Diop
搜索"Diop" ，找到 以下影视作品
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马修·汤姆森
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斯蒂芬·弗雷
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这是一部对于恐龙的科教记载片,北极：7万万年前。一个极真个天下。冬季的阳光酿成了24小時寒冷的夜晚。恐龙们不得不做出挑选,大胆的向南迁徙以寻觅阳光。一段布满了狂风雪,火山暴发跟致命佃猎者的伤害路程,一个年青的埃德蒙頓龙开端了他的第一个千里迁徙.片中令人赞叹的CG动画 跟经心构建的数码天下,能够說是真正的恐龙片子演化,令人震动.The Arctic: 70 - million years ago. It is a world of extremes. Tropical summers of 24hr sunlight are replaced by freezing winters of continuous night. The remarkable dinosaurs that lived under the Northern Lights had to make a choice, brave the winter or head south to find the sun.Join Scar, a young Edmontosaurus embarking on his first thousand-mile migration. It is a journey for survival that is fraught with danger; blizzards, 册canic eruptions and deadly predators lie ahead. Meanwhile Patch, a juvenile Troodon, left alone in the North, must learn to survive in one of the harshest environments the Earth has ever known.This epic feature-length adventure portrays an incredible polar odyssey that actually happened but has neverbeen witnessed before. Based on recent fossil evidence blasted out of the ice around the North Pole, the makersof ''Walking with Dinosaurs'' and ''Prehistoric Park'' are delighted to introduce you to an all-new cast of dinosaurs, from feathered tyrannosaurs to giant marine predators. Featuring stunning animation and a painstakingly recreated digital world, it can truly be said that the dinosaur film has e册ved.
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一九六八年春天，柯波拉开拍《雨族》（TheRainPeople）。其原始构想来自柯波拉的童年记忆，一次他的母亲跟父亲吵架后出走了整整三天，有两天住到阿姨家，但无论如何母亲就是不肯说出之前一天的行踪。很久以后母亲才告诉他，她是待在一家汽车旅馆里害怕极了。二十九岁的柯波拉率队从纽约出发，计划往西行走，直到大家觉得够远了为止。柯波拉自用一辆野营车，内置一台剪接机。柯波拉太太带着孩子们开一辆福斯货车尾随拍片队，晚上一家人便夜宿当地汽车旅馆。包括柯波拉在内，男士们一概不准蓄胡以示良好形象，以易于获得地方上的拍片协助。这趟旅程长达四个月，走了美国十八州。柯波拉说：“我们用了一种不同寻常的拍片模式来拍《雨族》。就一车队人马，上哪里都行，非常机动，我们都觉得自己像罗宾汉一党。我们手上握有拍片的机器，似乎并不是非好莱坞不可。我们想象，假设一路上只需要用几部车和...
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In the UK over £9 - billion a year are spent on beauty products that promise to improve and transform us. But how much of what these products promise is based in scientific evidence, and how much is simply marketing manipulation? Cherry Healey teams up with independent scientists to put everyday cosmetics to the test like never before. In a groundbreaking study carried out by the University of Sheffield, and with the help of 25 - 册unteers, she discovers that moisturisers might not have the benefits people think they do.
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迈克尔·莫里斯
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SmashisanAmericanmusical-dramatelevisionseriesthatpremieredonNBConFebruary6,2012.TheserieswascreatedbyplaywrightTheresaRebeckanddevelopedbyNBCexecutiveRobertGreenblatt,andfameddirectorStevenSpielbergservesasoneoftheexecutiveproducers.TheseriesisbroadcastintheUnitedStatesonthenetworkchannelNBCandisproducedbyDreamWorksTelevisionandUniversalTelevision.ThesecondseasonpremieredonFebruary5,2013.TheseriesrevolvesaroundafictionalNewYorktheatercommunityandspecificallythecreationofanewBroadwaymusical.Itfeaturesalargeensemblecast,currentlyledbyDebraMessing,JackDavenport,KatharineMcPhee,ChristianBorle,MeganHiltyandAnjelicaHuston.Theseries,particularlythepilotepisode,hasenjoyedconsiderablesuccess.ThefirstseasonreceivedanEmmyAwardforchoreography,anditwasalsonominatedforaGoldenGlobeandaGrammyaward.
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HAN Jay
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Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
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蒋帆
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该节目是由优酷!淘宝直播独特发动,厂牌文明结合出现的跨界主播职场竞技秀,由杨无邪担负名目发动人,薛兆丰!雪梨担负名目参谋,并约请蔡少芬!陈碧舸!陈法蓉等25位跨界艺人,历经为期3个月的竞技养成跟直播实战考察,终极提拔出TOP4最强电商主播,入驻天猫官方直播间,掉掉落海量官方搀扶资本!
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恩斯特·刘别谦
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劉別謙初嚐美高梅大製作的派頭,所有筆法更神情飛揚。開敞的場景!绝后的排場讓人物裏裏外外任意張開：寡婦的心更顯孤獨,男女的愛愈加沒處安置。坐擁小國大部门財富的寡婦溘然要搬到巴黎从新尋找生涯颜色,國王唯恐國祚不保來一招美女計,派出風流種子色誘寡婦。本來一個用情一個求性,幾番相逢與折騰,改寫了男男女女的根本须要。歌與舞沒有賣弄甜膩,反而放在愛情的繁重中換來了歌頌。歌與影無間交换,劉別謙輕歌劇巔峰之作,亦成了荷里活極有代表性的一章。司花利亞與珍娜．麥當奴最後一次协作,後者散發從未有過的成熟韻味。堪稱最性感的音樂劇。Rated"thesexiestmusicalinthethirties",TheMerryWidowcouldwellbethesexiestmusicalever.JeannetteMacDonald,sensualandmajesticasaPersiancat,isthewealthiestwidowinthekingdomofMarschovia.OnavisittoParis,sheattractsaflurryofgold-diggers.Topreventherfortunefrompassingtoforeignhands,thekingsendsaromanticenvoytocourther.HechoosesCaptainDonilo,whosecavalierattitudetowomenisnotlimitedtohisrapportwithMaxim’s"girls,girls,girls".Osébutnotblasé,thiselegantadaptationofFranzLehar’soperettaout-classedvonStroheim’ssilentinopulence,culminatinginthegrandestofgrandballs.Source:28thHKIFF
导演：
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蒋帆
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该节目是由优酷!淘宝直播独特发动,厂牌文明结合出现的跨界主播职场竞技秀,由杨无邪担负名目发动人,薛兆丰!雪梨担负名目参谋,并约请蔡少芬!陈碧舸!陈法蓉等25位跨界艺人,历经为期3个月的竞技养成跟直播实战考察,终极提拔出TOP4最强电商主播,入驻天猫官方直播间,掉掉落海量官方搀扶资本!
导演：
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鲁卡斯·穆迪森
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盖尔·加西亚·贝纳尔
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米歇尔·威廉姆斯
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MarifeNecesito
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SophieNyweide
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NatthamonkarnSrinikornchot
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JanDavidG.Nicdao
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苏菲·内薇德
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娜塔蒙卡恩·斯里尼科尔霍特
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汤姆·麦卡锡
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年轻有为的里奥维德勒斯（GaelGarcíaBernal饰）是美国一家游戏网站的创始人，妻子艾伦（MichelleWilliams饰）则是某家医院的外科医生。夫妻俩终日忙碌，奔波不停，只得把7岁的女儿杰姬（SophieNyweide饰）托付给菲佣格罗瑞娅（MarifeNecesito饰）照看。某天，里奥和合作伙伴飞往泰国洽谈业务，无休止的谈判令他疲劳不堪，于是他独自一人来到荒郊海滨，为这里的野性原始气息所吸引，流连忘返；丈夫的离开让艾伦倍感空虚，她尝试和女儿沟通相处，然而太久的疏离让母女的亲情不知不觉变淡，任凭她怎样努力却始终不得其法；格罗瑞娅为了让两个儿子读书而远赴异国他乡，她一面倾情照顾可爱的杰姬，一面又深深牵挂思母情深的儿子们。在这个繁华快节奏的世界里，每个人的心灵都无所寄托……
