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布拉德·福尔曼
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故事报告洛杉矶刑事辩解状师米奇·豪勒（马修·麦康纳 Matthew McConaughey 饰）,外号“林肯状师”,经手的都是些处于社会底层的客户。他善恶清楚!正派取信,并非贪财君子。但是这一次,豪勒的辩解对像是年青富有的房地产开辟商路易斯-罗莱特（瑞恩·菲利普 Rya n Phillippe 饰）。罗莱特遭到的控告是殴打并妄图强奸应招少女瑞琪（玛格丽塔-莱维瓦 Margarita Levieva 饰）,但罗莱特宣称本人是无辜的,有人栽赃搭救他。罗莱特的母亲违心不吝重金证实本人可爱儿子的洁白。为懂得案情的细节,豪勒及其私家考察员对此案直接了考察。他们最初掉掉落的证据证实罗莱特好像确切无辜,这个案子可以十拿九稳地打赢,豪勒也可以轻松地掉掉落一笔高额的状师费。但是,一个偶尔的机遇使豪勒发明,此案与他已经接办的另一桩强奸杀人案有诸多类似之处……
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AboutaweekaftertheWoodsfamilymoveintoXaosHouse,theirdaughterElliegoesmissingduringapowercut.Ellie'smotherKeirainvestigatesandfindsthatthewallshavestrangesymbolsengravedintothem.AfteranumberofterrifyingsupernaturalexperiencesshecomestotheconclusionthatthehousetookEllie.ShediscoversthataphysicistandoccultistcalledJohnF...
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故事梗概：小安家中饲养了一条叫巴迪的狗，巴迪的聪明友善使它成为小镇中所有人的朋友。在小安的弟弟小瓜的培养下，巴迪赢得了小镇举办的障碍赛冠军，这更让巴迪成为了小镇的明星。但巴迪敏捷的身手也引起了两个小偷的注意，他们打算利用巴迪偷盗博物馆里珍藏的钻石。暑假到来了，小安的好朋友搬到了加州，为了能到加州看望好友，小安决定利用暑假打工挣路费。小安为出门的人看护宠物，却因奶奶的鹦鹉淘气使得宠物们纷纷跑出了院子。眼看挣到手的路费，都给宠物们在外面闯的祸支付了赔偿金。小安失望至极。新搬来的邻居康纳建议小安参加沙滩排球赛，如果赢得冠军，全队都可以到加州观看职业比赛。尽管小安对沙滩排球一窍不通，球队也总是因为她的失误输掉练习赛，但她还是用心地参加训练，希望可以通过这种办法到加州和好友一聚。排球队的一名队员退出了球队，比赛马上就要开始了，队员们十分焦急。此时巴迪顶替上场，它灵敏的反应和接球能力让全队看到了希望。自从有了巴迪，排球队屡战屡胜，很快进入了决赛。在决赛当天，小偷设计抓到了巴迪。他们让巴迪穿过通风口取得了钻石。聪明的巴迪在返回时刻意碰到了红外报警，两个小偷顿时夺路而逃。赛场上，大家都在期盼巴迪的到来。没有巴迪球队仿佛失去了灵魂，连连失分。此时巴迪出现了，它口中含着钻石将小偷引入球场，小偷被警察当场抓住，巴迪则加入了比赛。经过大家的努力，球队终于赢得了胜利。在大家的欢呼中，小安和队友们踏上了加州之旅。她不仅如愿地见到了好友，通过球赛也让她结交了一群新的好朋友，更让小安懂得了友谊的珍贵。精彩视点：作为一部以动物为号召的电影，本片中的神犬巴迪自然被塑造成主要的英雄角色，而它在球场上飞跃接球和冲锋陷阵的演出也让人大开眼界。《神犬巴迪》是迪斯尼拍摄的系列影片，这只普通的金毛犬不仅因为影片成为了全美轰动的超级巨星，作为唯一一名狗明星，它更是在1997年被评为全美小学生心目中十大偶像之一。巴迪兢兢业业的工作和它对人类的信任与感情，使影片一上映便在票房和口碑方面引起轰动。同时编剧的巧思、导演的功力和摄影师镜头的灵活运用，也使影片处处充满惊喜。2月3日16：32CCTV-6播出
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Diz (Joel Courtney) is a reckless teenage drifter living life on the run. Abandoned by his parents as a child, he looks out for himself and doesn't accept handouts. He takes whatever he wants and runs. Jaded and determined to answer to no one, Diz lives a life marked by thievery and abandonment. Things change for Diz when he floats into a small town on the Snake River. There he is confronted by an unflappable old man named Marty and falls for Marty's guarded granddaughter, Selah. When Diz robs a local drug-dealing crazy, he becomes the owner of a giant pile of cash and the target of two vicious killers. With more money than he knows what to do with, and criminals at his heels, Diz puts the people he's learned to care about in danger, still trying to win Selah. But some things can't be stolen or bought. The River Thief is a film about guilt, self-sacrifice, and accepting life as a gift.
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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德比·伊斯特
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AfterinheritingafarmatChristmastime,awidowedfathermakesabumpyadjustmenttovillagelife-whilehiskidshatchaplantostaythereforever.by:www.xiaokan.cc
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Petty Officer Michael Davis (Jeremy Davis) is the newbie to SEAL Team VI, but after his first mission the young soldier is weathered beyond hid years. His first assignment as for the elite black ops squad is as Communications Officer for the micro ground assault team that enabled surgical aerial assaults of strategic targets in Iraq, priming allied forces for the what is now known as Operation Desert Storm. The honor of being part of the special forces unit is enriched by the fact that he is invited into the unit lead by the best, Master Chief Devon Mackefy (Ken Gamble). The team, having just returned from one mission, is called into duty once again, because “Mac is the best”. Feeling the pull of the call, and given no option by the powers that be, our heroes go into the thick of it with the usual disadvantages - tired, short by one man and in need of gearing up in the weapons department; all with their invisibility being paramount. The team is rounded out by Petty Officer Williams (Kristoffer Garrison), Petty Officer Sanchez (Neta De Paula) and Chief Petty Officer Roberts (Zach McGowan). The team’s only contact ii Iraqi is Jamal (Amol Shah), a Kurd who has lost his family to the war and now helps the U.S. in these isolated covert operations. Their sole mission mark aerial targets, avoid capture and stay alive for four days. But the enemy is in every direction. Tensions are high since Davis is untested in the field and Mac is distracted by a recent personal loss. All these complications threaten the success of the mission, as well as the team’s survival.
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Remo Street is a young fighter who comes from a world where nothing is easy, so when he is faced with the opportunity to train with a world class coach, he has to choose between the long hard road to honor and glory, or succumbing to a brutal future as a cage fighter for the Russian Mafia.
