Manet
搜索"Manet" ,找到 以下影视作品
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A social networking slasher, with a supernatural edge and Brit-Horror chic
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山姆·迪茨
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Netflix新动画系列《恶魔城:夜之城》正式开拍。该剧由制作人凯文·科尔德(KevinKolde)和主创/编剧克莱夫·布拉德利(CliveBradley)领导,由Project51Productions制作,由PowerhouseAnimation提供制作服务。恶魔城:夜曲讲述了里克特的故事,他是贝尔蒙特家族的后裔,在标志性的《夜之交响曲》和……
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毗邻北法利亚森林的白谷国,老国王(爱德华·沃纳EberhardWagner饰)在狩猎途中被怪兽杀死。为了巩固本国于白谷国的和平盟约,邻国王子亚利山大(杰米·托马斯金JamieThomasKing饰)前来求婚,却意外邂逅美丽的白雪公主(艾莉莎·本内特ElizaBennett饰)。美丽而邪恶的皇后(简·玛奇JaneMarch饰)看出王子对白雪公主的好感,于是心生嫉妒,秘密令与自己有染的猎人(本·麦多克斯BenMaddox饰)在野外杀害白雪公主。谁知中途意外发生,猎人敷衍交差,白雪公主则被神秘的精灵族救下。一度被人类所奴役驱使的精灵族,面对这个人类的公主心中充满矛盾。白雪公主全新的故事,全新的传说……
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吉勒·马尚
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法国南部某个海滨小镇,遐迩闻名的粉刷工加斯帕(Gregoire Leprince-Ringuet 饰)与同龄女孩马丽安(Pauline Etienne 饰)相恋。某天,他们偶尔拾到一部手机,手机外面的奇异短信令他们颇为猎奇,而桌面上谁人颓丧女孩的照片好像也牢牢捉住了加斯帕的眼球。数日后,他们依照短信的内容跟踪了两名当事人——瘦弱的青年龙(Swann Arlaud 饰)跟颓丧女孩山姆(Moon Daily 饰),成果这两人竟相约在山中自残。加斯帕跟马丽安急忙营救,龙断气身亡,山姆则捡回一条命。 在此之后,加斯帕找到了山姆所玩的虚构收集游戏“黑洞(Black Hole)”,盼望再次碰见谁人奥秘的女孩山姆,却由此走入一条布满凶恶的暗中之途……
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
