Hol
搜索"Hol" ，找到 以下影视作品
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Fromasatiretoapsychologicalthriller,fourshortstoriesfromcelebratedauteurandwriterSatyajitRayareadaptedforthescreeninthisseries.
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尼克·墨菲
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戴米恩·路易斯
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盖·皮尔斯
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安娜·麦克西维尔·马丁
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卡瑞尔·罗登
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莫妮卡·戈斯曼
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詹妮弗·马萨拉
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雅各布·詹姆斯·贝西克
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丹尼尔·莱派恩
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斯蒂文·埃尔德
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托马斯·阿诺德
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露西·阿科斯特
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亚历山大·梅尔库里
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露西·拉塞尔
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亚德里安·埃德蒙松
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史蒂芬·坤肯
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里克·沃登
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礼萨·迪亚科
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George
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Taylor
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阿纳斯塔西娅·希尔
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尼克·墨菲
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拉多斯劳·凯姆
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米莉亚姆·里泽亚
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亚历山德鲁-维克多·内姆特亚努
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杰伊·辛普森
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罗杰·巴克莱
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马里安·洛伦西克
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Sophie
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Dix
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亚伦·沃多沃兹
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格雷戈·科尔帕克奇
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BritBoxUK限定剧《敌友难辨》开拍，DamianLewis正式签约加入，GuyPearce则顶替了DominicWest。本剧改编自BenMacintyre的同名畅销纪实作品，《国土安全》主创AlexanderCary负责改编，《血疫》导演NickMurphy执导。故事从KimPhilby(Pearce饰)与MI6同事兼密友NicholasElliott(Lewis饰)的复杂关系出发，讲述了Philby这位MI6和KGB双面间谍的叛变。卡司还包括AnnaMaxwellMartin、StephenKunken和AdrianEdmondson。这本冷战间谍惊悚纪实作品被认为有着伊恩·弗莱明和约翰·勒卡雷的气质，实际上，本书后记就出自间谍故事大师约翰·勒卡雷之手。
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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AmericanfilmcriticElvisMitchell’skaleidoscopicdocumentarycreatesadefinitivenarrativeoftheBlackrevolutionin1970scinema,fromgenrefilmstosocialrealism—aworkofpainstakingscholarshipthat’salsothoroughlyentertaining,anessentialarchivaldocumentandtestamenttoaperiodofAmericanfilmhistoryunlikelytoberepeated.
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Amid-agehipsterinStockholmisatrainingfreakandtrainsforthe90kmskiraceVasaloppet.Hissisteristheopposite,nojob,drinksbuthasadaughter.Suddenlysecretsrevealsandpromisesaremade.
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伊凡·森
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SimonBakerstarsasTravisHurley,adetectivewhoarrivesinasmallAustralianoutbackcitytoresearchatwenty-year-oldunsolvedhomicideofaneighborhoodAboriginallady.Formingbondswiththesufferer’sfracturedhousehold,Travisunravelsacollectionofarduoustruths,highlightingthecomplexitiesoflossandinjusticeskilledbyFirstNationsAustralians.
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在一场旅行之中，Chanachol（查克利·彦纳姆ShahkritYamnarm饰）邂逅了美丽的导游小姐Mekhala（麦琪·阿帕ArpaPawilai饰），两人一见锺情坠入了情网。然而，Mekhala拥有着神秘不可告人的身世，一条可怕凶猛的大蛇宛如她的守护者一般，会攻击每一个试图靠近它的主人的男人。灵蛇的存在并没有让Chanachol死心，却是他的妻子发现了丈夫的不忠，令Chanachol和Mekhala的恋情陷入了举步维艰的境地。最终，Mekhala选择了离开，与此同时，Chanachol亦发现妻子和自己的下属兼好友有染。心灰意冷的Chanachol想到了了断自己的性命，但在死之前，他唯一想最后再看一眼的人是Mekhala。最终，Chanachol死在了灵蛇的利牙之下，而Mekhala则开启了另一段似曾相识的情缘。
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Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well. In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.
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Peter,hisnewpartnerKatyandhersonJohnreturnhometoDorkingfromtheirfirstholidaytogetherinFrance.HidinginthebootoftheircarisSami,aSyrianrefugee.
