Sarm
搜索"Sarm" ，找到 以下影视作品
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HAN Jay
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Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
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巴贝特·施罗德
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一次偶然中，厌世的流亡作家费尔南多（GermánJaramillo饰）结识了名叫亚历山大（AndersonBallesteros饰）的年轻小伙，后者的青春与活力很快就让费尔南多放弃了轻生的念头。然而，亚历山大出身于梅德林最贫困的地区，那是哥伦比亚罪犯们的天堂，每天，都有无数的人在那里死去，无人问津。从小在那里长大的亚历山大自然习惯了梅德林的一套生存法则，尽管这让费尔南多十分无法接受，但两人还是跨越了年龄和性别的阻碍，走到了一起。遗憾的是，一次暴力事件中，为了保护费尔南多，亚历克斯身中数枪死亡，伤心的费尔南多第一次决定用暴力解决问题，他要提自己的爱人报仇。
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克雷格·吉勒斯佩
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伯恩斯坦（乔·哈姆JonHamm饰）是一名体育经纪人，在这个竞争激烈的行业里，伯恩斯坦的事业屡屡受挫，最终，伯恩斯坦决定和球探雷（艾伦·阿金AlanArkin饰）前往印度，将这里作为他们最后一搏的战场。在印度，两人策划了一个名为“百万金臂”的真人秀节目，意在平凡人之中发掘拥有投球天赋的投手，并且最终将迪尼斯（麦活·米泰尔MadhurMittal饰）和瑞库（苏拉·沙玛SurajSharma饰）两名少年招入麾下。之后，伯恩斯坦将两人带回了美国，投入了紧张而又高压的体能训练之中。然而，从未涉足的新奇国度和繁重的训练让两名土生土长的贫民少年很不适应，一直无法发挥真正的实力，不过伯恩斯坦并没有放弃，因为他早已经没有了退路。
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克雷格·吉勒斯佩
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伯恩斯坦（乔·哈姆JonHamm饰）是一名体育经纪人，在这个竞争激烈的行业里，伯恩斯坦的事业屡屡受挫，最终，伯恩斯坦决定和球探雷（艾伦·阿金AlanArkin饰）前往印度，将这里作为他们最后一搏的战场。在印度，两人策划了一个名为“百万金臂”的真人秀节目，意在平凡人之中发掘拥有投球天赋的投手，并且最终将迪尼斯（麦活·米泰尔MadhurMittal饰）和瑞库（苏拉·沙玛SurajSharma饰）两名少年招入麾下。之后，伯恩斯坦将两人带回了美国，投入了紧张而又高压的体能训练之中。然而，从未涉足的新奇国度和繁重的训练让两名土生土长的贫民少年很不适应，一直无法发挥真正的实力，不过伯恩斯坦并没有放弃，因为他早已经没有了退路。
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阿吉瓦·沙弗尔
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罗德（安迪•萨姆伯格 Andy Samberg 饰）与同母异父的弟弟凯文（乔玛•塔昆 Jorma Taccone 饰）,以及两个又二又丧的友人构成了一个绝技飞车小组。飞车手罗德的生涯中只有两件事：继续逝世去的绝技车手父亲的遗志,打赢强健的继父弗兰克（伊恩•麦柯肖恩 Ian McShane 饰）。但罗德的全部绝技扮演多少乎都沦为跋扈狂的自毁举措,而全部武装后的每一次挑衅成果都是被弗兰克击溃。精神超等兴旺的不逝世之身罗德也多少乎挺不住了。可是日他忽然惊闻弗兰克罹患心脏病,罗德为实现弗兰克必逝世于本人之手的欲望,筹划直接史无前例的飞车扮演来为弗兰克筹集手术款,并乘隙将本人暗恋已久邻家美人丹妮丝（艾拉•菲舍尔 Isla Fisher 饰）拉入了步队。于是,一场近似于自残的飞车扮演拉开了无厘头大幕……
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Tim Niel
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"The Silk Road cut across borders - and broke down the borders in our minds," says Dr Sam Willis. In a new three-part series for BBC Four, the historian and writer traces the story of the most famous trade route in history. This was the Silk Road which ran from China’s ancient capital Xian through the mythical cities of Central Asia and Persia, until it reached the bazaars of Istanbul and the markets of Venice. It was in Venice and other Italian cities that the ideas, inventions and products that trickled down the Silk Road ignited. They formed - in part - a movement which we call ‘the Renaissance’ - an explosion of new thinking, new art and new inventions. Covering a distance of 5 - 000 - miles and crossing some of the most dramatic landscapes on the planet, Dr Sam Willis reveals how the Silk Road was more than a market place: it was the world's first transcontinental superhighway, along which people with new ideas, new cultures and new religions made exchanges that shaped the development of humanity.
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母亲安娜把自己的女儿英加留在了东德，自己逃往西部。英加在梅克伦堡的一个偏远小镇长大，和祖父母生活在一起，以为自己母亲淹死在波罗的海，祖父母就是这么告诉她的。直到英加长成年轻姑娘，她才知道事实并非如此，她在怪癖的文学教授的帮助下横跨德国寻找母亲。电影是一部悲情的公路电影，一个关于生活谎言、沉默和遭排挤、关于负罪感的故事。Malchow,EastGermany,1980.Twenty-year-oldAnneishidingJuri(IljaPletner),aRedArmydeserter.WithJurifacingadeathsentencethecouplefleetotheWest,leavingAnne’sinfantdaughterIngainthecareofhe...
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内详
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ArmandoIannuccipresentsapersonalargumentinpraiseofthegeniusofCharlesDickens.Throughtheprismoftheauthor’smostautobiographicalnovel,DavidCopperfield,ArmandolooksbeyondDickens-thenationalinstitution-andinsteadexploresthequalitiesofDickens’sworkwhichstillmakehimoneofthebestBritishwriters.WhileDickensisoftencelebratedforhispowerfuldepictionsofVictorianEnglandandhisroleasasocialreformer,thisprogrammeforegroundstheelementsofhiswritingwhichmakehimworthreading,asmuchforwhathetellsusaboutourselvesinthetwenty-firstcenturyasourancestorsinthenineteenth.ArmandoarguesthatDickens’sremarkableuseoflanguageandhisextraordinarygiftforcreatingcharactersmakehimastartlinglyexperimentalandpsychologicallypenetratingwriterwhodemandsnotjusttobeadaptedfortelevisionbuttobereadandreadagain.
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Abitofcolorforonce,allthebettertoseetheredflagswith,nottomentiontheobviousaerialfilefootageofWarsaw.ThestoryconcernsJozefMalesa,themasonorbricklayerofthetitle.Hewasoncethedarlingoftheparty,thesonoftwooldpartyactivists,aworkerofheroicreputation,hisowncommitmenttoTheMovementunquestioned.Hewaschosentobedestinedforgreatthings,speciallyeducatedandpushedforwardtopositionsofresponsibilityintheParty.Eventuallyhedecides,becau搜索引擎优化ftheethicalpressureswhichhefeelsfromtheobstructionismofthebureaucracyfromabove,heaskstoreturntobeasimplebricklayer.HeisdisturbedwiththewaythePartydealswithpeople,especiallytheirlackofdirectcontact.Hethinksworkersknowbetterthantheleadershipmanytimesbutthat’snotthewaypowerflows.Heisuncomfortablewiththecompromisestohisidealism.HeremainscommittedtosocialjusticeandjoinshisfriendsfortheMayDayrallywherehiscomfortandconfidenceinhisplaceinsocietycausehimtodefertonoman,certainlynoratfacedmeninovercoatswithredarmbands.Hisgreatpleasureinlifemoreoverislayingbrick.Hefindstheworksatisfyingandfulfillingwhichiswhyhewassuchanobviouslysuperiorworkerinthefirstplace.
