Adesh
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
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Thequeererotichorror-comedyACLOSERWALKWITHTHEEfollowsJordan,ayoungChristianmissionarywhogetscaughtwatchinghishandsomepastorEliintheshower.ThehousechurchostracizeshimuntilEli(whohappenstobeafledglingexorcist)suggestsitmaybedemonicpossessionthatsgivingJordanhisungodlyurges.Whatstartsasanexorcismtosavetheirfriendshipquicklydescendsintopsychosexualmadness.
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汉萨·梅塔
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The film is a unique social comedy based in a small town of Uttar Pradesh directed by Hansal Mehta.
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Whenademandingloverinspireshertowrite,anidlewomanmustfaketherelationshipinordertocompletehernewbook.
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SeriestwowillreuniteuswithDetectiveSergeantMackenzie‘Mack’Clarke(AnnaSamson),who’slongingtogetbacktotheUKandthelifeshe’salwayscraved.Butfornowshe’sstuckinDolphinCove,dodgingherex-fiancéeGlenn’s(TaiHara)upcomingweddingafteroverhearinghisunexpecteddeclarationofloveintheseriesonefinale–aconfessionthatshecan’tunhear.Luck...
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Scaredoflifeandlackingthecouragetobehimself,Ludovicoliveshiddenawayinhisgrandmother'soldapartment.Onenight,thewickednessoftheworldgoestovisithimintheformofJack,aboywhoisLudovico'sagebuthastheoppositecharacter:hard,determined,perhapscriminal.Theforcedcohabitationoftwohumanbeingswhocouldn'tseemmoredifferentfromoneanotherturnsintoaninitiationritetoadulthood,thediscoveryoftheirtrueandrespectivepersonalities.Andwhentheharshrealitythatismercilesslystalkingthemappearstopresentthebill,theywillhavetofaceit,bolsteredbyanewawarenessandunhoped-forcourage.
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保罗·塔维亚尼
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ThreeyearsafterthelossofhisbrotherVittorio,withwhomhesharedhisentirecareer,PaoloTavianireturnstotheworksofLuigiPirandello,whichthepairadaptedin1984(Chaos)and1998(YouLaugh).InkeepingwiththeSicilianplaywright’svision,thefilmisnotatallwhatitappearstobe.Thetitlemaycomefroma1910novella,butthereisnotraceofthatbook’sjealousy-riddledplot.Instead,thefocusisonPirandellohimself,orrather,hisashes,whicharetransportedfromahastyburialsiteinfascistRometoapermanentrestingplaceinSicily,onatrekthattakesusthroughpost-warItalyanditsfilmedmemories,asseeninnewsreels,amateurfilmsandfragmentsofNeorealism.Havingburiedthemaster,Leonoraaddiothenshiftsgearfromroadmovietofilmadaptation,buthereitpicksadifferentPirandellostory,namelythelastone,writtenshortlybeforehisdeathin1936.Fromthefarewellofthetitletoitsreturntothewriter’slastwords,itishardnottoreadthiswork,sofreeandyetsomuchapartoftheTavianiworld,asamovingbrotherlyfarewellwhich,justasin2012’sGoldenBearwinnerCaesarMustDie,onceagainusescinematogivevoicetoliteratureandhistory.
