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A graduate of the Offenbach College of Design, Piotr J. Lewandowski has made his directorial debut with JONATHAN (working-title) based on an award-winning screenplay. The moving drama about family secrets and the obstacles to achieving one’s own happiness features Jannis Niew?hner, one of this year’s European Shooting Stars, in the title role of the 24-year-old Jonathan. The young man is caring unstintingly for his terminally-ill father Burghardt, but then sees his life in a new light after falling in love with Anka, who has come to nurse his father. However, the story takes another twist when Ron, Burghardt’s long-lost friend from his youth, re-appears — and a well-kept family secret is uncovered....
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[InAsYouSee,Farockisearchesforthoseinstancesandfactsinthehistoryoftechnologythathavebeenoverlookedorignored,alsoexploringtheambivalentrelationshipbetweentechnologiesdevelopedforciviluseandthosedesignedformilitarypurposes.Thusthefilmforinstancedescribeshowinthe1970'sworkersattheBritisharmsfactoryLucasAerospaceattemptedtod...
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Sam Hodiak finds himself drawn into a new case when he begins receiving mysterious packages with photos of missing girls. Charmain's risky undercover operation provides valuable information for a drug case but exposes her to great danger. Meanwhile, Charlie Manson and his growing family move into the home of their new benefactor, Dennis Wilson, in their continuing quest to break into the music business.
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Clara and Alejandro are moving to a new home, but soon he goes on a work trip and she stays alone, surrounded by closed boxes. This mess compels her to live new experiences that will lead her to question the closed and hermetic world where she lives.
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MayansM.C.followsthelifeofEzekiel“EZ”Reyes,amemberoftheMayansM.C.charterontheCali/Mexiborder.EZ,hisbrotherAngelandtherestoftheSantoPadreM.C.faceretaliationfromotherchartersafterafailedattempttoalignunderoneKing.Meanwhile,EZandAngelhavegrowndistantfromtheirfatherFelipe(EdwardJamesOlmos)afteraheartwrenchingbetrayal.
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尼亚孜.古尔(Ata Demirer) 是一个普通的兽医. 他需要一批兽医类应届大学毕业生, 之所以他亲自开卷神奇的公式应聘新一批此行类毕业生.
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¿How far does a soccer fan go for his beloved national team? Mariano Cárdenas (Adrian Uribe), a married man and a civil servant, shows us that crossing the line when supporting the national team is a must. Mexico and the USA are in the final qualifying match for the 2018 - World Cup. Mariano is committed to giving everything he has, including his time and relationship with his wife, to be present in the game because he is convinced that his presence in the stadium is the only thing factor that will guarantee the victory. Everything is ready and organized for the big day. Unfortunately, plans change when Mariano learns of the death of his uncle, with whom he lived and with whom he wagered a large bet on the team. Mariano is torn between being at the funeral or escaping to accompany the team. Thanks to the decision he makes, he loses his job, his wife, his home but his heart is full as Mexico qualifies for the World Cup.
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加里·弗莱德
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华盛顿警官亚历克斯·克洛斯(摩根·弗里曼 Morgan Freeman饰)是警方的一名心思征询专家。他忽然接到在北卡罗来纳州达勒姆小镇上学的侄女掉落的新闻。为了找到侄女,亚历克斯决议一探毕竟。但是当他达到外地警员局后,亚历克斯发明这里曾经持续掉落了多名美女,本人的侄女只是受害者之一,她们无一破例的都是既聪慧又英俊的优良女孩。逝世里逃生的女大夫凯特·麦克蒂尔南(艾什莉·贾德 Ashley Judd饰)是独一幸运逃走的女孩,她只记得凶犯是一个头戴面具自称“卡萨诺瓦”的掉常杀人狂。凯特为亚历克斯供给了很多有代价的线索,但是狡诈的“卡萨诺瓦”却一直不现身仍逃出法网。一场漫长而艰苦的追捕开端了。 本片依据美国着名滞销小说家詹姆斯·帕特森的同名小说改编而成。
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50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
