Baud
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吴钟禄
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日美（孙艺珍Ye-jinSon饰）的母亲在临盆当天死于难产，日美的父亲朱荣大（于东健YuDong-Geun饰）独立一人抚养女儿长大，把她视作掌上明珠。和日美青梅竹马的孙太一（车太贤Tae-hyunCha饰）是釜山高中出名的差生，虽然行为大胆，性格叛逆，多次违反校规校纪，却把日美视为今生的唯一。在他向日美表白后，他的班主任，日美的爸爸朱大荣提出了以成绩超过日美为条件的公开招亲来激励太一。而太一决定，为了日美而洗心革面，发奋读书考上了法律学院。原以为到此就可以与日美结婚的太一，又被朱父的软硬兼施逼迫许下承诺，保护日美的处子之身直到他通过初级司法考试。为了考试而专注学习的太一一再的压抑自己对日美的欲望，甚至努力去忽视日美千方百计的示好。然而当埋头苦读的太一终于通过了考试之时，却听说了心爱的日美要与他人结婚的讯息，于是太一开始了挽救初恋的疯狂...
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酒吧内,年轻男女都抱着妄想,追求名利,JUDE及SARA与PETER打得炽热,为的是先容模特儿公司查理意识,生机敏捷成为星模。大亨James目击年轻人游手好闲,不良意识充满全港,因而生机法宝女儿Catherine 往香港找个拍档转变这个坏风尚。 Catherine为小美找来三个始终想发星模梦的妙龄女孩LuLu!Qoo与Suki,为她们直接非正常练习,力捧她们成为将来“星模”的鼻祖,但是天下上有太多弗成顺从的引诱,无良司理人查理威逼之下,JUDY及SARA等被诈财骗色,Qoo受骗拍裸照,更自愿去陪一些有钱阿伯。
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可爱的大学生拉克的伴侣背着他和拉克最好的朋友偷情。这段新的伤痛期给了坏男孩哈泽·迪诺一个直接向拉克献殷勤的机会。迪诺不害怕表达自己的感受。毫不动摇，他等待他的下级动摇，并打开他的心与他出去。~改编自斯克里帕尔的小说《恐龙之恋(???????????)》Bunny-cuteuniversitystudentRak’spartnercheatsonhimwithRak’sownbestfriend.ThisnewperiodofhurtgivesbadboyhazerDinotheopportunitytohitonRakstraightforwardly.Dinoisn’tafraidtomakehisfeelingsknown.Unwavering,hewaitsforhisjuniortobeshakenandopenhishearttogoingoutwithhim.~~Adaptatedfromthenovel"DinosaurLove(???????????)"byScriper
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Eun-gi’seventfullifeinaboardinghousehasbegunwiththethreeladies:asexyownerofaboardinghouse,herdaughterwhoisevensexier,andhisinnocentfirstlove.Eun-gi,afreshman,hasfoundhisnewplaceinaboardinghouseoperatedbymotheranddaughterwhenhecametoSeoultostudy.Hisonlypleasureistoplayalongintheunspokenpush-and-pullrelationshipwiththemotherorthedaughter.Oneday,hisfirstlove,Soon-yi,whoisinnocentanddocile,suddenlycomestovisithimattheboardinghouse.Withthesexydaughteroftheboardinghousebehindthedoor,andthecurvaceousladyowneroftheboardinghouseinthebathroomnexttohisroom,the20-year-oldvirginEun-gi’ssleeplessnightbegins.
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阿克塞尔·卡罗琳
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Aftersufferingastroke,JudithAlbrightmovesintoahistoricnursinghome,whereshebeginstosuspectsomethingsupernaturalispreyingontheresidents.Inordertoescape,shellneedtoconvinceeveryonearoundherthatshedoesntactuallybelongthereafterall.
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Setin19thcenturyEngland,MissMarxcentersonthelifeonKarlMarx’syoungestdaughterEleanor.Inherpublicpersona,Eleanor“Tussy”Marxwasatranslator,actress,achildren’srightsactivist,afeministandapersuasivelabourorganizer,atirelesspowerhousedeterminedtocarryonherfather’swork.Sheheldherownwithtwentiethcenturygods,includingbothherfatherandhiscolleagueEngels.Inherprivatelylife,however,shewasvulnerableandherattractiontotheself-indulgentandself-importantEdwardAvelingledherintomiseryandultimatelyprovedfatal.
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鲁克·高斯
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The film, which marks the directorial debut of singer-turned-actor Luke Goss, is currently in post-production. Also starring Goss, alongside Robert Davi and Patricia De Leon, it tells the story of a man who must go to extreme lengths to discover what happened to his kidnapped wife and daughter. Soda intends to launch the film to coincide with the reunion concert tour of Bros., the 1980s' pop band Luke performed in with his brother Matt. The reunion was original intended as a one-off concert at London's O2 - Arena on August 19 - marking the anniversary of the band's last concert in 1989. However, when that show sold out within a minute of going on sale the tour was expanded to include six further dates at the O2 - and at other venues around the U.K. in August
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马塞尔·哈侬
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Synopsis:Julienetsonpreneurdeson,Michel,tournentàBrugesundocumentairedecommande.Julienrêveaufilmqu’ilpourraittournerdanscettevillemystérieuse:uneadaptationdeShakespeareoudeMusset.LerejointbientôtSophie,safemme,anciennecomédienne,quisouffredeladistancequeJuliensemblemettredansleursrapports.Bientôt,àuneexpositiondepeinture,ellerencontreunartistequ’ellevoitsouslestraitsdeJulienetquil’inviteàvenirvisiterFlorence.ElleconfieàMichelsestourments.Julien,desoncôté,vientd’accepterlapropositiondesonproducteur:réaliserune"histoire"avecdes"personnages"et,pourquoipas,des"vedettes"...Alorsqu’ellesemblaitdécidéeàsuivrel’inconnu,SophiesejettedanslesbrasdeJulien.Lemetteurenscènequitourneunfilmintitulé"L’hiver"demandeunenouvelleprise.Pourlasecondefois,SophiesejettedanslesbrasdeJulien.Lepeintreinconnus’enva...©FichesduCinéma“Onecouldspendforeverunravelingthisendlessnet,sotightlywovenwithsignsandechoes,whichbecomesricherwitheveryviewing.Hanoun’sformalinvestigationofthefragmentandthe(almostsubliminal)flashframe,ofveryslightlyalteredvariationsandrepetitions,whichheappliestosituationasmuchastodialogue(oftenrepeated,eitherwithinthesameshotorfromadifferentangle)revealssomethingoftheinteriorityoffilm,ofitscreator’sunconscious,whichbecomesthatofhischaracters.ThisstructuralresemblancetoaRussiannestingdollshouldnotconfuse;it’sratherthecontraryofthisdetachmentwithwhichthefilmends.ThemoreHanouncompresseshisdreamsofdreamswithindreams(films),thecloserhegetstointimacy.”-EmericdeLastens(Re:Voir)
