Took
搜索"Took" ,找到 以下影视作品
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WhenstrugglingbookstoreownerMaryandthebadboyofprofessionalhockey,Adam,areteamedtogethertohelpfacilitateanimagemakeoverfortheother,theysoonrealizethatoppositesattractandtheyfindthemselvesunexpectedlyfrozeninlove.当苦苦挣扎的书店老板玛丽和职业冰球的坏男孩,亚当,联合在一起来帮助促进其他的形象,他们很快意识到,异性相吸,他们发现自己竟然已经相爱。
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On her 7th birthday, Princess Barbara discovers a magical book that transports her to Wonderland - an enchanted place filled with dragons and fantastic creatures.
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Steve De Roover
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鲁杰罗·德奥达托
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Sonia Escolano
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伊萨克·厄兹本
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Florian Frerichs
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Rémi Fréchette
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Sadrac González-Perellón
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特伦特·海伽
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Ama Lea
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李尚宇
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John Lynch
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Andreas Marschall
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宝拉雅娜·麦金托什
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拉齐·马凯
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Chelsea Stardust Peters
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Bob Pipe
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朱利安·理查德
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Jason A. Rostovsky
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Dominic Saxl
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Milan Todorov
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A collection of 24 - films that take a look at the dark side of the festive season. 24 - international directors with the most diverse ideas and styles; linked by short animated segments that deal with the Advent calendar itself.
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雷·巴佛
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Alookatthelayersofintrigue,fromthesuperchargedpowerofdigitalcommunitiestothegamificationoftrading.
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马伊雷德·泰尔斯
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希沃恩·麦克斯维尼
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罗比·基
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约翰·麦克米兰
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索菲亚·奥克斯纳姆
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Reis Daniel
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Edward Wolstenholme
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Luke Rollason
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Safia Oakley-Green
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亚伯拉罕·波波拉
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皮埃尔·伯格曼
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Bilal Hasna
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Nathaly Herrera
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Kamahl Sami-Miller
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埃拉·布鲁科莱里
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帕特里夏·艾莉森
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“Extraordinary”issetinaworldwhereeveryonedevelopsapowerontheir18thbirthday…everyone,thatis,exceptforJen.She’sturning25andisstillwaitingtogethers.She’snotevenfussyaboutwhatthatcouldbe:superspeed?Lasereyes?TheabilitytopluginaUSBtherightwayeverysingletime?She’lltakeit.Likeacaterpillarsurroundedbybutterflies,Jenfeelsunabletomoveforward,stuckinadead-endjobinapartyshopandoccasionallyhookingupwithLuke,aflakyyoungmanwiththeirritatinglycoolabilitytofly.Luckily,JenhasCarrietostopherfromwallowinginherownself-pity.Inseparablesinceschool,theirrelationshipcyclesbetweensister,parent,andwingman.TogethertheyshareanEastLondonflatwithCarrie’slong-termboyfriend,Kash.Carriehasthepowertochannelthedeadbutfeelsshe’sbeenovershadowedbyherownpartytrick:doesn’tanyonecareaboutwhatshehastosay?Kashtakeshispower–theabilitytoturnbacktime–veryseriously,buthe’snotaboveusingittoundominorembarrassments,ormomentswhenhesaysexactlythewrongthingtolong-sufferingCarrie.Thefourthmemberoftheflatisastraycat,namedJizzlordbythegang,who’sharbouringasurprisingsecret:turnsoutevencatshavemorepowerthanJen.
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AregalmannamedVangelisthrustonajourneyagainsthiswillwhenheismysteriouslyarrestedandbeginstohavestrangevisionsofawomaninwhite.Armedwithanancientbookthathereceivesfromawisesage,hisadventurebegins.
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
