Mor
搜索"Mor" ，找到 以下影视作品
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尼尔·拉布特
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ColleaguesLesandNataliearedelayedintheAlbuquerqueairport.Restless|irritated|andunabletostandtheserviceworkershemeetsateveryturn|Lesheadsdowntown.Natalierefusestoleavehissideanddiscoversthathissupposedlyaimlesswanderinghasmoreofapointthanheiswillingtoadmit.Natalieconcealssecretsofherown|thoughneithercankeepthemquietforlong.Arapportgrowsbetweenthisunlikelypair|andsoontheysearchoutasparkofexcitementinthismostunlikelyoflocales.
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拉斯蒂·乔纳尔
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California, Mojave Desert, 1998. A strange glow appears in the sky. Sam, a forty-something door-to-door salesman, travels through the few inhabited zones of the Californian desert in search of clients, yet everything seems deserted. What's more, his wife won't answer his calls. It's as if everyone were avoiding him. When his car breaks down, Sam becomes a prisoner of the empty,...
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Diastème
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After attempting to set a mailbox on fire, Pimpette, 14 - and her elder sister, Joséphine, spend their summer holidays shuttling between their secretly pregnant mom and bachelor father. But when Joséphine gets in册ved with the wrong crowd, little Pimpette turns out to be more responsible than the grown-ups who spend their time educating her.
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《#星际之门#Stargate》剧集系列自《星际之门：宇宙StargateUniverse》被砍后一直停摆，不过MGM宣布他们将拍摄10集网剧《星际之门：起源StargateOrigins》，以CatherineLangford为主角。（今年亦是《星际之门SG-1StargateSG-1》的第20周年）《星际之门：起源》由MarkIlvedson和JustinMichaelTerry执笔﹑MercedesBryceMorgan执导，会以全新篇幅讲述CatherineLangford与星际之门之间的早期故事；年轻的Catherine在意料外的冒险中解开了星际之门的神秘面纱，并同时在黑暗力量手中拯救地球。
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Diz (Joel Courtney) is a reckless teenage drifter living life on the run. Abandoned by his parents as a child, he looks out for himself and doesn't accept handouts. He takes whatever he wants and runs. Jaded and determined to answer to no one, Diz lives a life marked by thievery and abandonment. Things change for Diz when he floats into a small town on the Snake River. There he is confronted by an unflappable old man named Marty and falls for Marty's guarded granddaughter, Selah. When Diz robs a local drug-dealing crazy, he becomes the owner of a giant pile of cash and the target of two vicious killers. With more money than he knows what to do with, and criminals at his heels, Diz puts the people he's learned to care about in danger, still trying to win Selah. But some things can't be stolen or bought. The River Thief is a film about guilt, self-sacrifice, and accepting life as a gift.
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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丹妮拉·涅维斯
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珍妮弗·柯比
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克雷格·史蒂文森
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Louisa Connolly-Burnham
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Nikol Kollars
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亚历克斯·哈夫纳
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Blake Patrick Anderson
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阿曼达·德鲁
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Javier Ramos
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吉姆·斯图格恩
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Paul S. Tracey
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米娅·麦肯纳·布鲁斯
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安德烈·金
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奥古斯特·理查兹
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茜茜·斯特林格
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Joseph Ollman
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克劳迪娅·特鲁希略
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莉莉安娜·卡巴尔
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Ana Rosa De Eizaguirre Butler
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首部片子以校园故事为主：莉萨（Lissa）是吸血鬼家属的纯血公主,她占有极习见且壮大的邪术。她就读于名为圣弗拉米尔的吸血鬼学院,在这里她要不时防备莫里（Moroi）家属的打击。固然莉萨公主并非孤身一人,她有好友人萝斯·海瑟薇（RoseHathaway）跟监护人迪米特里（Dimitri）助阵,后者还跟她产生了一段浪漫的恋情故事。
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Joe Beck has lost the love of his life thanks to a Pixie's Curse and he now needs to figure out how to get his girl back, learn more about the mysterious Pixies and undo a bad deed he did long ago.
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查尔斯·马丁
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Season2willpickupthemorningaftertheendingofSeason1,withJeanettehuntingforthekillersofyoungasylumseekersasthediscoveryinachurchwallandabodyinafreezerrevealachillingconnection.Diggingdeeper,shebeginstosuspectVictoriaBurkeman,amysteriousformerpatientofenigmaticpsychologistDr.SophiaCraven。
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罗伯·莱纳
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坐在轮椅上，之后的人生只能靠它代步的蒙特（摩根•弗里曼 Morgan Freeman 饰）对人生不再抱有什么希望。曾经的知名作家因为妻子的离世而灵感不再，整日与酒为伴的蒙特让侄子对他放不下心来，于是为他找了一个僻静小镇的小木屋，让他在这里散心养生。搬到这来的蒙特起初对什么都没有的小镇很不满，终日酗酒。而隔壁奥尼尔家的三个小女孩及她们的母亲（维吉妮娅•马德森 Virginia Madsen 饰）引来了蒙特的注意，随着和她们接触的加深，蒙特喜欢上了这一家，从中也渐渐拾得了生的乐趣；而奥尼奥家的三姐妹从蒙特身上得到了父爱和关怀，而她们的母亲也再次感受到爱情。 一切都在朝着好的方向发展着，哪怕当下仍是黑暗，但黎明终究会来到，在救赎与被救赎中，蒙特及奥尼尔一家得到了治愈。
