Dawn
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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RuthPaxton’swomen-ledhorrorseesamothertestedwhenherdaughterinsiststhatherbodyisnolongerherown,butinservicetoahigherpower.
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安东尼·福奎阿
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沙奎尔·奥尼尔
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魔术师约翰逊
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珍妮·巴斯
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丹尼·伯斯坦
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卡里姆·阿卜杜尔-贾巴尔
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Austin Aaron
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菲尔·杰克逊
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Pat Riley
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Ta'Nika Gibson
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Ja'Quan Cole
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Terence Davis
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“Legacy: The True Story of the LA Lakers” is the upcoming 10-part Hulu Original docuseries from Lakers’ CEO and controlling owner Jeanie Buss and Emmy? Award-winning director Antoine Fuqua. It captures the remarkable rise and unprecedented success of one of the most dominant and iconic franchises in professional sports. Featuring exclusive access to the Buss Family and probing,...
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JacoSmit
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BassonhasfivedaystomakeittohisfathersfuneralinCapeTown,butneedstocompletecertaintasksonthistripbeforehecancallthefamilycompanyhisown.Ontheroadhemeetsfree-spiritedbohemiangirl,Amory.AstheyjourneyacrossthebreathtakinglandscapeofSouthAfrica,theymeetwonderfulcharactersthatallowforhilariousmomentsandlife-changingexperien...
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A young, recently-released and unpredictable ex-con with bad luck, and a sexy, listless girl-next-door with a troubled family, become trapped in a downward spiral of crime and obsessive love, as they try to ditch their dead-end town for a better life.
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High Noon tells the story of a lawman named Will Kane (Skerritt) who has just married a young bride, Amy (Thompson), promising to leave his dangerous career and settle down for a quiet life. Just as they are about to leave, word comes that a vicious killer Kane had sent to prison years earlier, is coming to town on the noon train seeking vengeance. Kane attempts to rally the to...
