Te
搜索"Te" ,找到 以下影视作品
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雷吉纳·哈德林
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13岁的黑人小孩克里斯(泰勒·詹姆斯·威廉姆TylerJamesWilliams饰)生活在纽约布鲁克林区,家中有做好几份低等工拼命养家、极度抠门的老爸朱利叶斯(泰瑞·克鲁斯TerryCrews饰),有虚荣、能干的大嗓门老妈罗谢尔(蒂琪娜·阿诺TichinaArnold饰),还有一对麻烦的弟妹德鲁(特昆·里奇蒙德TequanRichmond饰)和唐娅(ImaniHakim饰)。到了上学年龄,克里斯被严格的老妈送入白人学校,不出所料受尽欺侮,但也有幸交到一个好朋友——因瘦弱苍白同样要做受气包的格雷戈(文森特·马特拉VincentMartella饰),每天从家里到学校同样吵闹和无奈,克里斯始终用一种无所谓的自嘲精神面对这一切……本剧里面“克里斯”的原型是艾美奖得主、喜剧明星克里斯·洛克(ChrisRock),并由他本人亲自担任独白。
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如今,从 "名人圈" 里 "卸甲归田" 的Jane当上了加利福尼亚调查局(CBI)专案调查组的独立顾问。他利用自己的"超感"特长连续破获了多起公众关注度高的疑难悬案,惊人的破案效率和成功记录让很多人连呼"神人"。但是在调查局内,大家都知道Jane的底细--他是个缺乏纪律感、不愿意按规矩办事的家伙。 古板严肃、一切只知道照本宣科的高级特工Teresa Lisbon (Robin Tunney, "PrisonBreak")拿Jane非常头疼--一方面,她公开排斥Jane,认为他虚伪、自恋、华而不实,喜欢卖弄自己,不希望他留在自己的团队里。她尤其憎恨Jane公私不明、轻重不分的性格,认为他总有一天会威胁到所有人的安全。但另一方面,她也不得不承认:Jane的作用无人可替代,他的判断力对同事们来说非常有价值。 燕迹秦清添加。
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威廉·惠勒
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故事发生在古罗马时期,护民官米撒拉(史蒂芬•博伊德 Stephen Boyd 饰)回到了故乡,重遇了儿时的好友宾虚(查尔登•海斯顿 Charlton Heston 饰)。宾虚家是犹太人的豪门,在犹太人中享有相当高的待遇,为了控制犹太人,使他们安份的臣服于古罗马帝国的统治之下,米撒拉希望宾虚帮忙。但宾虚不肯出卖自己的民族,于是两个好友决裂了。随后,米撒拉找了借口治了宾虚一家谋反罪,宾虚被卖到一艘军舰上当奴隶,而他也失去家人们的信息。一次偶然机会,宾虚立了战功,得到了古罗马的皇帝接见,他回到了故乡,也开始了他的复仇之旅!©豆瓣
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理查德·阿滕伯勒
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本片记录了印度圣雄甘地史诗般传奇伟大的一生。1893年,24岁的甘地(本•金斯利 Ben Kingsley 饰)受邀前往南非任律师职,决心在当地带领印度移民开展非暴力不合作的抗议活动,并因此入狱。出狱后甘地回到祖国,在三八朗地区建立了高僧修行所,加入了国大党领导的印度独立运动,宣传非暴力不合作的斗争理念。运动中甘地曾四次入狱;在其不懈努力及国大党的带领下,印度独立终于提上议事日程,甘地也于1931年赴伦敦参加商讨独立的圆桌会议。然而随着独立的临近,印度国内穆斯林与印度教人民之间的宗教矛盾日益突出,甘地的非暴力不合作理念又面临着更为严峻的新挑战…… 本片获1982年奥斯卡最佳影片,最佳导演(理查德•阿滕伯勒Richard Attenborough),最佳男演员(本•金斯利),最佳原创剧本,最佳艺术指导,最佳摄影,最佳服装设计和最佳剪辑共八项大奖,并获奥斯卡最佳化妆,最佳电影音乐和最佳音效三项提名。
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约翰·休斯顿
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亨弗莱·鲍嘉
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沃尔特·休斯顿
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提姆·霍尔特
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布鲁斯·班尼特
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巴顿·麦克莱恩
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AlfonsoBedoya
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ArturoSotoRangel
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ManuelDondé
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JoséTorvay
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MargaritoLuna
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罗伯特·布莱克
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GuillermoCalles
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RobertoCaedo
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SpencerChan
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杰奎琳·达利娅
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拉尔夫·邓恩
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帕特·弗莱厄蒂
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马丁·加拉拉加
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杰克·霍尔特
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约翰·休斯顿
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JulianRivero
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杰伊·丝沃黑尔
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RaySpiker
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HarryJ.Vejar
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CliftonYoun
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弗雷德(亨弗莱·鲍嘉HumphreyBogart饰)和鲍勃(提姆·霍尔特TimHolt饰)是两名穷困潦倒的流浪汉,一日,在酒吧中,他们从精明智慧的霍华德(沃尔特·休斯顿WalterHuston饰)口中听闻了有关金矿的消息,走投无路的两人打起了淘金的主意,他们谎称是猎人,驻扎在了山上。经历了种种苦难的挫折,幸运的三人找到了金矿。然而,随着金砂数量的增加,原本相互信任的三人之间出现了裂痕。在一次下山采购的过程中,名叫科迪(布鲁斯·班尼特BruceBennett饰)的年轻人发现了他们秘密,跟随而来的科迪表示想要从中分一杯羹,三人决定杀之而后快。就在这个节骨眼上,一群土匪开始向山上进发,他们想要的是这三个“猎人”狩猎得到的“兽皮”。在种种阴谋和贪婪本性的趋势下,本来有着美好前景的三人走向的破灭的结局。
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阿努·梅农
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这部连续剧讲述了四位有着无可争辩的缺陷的女性的生活,她们各自拥有丰富和稀薄的生活,却又相互赋予了权力。达米尼,这位非常成功的记者和初创企业创始人,尽管董事会为她设置了障碍,但她还是连续获得了四项“无畏记者”奖,但她的个人生活从未稳定下来。最后失去了她真正爱的杰伊,因为一些误解。安贾娜·梅农是一位成功的律师,她一直试图摆脱与卡维娅疏远的丈夫初露头角的恋情,结果在带生病的女儿去医院时,因酗酒和驾车而入狱。乌芒是旁遮普邦的一名教师,来自卢迪亚纳,一名双性恋者经常试图从女朋友给她的分手的痛苦中恢复过来。最后但并非最不重要的是,23岁的SidhiPatel是一位非常活泼的处女,在她过分挑剔的母亲Sneha的不断干预下,她试图找出爱的真正含义。
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Setin790AD,VikinganefeaturesthedailychallengesofpeoplelivinginasmallVikingvillage,frompowerstruggle,brotherrivalry,genderequality,tobetrayalandfriendship."It’sthestoryofpeoplefromourtime,butlivingduringtheVikingera.Ofcourseeverydaychoiceshavefarmoredramaticconsequencesandthatmakesforgreatcomedymaterial.
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
