Ned
搜索"Ned" ，找到 以下影视作品
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R·马科斯·泰勒
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LorenW.Lepre
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GinaMarieScholl
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ShannonSexton
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LamarBumbrey
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StephenMedvidick
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JohnWoods
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MarkValeriano
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ZephyrIngle
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DaveFerrier
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JulieStackhouse
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Whatifawebcast,LIVEonHalloween,turnedouttobeareallifesurvivalgame?Whatifthepeoplehuntingthemarearoguemilitary?Whatifalleyesfromthearoundtheworldaretunedin,andwithashortwindowoftime,officialsneedtofindoutwherethisbroadcastistakingplace?Withalloftechnologytakenawayfromthetheyoungadultstoslowdownanyrescueteam...
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马伊雷德·泰尔斯
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希沃恩·麦克斯维尼
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罗比·基
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约翰·麦克米兰
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索菲亚·奥克斯纳姆
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Reis Daniel
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Edward Wolstenholme
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Luke Rollason
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Safia Oakley-Green
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亚伯拉罕·波波拉
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皮埃尔·伯格曼
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Bilal Hasna
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Nathaly Herrera
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Kamahl Sami-Miller
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埃拉·布鲁科莱里
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帕特里夏·艾莉森
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“Extraordinary”issetinaworldwhereeveryonedevelopsapowerontheir18thbirthday…everyone,thatis,exceptforJen.She’sturning25andisstillwaitingtogethers.She’snotevenfussyaboutwhatthatcouldbe:superspeed?Lasereyes?TheabilitytopluginaUSBtherightwayeverysingletime?She’lltakeit.Likeacaterpillarsurroundedbybutterflies,Jenfeelsunabletomoveforward,stuckinadead-endjobinapartyshopandoccasionallyhookingupwithLuke,aflakyyoungmanwiththeirritatinglycoolabilitytofly.Luckily,JenhasCarrietostopherfromwallowinginherownself-pity.Inseparablesinceschool,theirrelationshipcyclesbetweensister,parent,andwingman.TogethertheyshareanEastLondonflatwithCarrie’slong-termboyfriend,Kash.Carriehasthepowertochannelthedeadbutfeelsshe’sbeenovershadowedbyherownpartytrick:doesn’tanyonecareaboutwhatshehastosay?Kashtakeshispower–theabilitytoturnbacktime–veryseriously,buthe’snotaboveusingittoundominorembarrassments,ormomentswhenhesaysexactlythewrongthingtolong-sufferingCarrie.Thefourthmemberoftheflatisastraycat,namedJizzlordbythegang,who’sharbouringasurprisingsecret:turnsoutevencatshavemorepowerthanJen.
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阿坎·萨塔耶夫
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This is the story of the life of the great queen of of the steppe - legendary Tomyris. She is destined to become a skillful warrior, survive the loss of close people and unite the Saka tribes under her authority. 影片复原了斯基泰马萨格泰草原女王托米利斯击杀波斯阿契美尼德王朝国王居鲁士二世的汗青传奇。
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托米·维尔科拉
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就读于医科大学的维加德（LasseValdal饰）及好友们驱车前往厄克斯尼湾附近的雪山，计划与其先行到达那里的女友莎拉（AneDahlTorp饰）会合一同度假。当晚，他们从一个流浪汉（Bj?rnSundquist饰）那里听到流传在此地的一个恐怖传说：二战期间，一支德国部队驻扎这里，他们从当地人手中大肆搜刮金银财宝，手段残酷，贪婪无度，但在战争结束前夕该部队却被愤怒的民众杀死，只有为首的赫尔措格指挥官（?rjanGamst饰）极少数几个人躲进了雪山之中。年轻人们对此当然嗤之以鼻，但随着一盒财宝的出现，埋藏在雪中的纳粹僵尸开始一一复活，准备夺回一曾属于他们的财宝……
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Two art thieves have stolen the famous Black Square of Russian painter Kasimir Malevich. They plan to meet their clients on a cruise ship to hand over the looted art. However, things are not going quite as planned..
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Tom Riley thought he was getting the deal of a lifetime when he bought a house below market value at a Sheriff's sale. He invested every penny he had with the plan of flipping the home for a profit. Once he owned it, however, he noticed strange happenings, all of which were captured on 21 Surveillance Cameras located throughout the home inside and out. At first he thought people were breaking in, but he soon realized he was dealing with something Paranormal.
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Astrugglingphotographergetsmorethanhebargainedfor,discoveringthetruthofwhathisnewcameraisreallycapableof.
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
