Sho
搜索"Sho" ，找到 以下影视作品
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让-保尔·萨罗米
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巴斯蒂安·布永
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康坦·多尔迈尔
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洛丽塔·夏马
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勒达·卡代布
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弗兰西斯·莱珀雷
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萨拉·吉罗多
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奥利维尔·卢斯托
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弗朗索瓦·佩彻
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塞德里克·韦伯
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卡米尔·雅毕
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皮埃尔·洛廷
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Victor·Poirier
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Arthur·Teboul
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Margaux·Rossi
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Christophe·Kourotchkine
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Frédéric·Buret
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皮埃尔·吉拉德
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Helena·Sadowy
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Julien·Massetti
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阿兰·布兹盖
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ThestorychartshowyoungPolishrefugeeJanBojarskibecamethebiggestcounterfeiterofalltime,“theCézanneoffakemoney”,inpost-warFrance;how,foroverfifteenyearsandunbeknownsttohisfamily,thismanledadoublelifemakingcounterfeitmoney-whichwas“morereal”thanthenotesprintedbytheBankofFrance-inashedatthebottomofhisgarden;andhow,inalltheseyears,thisunparalleledfakermanagedtoslipthroughthepolice’snettobecomethethorninCommissionerMattei’sside,overthecourseofahuntwhichfastturnedintoaduelforthesetwoobsessives…
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Fromasatiretoapsychologicalthriller,fourshortstoriesfromcelebratedauteurandwriterSatyajitRayareadaptedforthescreeninthisseries.
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入江悠
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《埼玉歌者》是由入江悠导演，駒木根隆介、みひろ、水澤伸吾主演的一部剧情片，本片讲述了位于北关东正中埼玉县的某个乡间小镇，那里没有唱片公司也没有LIVEHOUSE。嘻哈乐队“SHO-GUNG”的成员们一直梦想着有朝一日能开演唱会。该片是由2009年3月14日在日本上映。
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诺埃尔·克拉克
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艾什雷·沃特斯
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大卫·艾略特
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杰森·马扎
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希滕·珀泰尔
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克里斯·考林
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Leeshon Alexander
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Kirsty Bartolo
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Oliver Bond
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Olivia Chenery
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Florisa Kamara
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Anthony Reddy
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Lucie Shorthouse
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Vanessa Vanderpuye
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Bulletproof follows two meijubar.net cops, Bishop and Pike, as they chase down hardened criminals in London's East End. On the surface Bishop and Pike have a lot in common they are cool, smart, unapologetically street-wise and tough; they share a deep, fraternal relationship - and are always there for each other. However, they come from very different backgrounds and their personal motivations and emotional lives outside the police force differ as a result: Pike is an aspirational family man, the son of a decorated police officer who's determined to follow in his father's footsteps, but not be in his shadow. Bishop grew up in care homes and on the streets, and never knew his father. Despite these differences Bishop and Pike are bonded by the same moral code and work brilliantly well together even when the chemistry between them looks set to explode.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well. In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.
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樊启鹏
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[InAsYouSee,Farockisearchesforthoseinstancesandfactsinthehistoryoftechnologythathavebeenoverlookedorignored,alsoexploringtheambivalentrelationshipbetweentechnologiesdevelopedforciviluseandthosedesignedformilitarypurposes.Thusthefilmforinstancedescribeshowinthe1970'sworkersattheBritisharmsfactoryLucasAerospaceattemptedtod...
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In1909,amidstthedyingoldwest,WillieBoy,alongdistanceDesertRunnerbyChemehuevitradition,fallsinlovewithyoungnativebeauty,Carlota.Carlota'sfather,aChemehuevishamanandlocaltriballeader,refusestolettheyoungcouplebetogether.Inafatalconfrontation,Carlota'sfatherfallsdeadtoanaccidentalgunshotandtheyoungloversfleetothesunens...
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45 year old Don Valter is a traditional priest who still wears an old fashioned black tunic out of nostalgia. One day young Claudio and his exuberant troupe of actors appear, proposing to perform an avant-garde show based on the Gospel's miracle of the rebirth of Lazarus*. The powerless priest is overwhelmed by this young upstart, who stirs within him emotions that will, whether he likes it or not, pull him into the modern era.
