Candi
搜索"Candi" ，找到 以下影视作品
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1983年，连环杀人犯亨利·卢卡斯（AntonioSabatoJr.饰）落网，资深警长拉洛比（JohnDiehl饰）奉命审讯这个冷血狂魔。亨利极为配合，不仅指出了每一次作案和藏尸地点，还详尽回忆了作案的全过程。未过多久，德州某报记者致电拉洛比，要求采访这名震惊全国的杀人狂。在记者面前，亨利张口回忆了自己的过去。20世纪40年代，出生在弗吉尼亚西部的亨利没有体验过快乐的童年，他每天要做各种各样的家务，稍有差池便会遭到母亲维拉（CaiaColey饰）的残酷毒打，更时常蒙受精神上的羞辱。童年和青年时代的经历无疑给了他巨大的影响，荒凉漫长的国家公路上，嗜血狂魔一路前行……本片根据连环杀人犯HenryLee的故事改编。
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InDiciannove(translatingtoNineteen),GiovanniTortorici’selegant,heartfelt,anddaringdebut,acuriousstudentlearnsthattheroadtoself-discoveryisworthwhile,ifnotnecessary,nomatterhowunfamiliarordauntingthepath.Eagertoescapehisoverbearingmotherandtheonlylifehe’sknown,19-year-oldLeonardo(ManfrediMarini,whogivesanexceptionalperformance),leavespicturesquePalermotostudyinbustlingLondon.HislandingisbufferedbyhissisterArianna(VittoriaPlaneta)andherroommateGrazia(DanaGiuliano),thoughtheinitialexcitementoflivingabroad—andunrestrictedpartying—wanesquickly,andLeonardofindshimselfenrollingattheUniversityofSiena,focusingonItalianliterature.Backinfamiliarsurroundings,hefallsinlovewiththemedievalcity,butisnotsokeenonhisliteratureprofessor.Seekingthatindescribablefeelingofknowingyou’vefoundyourplace—beyondjustgeography—Leonardodelvesintotheclassicsindependently,spawningasoul-searchinganddeepinterestinearlymodernauthorslikePulci,Segneri,andLeopardi.Surroundinghimselfwithbeauty,vibrantyouth,andnewideas—aswellasimageshe’dpreviouslyrepressed—hisworldblooms.Ayearintohisunboundjourney,LeonardotravelstoTorinowherehemeetsamanwho,thoughmucholder,mayfinallybeacontemporary—ifnotthekeytounlockinghisinnermostdesires.
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Howfarwouldyougotohaveababy?MartinCompston,SophieRundleandMirrenMackstarinthisemotionalthrilleraboutlove,trustandthetruecostofbuyingwhateveryouwant.Dan(Compston)andEmily(Rundle)arecrazyabouteachother.TheyliveinahugehouseinthenicestpartofGlasgowandwantfornothing.Butthey’vebeentryingtohaveababyforyearswithnosuccess.Whenachanceencounterbrings18year-oldKaya(Mack)crashingintoEmily’slife,anditseemsthatjustmaybe,fatehasbroughtthemtogether.Fromtheothersideoftown,Kayaisdeterminedtomakealifeforherself.ExperiencingtheluxuriousinteriorofEmily’sRangeRover,shequicklystartstogetatasteforhowtheotherhalflive.Backinherbarelocalauthorityflat,Kayadecidestochangeherfuture.ShetracksdownEmilyandmakesheranoffer:she’llbeDanandEmily’ssurrogate,iftheyhelpsetherlifeontrack.Shecanchangetheirlives,iftheycanchangehers.Butwithonlyoneembryoleft,canDanandEmilytrustateenagegirltheybarelyknowwiththeirlastchancetohaveafamily?
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AseeminglytrivialcaseofasmallcarpentrybusinessthathasgonebankruptundermysteriouscircumstancesgetsMads'attention.ClaudiaisreleasedafteroneandahalfyearsinprisonbuthersonisinParisandtheonlyworkshecanfindisatacoffeeshop.ButthenshegetsavisitfromEnergreen'soldchairman,Mr.Christensen.NickyandBimsestillhastheautorepair...
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在法国生活后，西奥回到泰国，在他父亲的学校学习。住在泰国再次让他的环境焕然一新，但他确实交了一个朋友Ak。西奥在图书馆里找到一本欢迎他的书，作者签下了“Enchante”，法语的意思是“很高兴见到你”。西奥对这个迷人的家伙很好奇，并告诉了Ak这件事。Ak很快暴露了情况，四个家伙站出来声称他们是Enchante。西奥会成功猜出自称是他的4个家伙中谁是真的Enchante吗AfterlivinginFrance,TheocomesbacktoThailandtostudyathisfather'sschool.LivinginThailandonceagainmakeshissurroundingsnew,buthedoesmakeonefriend,Ak.Theofindsabookinthelibrarythatwelcomeshim,andthewritersignsEnchanté,whichmeans"nicetomeetyou"inFrench.TheobecomescuriousaboutwhothisEnchantéguyisandtellsAkaboutit.Akquicklyexposesthesituation,andfourguyscomeforwardclaimingthattheyareEnchanté.WillTheosuccessfullyguesswhoisthelegitEnchantéamongthe4guysclaimingtobehim?
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DomtellsthestoryofPedro,ahandsomeboyfromRiodeJaneiro’smiddleclasswhoisintroducedtococaineinhisteenyears,puttinghimonthepathtobecomingtheleaderofacriminalgangthatdominatedthetabloidsinRiointheearly2000s:PedroDom.Shiftingbetweenaction,adventureanddrama,DomalsofollowsPedro’sfatherVictorDantas,whoasateenager,makesadiscoveryatthebottomofthesea,reportsittotheauthoritiesandendsupjoiningthepoliceintelligenceservice.Theseriesshowsthejourneyoffatherandsonlivingoppositelives,oftenmirroringandcomplementingeachother,whilebothconfrontsituationswhichblurthelinesbetweenrightandwrong.StarringalongsideGabrielLeoneandFlavioTolezaniareFilipeBragança,RaquelVillar,IsabellaSantoni,RamonFrancisco,DigãoRibeiro,FabioLago,JuliaKonradandAndréMattos,amongothers.DomisdirectedbyVicenteKubruslyandBrenoSilveira,whoalsoleadsthewritingteam,whichincludesFabioMendes,HigiaIkeda,CarolinaNevesandMarceloVindicatto.TheseriesisproducedbyRenataBrandãoeRamonaBakkerfromConspiração.AntonioPintocomposedtheoriginalsoundtrack.
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图娃·诺沃妮
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Britt-Marie, a woman in her sixties, decides to leave her husband and start anew. Having been housewife for most of her life and and living in small backwater town of Borg, there isn’t many jobs available and soon she finds herself fending a youth football team.
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
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Whenademandingloverinspireshertowrite,anidlewomanmustfaketherelationshipinordertocompletehernewbook.
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Since 1977 - Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977 - Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 - Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 - to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
