Ananda
搜索"Ananda" ，找到 以下影视作品
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梁智强
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本片以上世纪六十年代的本地家庭为主轴，通过成员的际遇，带出早期的甘榜生活以及后来的组屋生活，剧情横跨数十年。电影也将体现新加坡如何从一个以方言为主流语言的社会演变成华语到现今英语的过程，从中回顾流失的方言。它也会融入导演的许多亲身经历，并将安插多首怀旧歌曲。Afterthe1969nationwidefloods,ZhaoDitakesoverherfathersfamilyfarmwiththehelpofreformedgangsterAhLong.AsSingaporeseconomyprospers,theSingaporeanmindsetisalsoforcedtochangewiththetimes.Osmancatcheshisteenageson,Ahmadpracticingwithhisrockband.Asaconservativeman,OsmanbelievesrockmusicwillhaveanegativeinfluenceonAhmad.Fatherandsonargueovertheirdifferentopinions,causingAhmadtorunaway.Meanwhile,AhHeeandRanidecidetogetmarried.Buttheirtraditionalparentsdisapproveoftheirmarriage.In1977,theGovernmentbeginsexpropriatinglandforredevelopment,forcingvillagersfromtheirkampongs.Licensedfarmlandowners,suchasZhaoDi,arefinanciallycompensatedfortheirland.AhKun,ZhaoDisgreedybrotheraccusesZhaoDiandAhLongofhavinganaffairtotarnishhernameinfrontofthefamily.InthemidstofAhKunspersistentaccusations,ZhaoDishealthtakesahit.WillZhaoDibeabletokeepherhard-earnedcompensationmoney?WhatwillbecomeofherfamilyifZhaoDishealthcontinuestodeteriorate?Aspeoplechangewithtime,willthekampongspiritremain?
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Will,ayoungHispanicgaypotter,isonegregariousguy.Hisbossisterrible,buthe'sgotagreatboyfriendandagreatjob.Unfortunately,behindthatveneerisadarkpastofviolenceandmentalillnessthatheisdesperatetokeephidden.Whenhisbipolarmothercomesoutofthewoodworkaftertenyearsofsilence,hebeginsexhibitingunexplainablesymptoms.Afteraninjuryatwork,hestartslosingfunctioningofhisarms,andsomethingsinisterlurksinthecornerofhisvision:asilentandominousmaninawolfcostume.Willspiralsintoanobsession,determinedtosolvethismysteryofhisown.Whatisgoingonwithhisarms?Canhetrusthisboyfriend?Ishebecominghismother?
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奥森·欧布罗维兹
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Aproudmovietheaterownermustdefendhisfamilybusinessfromcorporatedevelopersalongsidealegendaryactionstarasartimitateslifeinashowdownfortheages.
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赫尔伯特·怀斯
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Themini-seriesfollowsthehistoryoftheRomanEmpire,fromapproximatelythedeathofMarcellus(24/23BC)toClaudius’owndeathin54AD.AsClaudiusnarrateshislife,wewitnessAugustus’attemptstofindanheir,oftenfoiledbyhiswifeLiviawhowantshersonTiberiustobecomeemperor.WealsoseetheconspiracyofSejanus,theinfamousreignofCaligula,andClaudius’owntroubledperiodofrule.
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Night Falls in India tells the story of Ricardo (Juan Diego) and Dana (Clara Voda). Ricardo decides to travel overland to India, as he used to do in the old days, when he brought hippies to the East with his van, crossing Europe, Turkey, Iran and Pakistan. But the situation is very different now. Ricardo has been in a wheelchair for the last ten years, suffering from a degenerative disease now in its final stage. He wants to die on the banks of the Ganges River and meet Gadhali again. In this journey, he is accompanied by Dana, his Rumanian housekeeper. Life owes something to these two lonely beings. The journey will become the alibi for paying it off. Night Falls in India is a shining road-movie full of life that uses journey as an excuse to tell a story about love and the passing of time, about the importance of the present and the need to recover lost time; a story in which the journey itself is as important as the arrival.
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艾玛纽尔·贝克特
主演：
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凯瑟琳·德纳芙
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伯努瓦·马吉梅尔
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塞西尔·德·弗朗斯
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Gabriel
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Sara
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Oscar
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Morgan
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Lou
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Lampros
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梅利莎·乔治
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Clément
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Ducol
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Olga
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Mouak
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Marc
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Fauveau
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Babetida
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Sadjo
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Izabella
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Maya
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Lomane
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de
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Dietrich
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Marushka
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Jury
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Julie
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Arnold
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Gérard
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Gaudron
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Nada
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Sara
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Marie
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Courroy
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Ariane
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Liautaud
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Karim
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El
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Toukhi
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Thefilmtellsthestoryofthreepeopleforayear:ason(Magimel)diagnosedwithcancer,amother(Deneuve)sufferingfromhelplessnessandadoctor(CéciledeFrance)todoherjob:Oneyearandfourseasonsforthesethreecharacterstodealwiththedisease,totameit,andtounderstandwhatitmeanstodiewhilealive.
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
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埃米尔·赫斯基(《烽火芳菲》《荒野生存》)、凯特·波茨沃斯(《超人归来》《依然爱丽丝》)、阿什丽·格林尼(《暮光之城》系列)、M·埃梅特·沃尔什(《利刃出鞘》《神父有难》)将主演心理惊悚片《无瑕的房间》(The Immaculate Room)，目前正在拍摄中。
Mukunda Michael Dewil(《19车》)自编自导，讲述一对看似完美的夫妇参加了一项心理实验，如果他们能在完全纯白的房间里待50天，将获得500万美元的奖励。然而这个房间并不像看起来那样无害，隐藏的过去和个人的心魔将揭示可耻的事实，使他们可能无法生存。
导演：
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罗伯特·路克蒂克
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自古婆媳关系大多棘手，查丽（詹妮弗·洛佩兹 Jennifer Lopez饰）也遇上了同样的问题。当她就要和男友凯文（迈克尔·瓦尔坦 Michael Vartan饰）百年好合时，却遇到了一个严峻的问题：凯文的妈妈菲尔茨太太（简·方达 Jane Fonda饰）对这个未来儿媳另有意见。菲尔茨太太曾经拥有体面的事业，然而如今她把全部的爱和心思都摆在儿子身上，不能接受查丽的“入侵”。 菲尔茨太太联同助手一起，千方百计地要把查丽这个不速之客赶走，查丽好不容易才觅得如意郎君，当然不能束手就擒，招数一来一往，两方都在暗处开始较量。
