Set
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SetinanalternateAmericawherewitchesendedtheirpersecutionover300yearsagobycuttingadealwiththegovernmenttofightfortheircountry,“Motherland:FortSalem”followsthreeyoungwomenfrombasictrainingincombatmagicintoearlydeployment.Inthisworld,thetraditionalrolesofgenderandpowerareflipped,withthemoredominantwomenonthefrontlinesfightingloomingterroristthreatsthatarefamiliartoourworld—butwithsupernaturaltacticsandweapons.TheseriesalsostarsAshleyNicoleWilliams,JessicaSutton,TaylorHickson,DemetriaMcKinneyandAmaliaHolm.“Motherland:FortSalem”isexecutiveproducedbyEliotLaurence,WillFerrell,AdamMcKay,KevinMessick,MariaMaggentiandStevenAdelson.
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Awomanmakesabetwithherhusbandthatshecangetthenextmansheseestoproposetoher.
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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Cassidy Red is a western romance set against the backdrop of the 19th century American southwest. The film follows the headstrong daughter of a prostitute who returns to her hometown, seeking vengeance against the corrupt lawman she believes murdered her lover.
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纳塔彭·蒙空萨瓦
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纳拉维特·勒拉格苏
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普威·丹萨优
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苏帕·桑沃拉翁
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彭萨帕克·安多姆珀驰
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塔纳朋·苏库潘塔纳汕
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Bonnie
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Pussarasorn
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Bosuwan
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提拉得·威提帕尼
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当一个痴迷于肥皂剧的黑手党老大寻求摄影师的帮助时,火花四溅,引发了一场意想不到的浪漫,并为一场盛大而惊险的冒险奠定了基础。Whenasoapopera-obsessedmafiabossenliststhehelpofaphotographer,sparksfly,leadingtoanunexpectedromanceandsettingthestageforagrandandthrillingadventure.
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扎克(塞斯·罗根SethRogen饰)与米莉(伊丽莎白·班克斯ElizabethBanks饰)虽然不是情侣,但他们对彼此再熟悉不过了,二人同居一室,彼此分担生活支出,唯独没有过亲密接触,因为扎克认为这会让情况变复杂,不过他们眼下面临更复杂的问题——缺钱。账单堆积如山、房子被停水停电,本欲参加感恩节高中同学聚会排遣冬夜寒意,无奈他们除了一堆通讯录一无所获,扎克无法忍受困顿的日子,向米莉提出自拍A片贩卖盈利。作为在网络上意外成名的“大内裤女郎”,米莉终于被同居好友说动。他们找来各色胸怀表演梦想的人才出镜,然而出师不利,简陋的摄影棚被强拆,扎克和米莉的关系也因二人要在镜头前亲密接触而发生了变化……
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WhenabotchedpotionsexperimentleavesMildredwithawholenewlook,canshecompletethreeimpossiblechallengesandreversethespellbeforethesungoesdown?
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Growingupwildishard-evenharderwhenyou'velostyourmom.Butforsomeorphans,therearehavens,rescuecenterswherededicatedindividualsarehelpingthemtomakeitontheirown.It'sademandingjob,asmanyrequirelong-term,round-the-clockcare.Yetthecaregiverspersevere,andnotjustbecausetheybelieveeveryanimaldeservesachanceatawildlife.Formingsupportivebondswiththesehelpless,tinycreatures,providingthemwithcarefullymonitoredfeedingsandmedicalattention,aswellasgreatlyneededaffection,training,securityandcomfort,clearlybringsrewardsbeyondmeasuretoeachoftheminturn.Inthiscaptivatingtwo-partmini-series,fallinlovewithbabykoalaDanny,tinywallabyNeil,babyslothNewbie,youngkangarooHarryandbabyfruitbatBugsy,andwiththeircaringfostermothers,whogivesomuchofthemselvestohelptheselittleorphansfindtheirwaybacktothewild.
