Fahadh
搜索"Fahadh" ，找到 以下影视作品
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AparallelstorytoUntilWeMeetAgain(2019).TellsthestoryofhowWinandTeamgettoknowoneanotherthroughtheswimclub,andeventuallydeveloparelationship.TheygrowtheirrelationshipasWinhelpsTeamdealwithhischildhoodtrauma,andTeamhelpsWinfeelwanted.
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.
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在母亲铁甲般的双手下长大，母亲控制着他们从服装到事业的一切，当他们和谁共度余生时，伊奇查亚、特维斯和阿希拉三兄弟能掌控自己的生活吗？Broughtupundertheiron-cladhandsoftheirmother,whocontrolseverythingfromtheirclothingtotheircareer,willthethreebrothersItchaya,Tevis,andAshirabeabletotakecontroloftheirlifewhenitcomestowhotheyspendtherestofitwith?
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托马斯·施图伯
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ZweiTagenachihrerGeburtstagspartyverschwindetThomasAltmannsFrauAnja.Thomasmeldetsiealsvermisst.SchnellstehterselbstunterMordverdacht,daesbelastendeSpurenzugebenscheint.ThomasAnwltinLaviniaBertokzerschlgtaberdieArgumentederKriminalbeamten,dieweniginderHandhaben.Lavinia,eineattraktiveFrau,istberühmtdafür,jedenProzesszugewin...
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亚历克斯·吉布尼
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AgentsofChaos,atwo-partdocumentaryfromdirectorAlexGibney(HBO’sTheInventor:OutforBloodinSiliconValleyandGoingClear:ScientologyandthePrisonofBelief)examinesRussia’sinterferenceinthe2016U.S.presidentialelection.Featuringinterviewswithkeyplayersandexperts,classifiedinformationleakedbyinsidesources,andmore,thefilmdisentanglesthecomplexdetailsofRussia’sinterferenceinthe2016electionandhighlightsthefrighteningvulnerabilitiesinAmerica’spoliticalprocess.Thefilmisaproductofyearsofreporting.Withnever-before-seenfootageinsidetheRussiantrollfarms,andvideosunearthedfromtheRussiandeepweb,thefilmdigsdeepintoRussia’ssophisticatedplanstounderminedemocracy,raisingthealarmfortheAmericanpublic,butalsoprovingthatthese“agentsofchaos”weren’tRussiansalone;theywerealsokeyplayersintheUnitedStateswho,throughvenality,corruptionorcircumstance,furtheredPutin’sgoals,withavulnerableandunsuspectingAmericanpublicastheirtarget.
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大卫·惠灵顿
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在这部加拿大冬季剧会合,多伦多Hope-Zion病院的外科主任CharlieHarris（MichaelShanks）遭受车祸后昏迷不醒,让整座病院堕入凌乱,他的未婚妻兼共事AlexReid大夫（EricaDurance）更是忧心如焚。Alex信心在新来的有名外科大夫JoelGoran（DanielGillies）的赞助下挽救Harris的性命。与此同时,Harris的「魂魄」在病院里浪荡,不晓得本人真的酿成了幽灵,仍是纯洁在理想。总的来说,这既是一部惯例医学剧（Alex跟病院里的其余大夫天天还要照常诊治病人）,又是一部带有灵异颜色的理想剧。剧名「挽救生机」共有三重含意：挽救Harris!挽救一般病人,挽救Hope-Zion这所病院。HuseMadhavji!JuliaTaylor-Ross跟KristopherTurner介入上演。该剧的演员跟制造班底大多来自加拿大外乡剧集「雏鹰展翅」（RookieBlue）。
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内详
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艾德·赫尔姆斯
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麦克尔·格雷耶斯
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Jana
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Schmieding
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杰西·利
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达斯汀·米利甘
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唐纳·L.威尔逊
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David
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Banks
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McKale
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Jude
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Bingham
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Morgan
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Peter
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Brown
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Jinny
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Chung
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Jay
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Costelo
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玛丽·K·德福
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Peggy
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Dunne
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Allison
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Eberly
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Liz
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Eldridge
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朱迪·凯恩
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杰拉尔丁·基姆斯
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唐尼·马西希
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Jon
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Ryckman
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马丁·桑斯梅耶
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辛达·亚当斯
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罗伯特·柯蒂斯·布朗
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EdHelms饰演主角NathanRutherford，这个住在新英格兰小镇的主角不太能面对自己生活上的变化。
