Aladdin
搜索"Aladdin" ，找到 以下影视作品
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加文·德里
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罗莎·萨拉查
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杰米·米奇
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乔治·韦伯斯特
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杰德·哈里森
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巴夫·乔希
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凯莉·库克
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Omar Baroud
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Ioanna Kimbook
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伊万·凯
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理查德·加德
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Mohammed Amil Shafi
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Fred Johanson
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菲利普·加斯科因
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Maud Druine
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James Payton
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贝琪·贝克
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森约·阿莫库
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赫拉奇·蒂蒂赞
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吉恩-帕斯卡尔·海涅曼德
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尤恩 贝利
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Rikki Chamberlain
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The genre-busting series tells the story of Katie and Stefan who fall for each other at a wedding and begin an affair, despite Katie already having a fiancé. Two months later at Katie’s wedding, her new husband and his entire family are murdered. The po
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何塞·马利亚·亚兹皮克
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莉莉·多诺格
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玛丽莎·托梅
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席亚拉·博拉沃
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马可·皮科西
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马库斯·伊曼纽尔·米切尔
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朱迪·凯恩
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乔纳·普拉特
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雪莉·可拉
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列乌特·菲施
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Kelsey·Lea·Jones
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Genevieve·Denny
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Jocelyn·Marie
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Emma·Factor
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AnoutspokenpsychologistrushestoLosAngeleswithherbestfriendtostopherlovesickdaughter'swedding,fearingthegroomisanarcissist.
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理查德·索普
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Waldo and Irene have been living with Margit for the four years that they have been engaged. Margit has planned the wedding and the honeymoon - in fact, Margit plans everything down to what they will have for breakfast every day. The only problem is that Waldo is a milquetoast and Irene does not want to be married to a milquetoast. So she says she is in love with Charlie, a bohemian artistproducer who lives in a trailer behind Spike's Place. When Margit confronts Charlie about giving up Irene, Charlie sees that she is the one for him. To make everyone happy, Charlie will have to help Waldo get a backbone. Written by Tony Fontana {[email protected]}
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SeriestwowillreuniteuswithDetectiveSergeantMackenzie‘Mack’Clarke(AnnaSamson),who’slongingtogetbacktotheUKandthelifeshe’salwayscraved.Butfornowshe’sstuckinDolphinCove,dodgingherex-fiancéeGlenn’s(TaiHara)upcomingweddingafteroverhearinghisunexpecteddeclarationofloveintheseriesonefinale–aconfessionthatshecan’tunhear.Luck...
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迈克尔·柯蒂兹
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Nan Masters, a single mother living with her four marriageable daughters, plans to marry Sam Sloane, businessman. Out of the blue her 1st husband Jim returns after deserting the family 20 - years earlier. The worldly wanderer Jim gets a cool family reception at first but his warm personality gradually wins the affections of his four daughters. In fact, youngest daughter Buff, who has her eye on a maverick of her own in Gabriel Lopez, is pleased when Jim grants his stamp of approval on her relationship. Buff plans to elope with Gabriel on her mother's wedding day, but 'unpredictable' is Gabriel's middle name
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SueBarkerpresentsadocumentarylookingatthelifeandcareeroftennisstarMartinaNavratilova.Theyfirstmetonthetennistourin1974,soSuewastherethroughoutthelandmarksofMartina'slife:defection,comingoutandbreakingrecords.Inthisprogramme,MartinatakesSuebacktoRevnice,herhomeintheCzechRepublic,andallowsthecamerastofilmherweddingin...
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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Based upon the music by legendary Swedish artist Tomas Ledin, "En del av mitt hjärta" is a musical drama about Isabella, a driven business woman and a real hot shot within the Stockholm finance world. When she returns to her small hometown to celebrate her father's 60th birthday she feels like a winner compared to her old classmates, being the only one who actually made something of herself. Isabella's confidence is shaken when she realizes that Simon, her big teenage crush, is marrying her childhood friend Molly and that she isn't even invited to the wedding. Isabella is used to getting what she wants, and seeing Simon so happy with somebody else bothers her. A part of her heart will always beat for Simon
