DeLong
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Ernesto lives life in a limbo of sorts, stuck somewhere between the promise of an exit visa and the fear of rotting away in Havana. But his smooth-talking schemes to secure papers are complicated when he crosses paths with Anita, and is faced with the only incentive to stay in Cuba—love. Screenwriter Alejandro Brugués makes his directorial debut with this poignant romance about the price of freedom, the power of sacrifice and the meaning of happiness.Alejandro Brugues was born in Buenos Aires, but he is a Cuban national. After studying Advertising, Psychology and Philosophy, he graduated with a Screenwriting major from the Escuela de San Antonio de los Banos. After taking his first steps as a screenwriter, he directed and wrote this first work, which received awards at the Cine en Construcción section of the Guadalajara Film Festival. Personal belongings is a love story that takes on the everyday reality of Cuba: Ernesto keeps his "personal belongings" in a briefcase, waiting for the moment when he will finally be able to leave the island; meanwhile Ana has decided to stay and not go with her parents, who fled on a raft. The two youngsters meet when he goes to the policlinic where she works, and although by falling in love they each find what they were looking for in each other, they also know they have decided on very different paths and at some point they’ll have to make a final choice.
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伊尔瓦·福纳
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Highschoolintriguesandpulsatingeroticismataboardingschoolwhereit’sstraighttobequeer,inastylisticallyimpeccablefilmadaptationofKristoferFolkhammar’ssuccessfulnovel.TheschoolyearatSt.Sebastianhasjuststartedandagroupoffriendsexpectantlydropintotheschoolareathatisexclusivelypopulatedbyqueerguys.Themuch-desiredCharlesentersintosecretsexualpowergamesorchestratedbythestrictschoolmaster,whoistorturedbymemoriesfromatimelongbeforetheeroticacceptancethatprevailsattheboardingschool.Whenthecompetitionforadmissionstotheprestigioussingingeventharden,friendshipscrackandtheutopianexistencebeginstofallapartpiecebypiece.BasedonKristoferFolkhammar’snovelofthesamename,inspiredbyhighschoolfilmsandgayporn,TheSchoolmasterGamesillustratesaworldwheresexualityisfree,butpowergamessimmerbeneaththesurface.
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CreatedbyEmmyAward-winningProducerDickWolf,Law&Order:SpecialVictimsUnitnowinits21stseason,makestelevisionhistoryasthelongest-runningprimetimelive-actionseriesofalltime.Thishard-hittingandemotionalseriesfromNBCsLaw&OrderbrandchroniclesthelivesoftheSpecialVictimsUnitoftheNewYorkCityPoliceDepartment,anelitesquadofdetectiveswhoinvestigatecrimesofsexualassault,childabuseanddomesticviolence.
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内详
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entends-tuisadramaticcomedythatplungesusintotheunusualdailylifeofAda,FabiolaandCarolanne,threelong-timefriendsfromthemidstofpoverty.
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Dogshavelongbeendependablecompanionsbyoursides.Butitwasn’talwaysthatway,andalookattheirclosestlivingrelative,thewolf,makesitclearwhy.Researchintodogdomesticationandintelligenceofferscluesintothehuman-dogrelationship.Andanalyzingdogs’brainactivityandgenesmayevenhelpanswerwhetherdogsareinitforthefood—oriftheyreallyloveus.
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安雅·亚当斯
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佩顿·伊丽莎白·李
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麦洛·曼海姆
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温迪·麦丽登·康薇
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赵牡丹
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肖恩·阿姆辛
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克里斯托弗·谢尔
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Jason Sakaki
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Nolen Dubuc
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Savannah Miller
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凯尔西·马韦马
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Arica Himmel
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贾思敏·维嘉
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Monique A. Green
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Sophia Bucior
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Matt Mazur
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大卫·S·郑
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Parm Soor
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劳拉·延加
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PromPactissetattheheightofpromseason.HighschoolseniorMandyColemanandherbestfriendandfellowoutsiderBenaresurroundedbyover-the-top'80s-themedPromposals.However,Mandykeepshereyesfocusedonadifferentgoal:herlifelongdreamofattendingHarvard.Whenshefindsoutheracceptancehasbeendeferred,sheisdeterminedtodowhatevershecandotog...
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西瓦·萨瓦玛尼固
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杰伊和金是长期的对手和坚持不懈的朋友。如果不互相辱骂或严厉的一瞥，他们就看不到对方。当杰伊预见到金的死亡并最终在车祸中丧生时，他在康复期间不情愿地被交给金照顾。最终，他意识到没有他的生活是多么的不可能。~~改编自网络小说《naikhraiwajjmaithukKan》(??????????????????????？)byMyfeline.。JayandJinnarelongtimerivalsandpersistentfriends.Theycan'tseeeachotherwithoutexchanginginsultsoraharshglance.WhenJayhasavisionofJinn'sdeathandendsupinacrash,he'sunwi...
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SamedilivesinavillageinWallonia.Heworksfromtimetotimeasagardenerandhasacloserelationshipwithhismother.Everydaylifeinthevillage,whichhasseenbettertimes,Samedi'squietandfriendlynatureandthestilllargelyintactruralsettingstandinstarkcontrasttotheheroinaddictionSamedihassufferedfromforover20years,whichonlyhisfamilyknowsabout.Hisrelationshipwithhismotherchangeswhenhemakesanotherattempttogetclean.PalomaSermon-Daï’sdocumentarypaintsarestrained,highlyprecisepictureofarelationshipmarkedbyaffectionandlovebutwhichisalsodifficulttodefineinrelationtoSamedi'sproblem.Asthecameraobservesthelong,concentratedconversationshehaswithbothhismotherandhistherapist,apictureofaddictioncomesintoviewwhichispartofafamilystructure.Thisbecomesembeddedinsomethinglargerinturnviatheindividualimagesofthevillage.PetitSamedicreatesanimageofdependenceinwhichindividual,familyandsocialcoexistenceareintertwined,withoutfallingintothetrapofsayingwhatmightbeabletosolvetheproblem.
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ThroughtheeyesofayounggirluprootedfromYugoslaviatoDenmark,wewatchafamilynavigateanewworldandrebuildtheirliveswhileholdingontowhattheyleftbehind.Homespeakstobelonging,sacrificeandthegenerationsshapedbydisplacement.MajaissixyearsoldwhenmostofherfamilymovesfromtheYugoslavSFRtoDenmark,leavinghertwobrothersbehindforthetimebeing,waitingtofollowtheresttothepromisedland.Denmarkprovestobefarfromthewelcominghaventheyimagined.Thereisanewlanguagetolearn,newcustomstonavigate,newskiestounderstand.Didtheyreallywanttostay?MajagrowsupinDenmark,buildsalifeandacareerthereasanartist,yetshecannotforgetallthatherparentsleftbehind.Actress-turned-directorMarijanaJankovićwasthesameageasMajawhenherownfamilyleftIvangrad(todayBerane)fortheEuropeannorth,andthatisonlythemostsuperficialsimilaritybetweenthetwo.Astwoofherleadingmen,fellowIvangradianDejanČukićandOsijek’soneandonlyZlatkoBurić,willsurelyknow,thedetailsofMaja’sorMarijana’sstorymaybespecific,butthelargerflowofthingshasremainedthesameacrossgenerationsandcountriesoforigin.
