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安苏·卡比亚
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哈德利·弗雷泽
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洛丽娜·安德里亚
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乔治·阿普尔比
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科林·迈克尔·卡迈克尔
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塞缪尔·巴克斯特
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吉米·约翰斯顿
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杜乔娜·吉夫特
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伊德里斯·卡尔博
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贾伊·贝托特
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当至纯至善的白雪公主（瑞秋·齐格勒RachelZegler饰），遭遇童话届令人胆寒的邪恶皇后（盖尔·加朵GalGadot饰），一场关于纯真与邪恶、光明与黑暗的终极对决正式上演。
