Zisk
搜索"Zisk" ，找到 以下影视作品
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唐·迈克尔·保罗
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MajorRonanJackson(DevonSawa),anaccomplishedfighterpilotfortheIsraelDefenseForcesandsonofaU.S.Senator(RobertPatrick),isshotdownwhileflyingthroughSyrianairspace.Aftermiraculouslysurvivingthecrash,JacksonistakencaptivebyagroupofHezbollahmilitiamen.Agrippingandpowerfulstorypackedwithhard-hittingaction,Jarhead:LawofReturnfollowsasquadofMarines,ledbySergeantDaveFlores(AmauryNolasco),astheyrisktheirownlivesinthehopesofsavinganallytheyvenevermet.
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Everyone knows Sue, the majestic Tyrannosaurus Rex skeleton that is the pride of Chicago’s Field Museum of Natural History. Less known is the bizarre seven-year tale of intrigue, perfidy, double-dealing, and government intervention that resulted in the dinosaur-hunting discoverers, members of South Dakota’s Black Hills Institute, being divested of their find, cheated of recognition, and even sent to prison. Assembly of the gigantic fossil is something of a metaphor for filmmaker Miller’s meticulous reconstruction of a story that includes home movie footage of Sue’s discovery and recovery, her 1992 - kidnapping by heavily armed FBI agents, a rip-roaring courtroom drama as her ownership falls into dispute, and her eventual sale at auction for a heart-stopping sum.
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安东尼·曼
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二战期间，盟国面临着一个致命威胁，那就是德国很可能制造出原子弹。一群抵抗战士奉命摧毁挪威一家水电厂的重水设施。于是，希特勒的原子弹计划在轰隆一声巨响中化为了泡影。挪威抵抗运动破坏了位于挪威泰勒马克郡尤坎镇的Vemork Norsk Hydro工厂，纳粹利用该工厂生产重水，可用于制造原子弹。柯克·道格拉斯 (Kirk Douglas)饰演挪威物理学教授罗尔夫·佩德森 (Rolf Pedersen)，虽然他原本满足于等待战争结束，但很快就被当地抵抗运动领导人克努特·斯特劳德 (Knut Straud)（根据克努特·豪克利德 ( Knut Haukelid ) 饰演）（理查德·哈里斯 (Richard Harris)饰演）拉入斗争。罗尔夫的前妻安娜（乌拉·雅各布森饰演）也参与了这项工作，她与罗尔夫的关系重新升温。罗尔夫和克努特乘坐一艘客轮偷偷离开挪威前往英国，他们劫持了这艘客轮，以便将水力发电厂的缩微胶片计划提供给英国人，英国人对这些信息印象深刻。然后两人乘降落伞返回挪威，计划对工厂进行突击队袭击。当一架载有皇家工兵部队进行突袭的英国飞机在挪威上空被德国人击落时，佩德森和斯特劳德率领一小队挪威破坏分子进入工厂。突袭是成功的，但德军很快更换并修复了设备。在抵抗组织争论是否要开枪射杀吉斯林后，一名破坏分子混入了抵抗组织。他最终逃脱并背叛了他们，以至于一架德国飞机炸毁了他们的安全屋。当纳粹和破坏者追捕罗尔夫和克努特时，罗尔夫和破坏者最终落单，罗尔夫杀死了他。德国人随后计划将钢桶重水运往德国。罗尔夫和克努特破坏了一艘运载鼓的渡轮，导致渡轮沉入峡湾的最深处。当罗尔夫看到一位抵抗战友的遗孀和她年幼的孩子登上渡轮时，他自己也登上了渡轮。罗尔夫即兴创作了一个“游戏”，船上的所有孩子都在船尾练习穿着救生衣。因此，当渡轮沉没时，孩子们、罗尔夫和寡妇得以逃脱。克努特和安娜乘坐小船前来帮助营救乘客。除了这个镜头之外，袭击（松鸡行动、新生行动和枪纳赛德行动）和最后的攻击都是在现场拍摄的，挪威的山区和白雪皑皑的地点作为情节的背景。
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罗伯特·泽米吉斯
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在美国洛杉矶有一个专供卡通人物居住的“图恩城”，卡通明星兔子罗杰（CharlesFleischer配音）怀疑妻子杰西卡（凯瑟琳·特纳KathleenTurner配音）有外遇，拍戏时常常走神，遭到他的搭档娃娃哈曼的奚落。卡通电影公司老板马隆便雇佣私人侦探埃迪（鲍勃·霍斯金斯BobHoskins配音）去查明情况，并拍下杰西卡偷情的照片，好让罗杰下定决心，斩断情缘，专心投入卡通系列片的拍摄。埃迪因自己的弟弟特迪不久前被“图恩城”的卡通角色暗害，也急于早日追出凶手，便慨然将此事承诺下来。而随着调查的深入，事情并不像埃迪想的那么简单，其中还另有奸情，慨然将此事承诺下来，就不能轻易放弃，埃迪能否找到案件背后的真相呢……本片根据加里·沃尔夫的同名畅销小说改编，同时是一部真人和动画相结合的影片。
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高政煜
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SomeonebrutallymurdersYoung-hoon’swife.Ahairsamplewasfoundonhiswife’sbodyandthedetectivesuseittotraceitbacktohisfriendJoon-sungandlockshimup.Seeminglybecomingamurder’swifeovernight,Da-yeonasksYoung-hoontotestifyonhisbehalfbutwhenhedoesn’tshowupforthetrial,shegoestovisithimathishouse.
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内详
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DocumentaryseriesgoingbeyondthetheatredoorsofQueenElizabethHospitalBirmingham,wheresurgeonspushmedicalboundariestothelimits.?EverySecondCounts?Surgeonshavejustminutestoperformlife-savingemergencytraumaoperations.?GettingBetter?Asurgeonremovesawoman’soesophagusandusesherownstomachtoreplaceit.?ANewBeginning??AtBirminghamChildren’sHospital,twochildrenundergolife-changingsurgicalprocedures.?ARiskWorthTaking??SurgeonscarryoutQueenElizabethHospitalslargesteverremovalofexcesstissue.?PushingTheBoundaries?Afacialsurgeonventuresintounchartedterritorytooperateonapatient’sraredisease.?OneFalseMove?Theseriesreturnswithbrainsurgeryonapatientwhoisawakeandariskyaortarepair.
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Altantur
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Altanjargal
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Rentsenbat
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Batkhishig
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Badrakh
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Battogtokh
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Setgeltuvshin
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Bayarbat
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Tumurtogtokh
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Davaakhuu
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Munkhtumur
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Dondov
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Tsedoo
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Munkhbat
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Temuujin
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Odkhuu
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Gerelsukh
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Otgon
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Umravdan
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Oyunbileg
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Dashtseren
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Tumurbaatar
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AfeaturefilmbasedonthetruestoryofthelegendaryPrincessKhutulunofMongolia.
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克里斯·史密斯
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An intimate celebration of George Michael and Andrew Ridgeley’s enduring friendship, from childhood and through their years together as one of the UK’s biggest bands. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Michael and Ridgeley met at school in Bushy, near the town of Watford. They first formed the ska band The Executive before going on to release their first single as Wham!, Wham Rap! in June 1982. Success wasn’t immediate, but when it finally came, the pair crested a wave of success that continued until their farewell concert, The Final, at Wembley Stadium in June 1986. Chris Smith’s hugely entertaining film offers full and unprecedented access to the band’s archive, including unseen footage and interviews with the duo. The result is a nuanced portrait of an enduring friendship and a joyous musical travelogue.
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
