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A dark comedy about one man's overreaction! Roma's (Anthony Michael Hall) perfect life unravels when his foreman goes missing and he chooses to fire the wrong guy.
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Young,Famous&Africanseason2ishere,andfansoftheshowareinforatreatagainthistime.ItwasreleasedonFriday,May19,2023,exclusivelyonNetflix.Thisseasonpromisestobeevenmoreexcitingthanthefirst,withanewcastofglitzyandaffluentmediapersonalitiesfromacrossthecontinent.
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NicolasCage饰演PaulMatthews，一个拥有终身教授头衔的平平无奇家庭男子，热爱进化生物学以及对自己的一事无成感到焦虑。有一天，他发现自己出现在别人的梦中。和生活中一样，他在这些梦中的存在是平庸和非侵入性的——他只是在那里，冷漠地盯着陌生人的幻想和噩梦。尽管如此，他一夜之间成为了一名名人，享受着爆火的洗礼。但是，保罗逐渐发现这是一个潘多拉的盒子，梦中的自己开始莫名思妙地变得暴力……
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Tom Riley thought he was getting the deal of a lifetime when he bought a house below market value at a Sheriff's sale. He invested every penny he had with the plan of flipping the home for a profit. Once he owned it, however, he noticed strange happenings, all of which were captured on 21 Surveillance Cameras located throughout the home inside and out. At first he thought people were breaking in, but he soon realized he was dealing with something Paranormal.
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Astrugglingphotographergetsmorethanhebargainedfor,discoveringthetruthofwhathisnewcameraisreallycapableof.
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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A unique relationship flourishes between an aspiring artist and a plant man growing in his garden.
