Panu
搜索"Panu" ，找到 以下影视作品
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Verymuchunlikehisstaff,anovereagerMichaelcantwaitforthisyearsannualDundiesawards.
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安东尼·曼
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二战期间，盟国面临着一个致命威胁，那就是德国很可能制造出原子弹。一群抵抗战士奉命摧毁挪威一家水电厂的重水设施。于是，希特勒的原子弹计划在轰隆一声巨响中化为了泡影。挪威抵抗运动破坏了位于挪威泰勒马克郡尤坎镇的Vemork Norsk Hydro工厂，纳粹利用该工厂生产重水，可用于制造原子弹。柯克·道格拉斯 (Kirk Douglas)饰演挪威物理学教授罗尔夫·佩德森 (Rolf Pedersen)，虽然他原本满足于等待战争结束，但很快就被当地抵抗运动领导人克努特·斯特劳德 (Knut Straud)（根据克努特·豪克利德 ( Knut Haukelid ) 饰演）（理查德·哈里斯 (Richard Harris)饰演）拉入斗争。罗尔夫的前妻安娜（乌拉·雅各布森饰演）也参与了这项工作，她与罗尔夫的关系重新升温。罗尔夫和克努特乘坐一艘客轮偷偷离开挪威前往英国，他们劫持了这艘客轮，以便将水力发电厂的缩微胶片计划提供给英国人，英国人对这些信息印象深刻。然后两人乘降落伞返回挪威，计划对工厂进行突击队袭击。当一架载有皇家工兵部队进行突袭的英国飞机在挪威上空被德国人击落时，佩德森和斯特劳德率领一小队挪威破坏分子进入工厂。突袭是成功的，但德军很快更换并修复了设备。在抵抗组织争论是否要开枪射杀吉斯林后，一名破坏分子混入了抵抗组织。他最终逃脱并背叛了他们，以至于一架德国飞机炸毁了他们的安全屋。当纳粹和破坏者追捕罗尔夫和克努特时，罗尔夫和破坏者最终落单，罗尔夫杀死了他。德国人随后计划将钢桶重水运往德国。罗尔夫和克努特破坏了一艘运载鼓的渡轮，导致渡轮沉入峡湾的最深处。当罗尔夫看到一位抵抗战友的遗孀和她年幼的孩子登上渡轮时，他自己也登上了渡轮。罗尔夫即兴创作了一个“游戏”，船上的所有孩子都在船尾练习穿着救生衣。因此，当渡轮沉没时，孩子们、罗尔夫和寡妇得以逃脱。克努特和安娜乘坐小船前来帮助营救乘客。除了这个镜头之外，袭击（松鸡行动、新生行动和枪纳赛德行动）和最后的攻击都是在现场拍摄的，挪威的山区和白雪皑皑的地点作为情节的背景。
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丽贝卡·亨特
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丽贝卡·亨特
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First-timefeaturefilmmakerRebeca“Beba”Hunttundertakesanunflinchingexplorationofherownidentityintheremarkablecoming-of-agedocumentary/cinematicmemoirBEBA.ReflectingonherchildhoodandadolescenceinNewYorkCityasthedaughterofaDominicanfatherandVenezuelanmother,Hunttinvestigatesthehistorical,societal,andgenerationaltraumashe’sinheritedandpondershowthoseancientwoundshaveshapedher,whilesimultaneouslyconsideringtheuniversaltruthsthatconnectusallashumans.ThroughoutBEBA,Hunttsearchesforawaytoforgeherowncreativepathamidalandscapeofintenseracialandpoliticalunrest.Poetic,powerfulandprofound,BEBAisacourageous,deeplyhumanself-portraitofanAfro-Latinaartisthungryforknowledgeandyearningforconnection.
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DocumentaryseriesgoingbeyondthetheatredoorsofQueenElizabethHospitalBirmingham,wheresurgeonspushmedicalboundariestothelimits.?EverySecondCounts?Surgeonshavejustminutestoperformlife-savingemergencytraumaoperations.?GettingBetter?Asurgeonremovesawoman’soesophagusandusesherownstomachtoreplaceit.?ANewBeginning??AtBirminghamChildren’sHospital,twochildrenundergolife-changingsurgicalprocedures.?ARiskWorthTaking??SurgeonscarryoutQueenElizabethHospitalslargesteverremovalofexcesstissue.?PushingTheBoundaries?Afacialsurgeonventuresintounchartedterritorytooperateonapatient’sraredisease.?OneFalseMove?Theseriesreturnswithbrainsurgeryonapatientwhoisawakeandariskyaortarepair.
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克里斯·史密斯
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An intimate celebration of George Michael and Andrew Ridgeley’s enduring friendship, from childhood and through their years together as one of the UK’s biggest bands. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Michael and Ridgeley met at school in Bushy, near the town of Watford. They first formed the ska band The Executive before going on to release their first single as Wham!, Wham Rap! in June 1982. Success wasn’t immediate, but when it finally came, the pair crested a wave of success that continued until their farewell concert, The Final, at Wembley Stadium in June 1986. Chris Smith’s hugely entertaining film offers full and unprecedented access to the band’s archive, including unseen footage and interviews with the duo. The result is a nuanced portrait of an enduring friendship and a joyous musical travelogue.
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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Thefilmtellsthestoryofapromisingcellostudent,whoisenjoyingtheexclusivebirthdaypartyofherfriendIdoia,ashowcaseofhighsociety,whenshereceivesanunexpectedcallfromhermother.WhatheasksofherwillforceElsatochoosebetweenherfutureandherdignity.
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Afearlessoceanadventureteamdivesintooneoftheplanet’smostspectacularandremoteplaces,bringingtolifeepicshipwreckdiscoveriesfromWesternAustralia’sTreasureCoast–therestingplaceforsome1,600shipsandthousandsofsouls–inthispremiumadventuredocumentaryseries.Ineachepisode,CaptainAsh,Andre,Nush,JohnnyandRyandivetreacherouscondition...
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The hit Irish comedy from producers Vico Films will be back on BBC Three for a third series in the new year. Created by Peter Foott, The Young Offenders tells the coming of age adventures of Conor (Alex Murphy) & Jock (Chris Walley) and their mother/guardian Mairead (Hilary Rose) as she tries to keep them on the straight and narrow. The best friends navigate their awkward teenage years, hatching plans and adventures to help distract from their tough home lives and their inability to stay out of trouble. The whole second series launched as a BBC iPlayer box-set earlier this month and has picked up an amazing 4.1 - million requests so far. Combined with the 13.5 - million for series one and last year’s Christmas special, that over 17.6 - million requests to date. Kate Daughton, Head of BBC Comedy, says: "Young Offenders is spit-your-tea out funny and heartbreakingly emotional. A rare combination that’s testament to the talents and passion of a very special cast, crew and writing team, led by creator and show-runner Peter Foott. We can’t wait to share series three - Cork’s finest have never looked finer." Fiona Campbell, Controller BBC Three, says: "At BBC Three, we love championing local voices and The Young Offenders are a brilliant success story for us. With great characters and on-point writing that is hugely relatable to our audience, we’re delighted they’re coming back for another series." Peter Foott, creator of The Young Offenders, says: "We are so grateful to BBC Three and thrilled that they had such faith in the stories and characters of The Young Offenders that they commissioned a third series from us. We had a lot of fun filming series two and three back to back over the summer in Cork, and we can't wait for everyone to see more of Conor, Jock, Mairead and all the characters next year in our third series. "We've been amazed at the huge reaction to series two so far, and we're so happy that we can officially announce that there's more on the way for fans of the show." The Young Offenders has been commissioned for BBC Three by Fiona Campbell, Controller of BBC Three and Shane Allen, Controller, BBC Comedy Commissioning. The Commissioner for the BBC is Alex Moody. The Executive Producer for Vico Films is Peter Foott, the Producer is Tim Whitby. The Young Offenders series two continues on Monday nights on BBC One and is available on BBC Three & BBC iPlayer.
