Fu
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丹尼尔·米纳汉
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本剧改编自Thomas Mallon的同名小说，包含爱情故事及政治惊悚元素，记录了在麦卡锡时代华盛顿的阴影下，两个截然不同的男子结识后，他们之间变化无常的浪漫史。
Hawkins Fuller是一个帅气、魅力非凡的男子，他在政治圈里保持着一份收入不凡的幕后工作。Hawkins向来避免陷入情感纠葛，直至他认识了Tim Laughlin，一个满心理想主义和宗教信仰的年轻人。两人恋情开始之际，恰逢约瑟夫·麦卡锡和罗依·科恩向“颠覆分子”和“性变态者”宣战，开启了20世纪美国历史上最黑暗的时期之一。在40年的时间里，Hawkins和Tim在各种场合产生交集——1960年代的越南战争抗议活动、1970年代由毒品引发的迪斯科享乐主义，以及1980年代的艾滋病危机，与此同时，他们面对着来自世界和自身的重重阻碍。
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When a high school senior finds out from her parents that she has to miss the town's winter dance to attend Christmas Eve service at church, she successfully wishes their faith away, bringing disastrous consequences to her family and community. To restore their faith, she is led through a series of Christmas adventures that change her heart and those around her.
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Matt Prendergast
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Shane Sweeney
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Rachel Chambers
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Nina Millns
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Sean Garratt
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珍·爱舍
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Uri Geller
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Sarah Armstrong
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Lina Bo
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Brendan Cleaves
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格雷厄姆·弗莱彻-库克
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汤姆·伯宁顿
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Matthew Butler
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Comedy that takes the audience on a pub crawl around the seaside town of Hastings with its ensemble of fun and kooky characters as they tackle everyday life.
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Inspiredbytruelifeevents,intheOyoEmpireinthe1940's,ElesinOba,theking'schiefhorseman,succumbstothelureofbeautyandsexualdesireontheveryeveningheissettodieinordertofulfilhislifelongdebtofritualsuicidetoaccompanythedeadAlaafintotherealmoftheancestors,hederailsfromaveryimportantgenerationalandspiritualtransaction.Thissetsinmotionaseriesofcatastrophicconsequences,inaspell-bindingfilmofemotions,humour,andtragicrolereversalsthatputsancientbeliefsandcustomsontrialinaneverincreasinglypost-modernandWesternworld.
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Facing a bleak future, a young man runs away to Mexico where he is recruited by the mysterious captain of a paramilitary group of teens who fight drug cartels. Isolated at their desert camp and unsure what he's fighting for, he seeks to prove himself in this crucible of manhood.
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Nina is twelve years old and her world has just been shattered to smithereens: Her parents’ marriage has broken down and they are getting a divorce. After his internationally successful debut Miracle Juraj Lehotský now brings us an intimate drama in which the viewer looks upon the world and the selfish, visionless behaviour of adults through the eyes of a 12-year-old girl. A girl who is resilient and belligerent, but also vulnerable and just as fragile as the miniature world she creates for herself in the garden shed.
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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Tothestreets,“Raq”Thomasiscold,hardandfierce—asuccessfulanddeadlywomantakingnamesinaman’sworld.Sheistough,resolute,ruthless,butRaqstilliscapableoflove.Greatlove.Thesolerecipientofthataffectionisherson,Kanan;heiseverythingtoher.Asmuchasshecaresforhim,though,therearemanyinstanceswhereonewondersifsheloveshimforwhoheisorifsheloveshimmerelyasanextensionofherself.Themiddlechildofthree,Raqalsocarriestheheavyburdenastheearnerforhertwobrothers.Sheisthesun,andeveryoneelseinheruniverseexistsinherorbit.
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亚历山德拉·拉米
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Annie, whose married life with Laurent is a picture of harmony. Her two young kids, Maximilien and César, are brilliant and sensitive boys, and Poupi, her teenage daughter, supports her willingly and patiently in bringing up Milo, her latest arrival. It’s a perfect family that Annie controls with a firm but loving hand. Yet one morning during an apparently uneventful weekend, t...
