Toy
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Netflix预定5集限定剧《意料之外的凶手TheUnlikelyMurderer》,2021年播出。这部瑞典剧集为半虚构故事,基于ThomasPettersson在2008年出版的书籍创作。RobertGustafsson饰演平面设计师StigEngstr?m,他被认为很可能刺杀了瑞典前首相奥洛夫·帕尔梅。该剧讲述1986年帕尔梅遇刺后,Engstr?m凭借大胆和幸运,以及警方在案件办理中的迷茫,成功逃脱了法律制裁,直到他死去。主演还包括EvaMelander,MikaelPersbrandt和PeterAndersson。JoelSpira,EmilAlmén,ShantiRoney,TorkelPetterson,HenrikNorlén,LiaBoysen,MagnusKrepper,Bj?rnBeng...
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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杰姆·耶尔马兹
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Ayzek, who has been a waiter on ferries for years, becomes unemployed due to the pandemic and eventually finds a job at a hotel on the night shift. However, who knows what will happen to Ayzek on his first night.
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林庆龙
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人到中年的耶稣丧妻后跟儿子耶子、表弟有喜在香港海边的乡下开了一间取名天堂的餐厅。在耶稣乐观豁达的性格影响下，Ken、Boyson、Barbie和阿娇都喜欢聚集在天堂餐厅，和有喜一起聊天、喝酒、跳舞，以此抒发对生活的不满和对各自梦想的追求。Tiffany是一个因目睹父母车祸身亡而患上自闭症的女孩。一个偶然的机会，Tiffany看见有喜踏着单车和迎面一个骑车人摔倒，触发起Tiffany对车祸的恐惧而晕倒在路边。善良的有喜把Tiffany救回天堂餐厅，从此天堂餐厅又多了一个朋友。在几个年轻人当中，阿娇出生在西贡的乡下。为了摆脱乡下人的身份，阿娇希望通过和城里的富家公子交朋友来改变城里人对自己的看法。但阿娇选错了对象，她试图接近的男孩——Tiffany的表哥周公子是一个纨绔子弟，在他的身边，女孩子像走马灯一样的轮换，阿娇自然也得不到纯真的爱情。倒是走出爸...
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A teenage boy lives with his single mum in a flat in South London. Into the flat below moves an anti-social, former Rock God who faked his death 8 - years ago. The teenage boy works out who the mysterious neighbour is and blackmails him into teaching him the dark arts of Rock Guitar.
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黑泽清
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春名礼子（中谷美纪 Miki Nakatani 饰）是曾获芥川文学奖的女作家，由于遇上创作瓶颈，灵感枯竭，身体状况开始变差。责任编辑木岛（西岛秀俊 Hidetoshi Nishijima 饰）劝说礼子搬到郊外一栋古旧的洋房里居住，在这栋为森林和沼泽所包围着的房子对面是一幢废墟般的空置房屋。一天晚上，礼子看到一个男人把布包裹着的不明物体搬进房 子里。后来，她得知对方是名叫吉冈诚（丰川悦司 Etsushi Toyokawa 饰）的大学教授，那栋空房子是相模大学的研究所。那是一具从沼泽里取出来的千年女性干尸。 但礼子噩梦就此开始，研究所的秘密、房间的古怪、吉冈的行径以及之前的身体不适等各种怪事都与干尸扯上关系。
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维拉奇·通吉拉
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Ti是一名大学生，曾做过兼职家教。有一天，他的一个学生和高中混混惹上了麻烦。蒂瓦去保护他的学生，并与该团伙的头目诺伊对峙。那一天之后，Ti和诺伊偶遇了那么多次，他开始了解到，虽然诺伊长得很坏，但这个男孩傻得离谱。没有，我只是自己想起来，我是追着他跑。Ti极力解释自己对他一点兴趣都没有，但命运却玩了些有趣的把戏。Ti被联系去给一个新来的学生当家教。那个学生是诺伊。他们对彼此了解得更多。诺伊开始改变自己，在Ti身上有所行动。~~改编自koreanrabbit的小说《พี่จะตีนะเนย》。Ti,acollegestudent,hadapart-timejobasatutor.Oneday,oneofhisstudentsgotintotroublewithhigh-schoolgangsters.Tiwawenttoprotecthisstudentandconfrontedtheleaderofthegang,Noei.Afterthatday,TiranintoNoeisomanytimes,hestartedtolearnthatalthoughNoeihadabadasslook,theboywasridiculouslysilly.NoeijustcameupbyhimselfthatTiwasrunningafterhim.Tiwassodonetryingtoexplainthathehadzerointerestinhim,butfateplayedfunnytricks.Tiwascontactedtobeatutorforanewstudent.ThatstudentwasNoei.Theylearnedmoreabouteachother.NoeistartedtochangehimselfandmadeamoveonTi.~~Adaptedfromthenovelพี่จะตีนะเนยbyKoreanRabbit.
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索菲亚·科波拉
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SetagainstthebackgroundofabrokenU.S.immigrationsystem,EnAlgunLugarisalovestorybetweentwoyoungmen,Abel&Diego.WhentragedystrikesandDiegosimmigrationstatusisrevealed,AbelandDiegodiscoverthepowerofloveduringuncertaintimes.
