Mikaël
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翁贝托·伦齐
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UmbertoLenziisundoubtedlythekingofItaliancrimemovies,butunfortunately;SyndicateSadistsisnotthebestexamplesofhisworkinthisgenre.Lenzi’scrimeflickstendtobeacutabovetherestbecausehemakesfilmsbasedonstorieswithapoint,andtheydon’tlackdirection;butthisfilmfeelsabittoowaywardtofullyfitwiththerestofhisstuff.ThefilmtakesobviousinfluencefromSergioLeone’slandmarkwestern’AFistfulofDollars’(whichinturn,tookinfluencefromAkiraKurosawa’slandmarksamuraiflickYojimbo),inthatitfeaturestwowarringfamiliesandastrongcharacteratthecentre.ThecrimethatLenzifocusesoniskidnapping,andwecentreonacharactercalled’Rambo’.Ramboisdraggedintothewarbetweenthetwofamiliesafterhisbrotheriskilledbecauseofit.Rambouseshisbrainsandbrawntopitthetwofamiliesagainstoneanother,inthehopeofgainingrevengeforhisbrother’sdeath,rescuingayoungboythatthey’vekidnapped,andultimatelylettingthetwosidesdestroyoneanother.Thefilm’sbiggestassetisundoubtedlyTomasMilian.MilianwasputtogreatusebyLenziinalmostallofhiscrimethrillers.TherangeofcharactershehasplayedforLenziisimmense,andthisoneiseasilyoneofthecoolest.ThecharacteriscalledRambo,whichimmediatelysprangtomindthepopularSylvesterStallonecharacter-butforonce,theItaliansactuallyhaven’tstolenthisnameasSyndicateSadistswasreleasedfirst!Asusual,thefilmiswickedlyentertaining,aswegettowatchMiliangethimselfinvolvedintheusualarrayofcarchases,shootoutsandbrawls.Lenzihasgothimridingamotorbikethistimeround,andeveryscenefeaturingitandMilianisarealstandout!However,thefilmoftenfeelslikeitdoesn’treallyhaveanywheretogo,andthismeansthattherunningtimeisstretchedoutmorethanitshouldbe.ComparedtothecrimefilmsofotherItaliandirectors,SyndicateSadistsismorethanaboveaverage;butinrelationtoLenzicrimeflickssuchasAlmostHumanandTheCynic,TheRatandTheFist-itdoesn’tstandtallasoneofLenzi’sbest.Still,ifyou’relookingforninetyminutesoftestosteronefuelledmayhem-SyndicateSadistswillsuffice!
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布兰科·普莱沙
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1970年瑞士洛迦诺国际电影节最佳影片金豹奖.Ayoungteenagegirlissenttoanorphanagewhenshebecomestoomuchforhermothertohandle.Lilika(DraganaKalaba)issenttotheinstitutionafterhermother(TamaraMiletic)discoverssheisstealingfruitfromthelocalmarket.Sheisveryprotectiveofheryoungerbrotherandamentallychallengedfriend,andtakesalikingtohercounselor(BrankoPlesa).Shedreamsofhavinganordinarylifeandescapingthejuvenilehomesheregardsasaprison.Lilikafantasizesaboutherfutureasshehopesforawayoutoftheorphanage.Elevenyearsoldgirl,daughterofawomanaffectedbywar,feelssheisunneededinlifeofherfosterfatherandhermother.Fromcruelenvironmentandtwistedfamily,thejudgeandthejurywillfindHouseofcorrectionasheronlywayout,whichshedoesn’tregardasnewhome,butaspenalservitudeforchildren.
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WhenToryCoroturnsupdead,theneighborhoodturnsupsilent.RumorhasitshebecameyetanothervictimofthesmalltownknownasFIGHTVALLEY.Tory’ssisterWindsormovestotowntobeginherowninvestigationonhersister’smysteriousdeathafterweeksofnoleadsfromthepolice.She’squicktolearnthatToryfoughtformoneytomakeendsmeet.Ifgirl-next-doorWindsorisgoingtomakeherwayintoFIGHTVALLEYtofindthetruthaboutTory,she’sgoingtohavetofightherwayin."Jabs"(MieshaTate)sworeshewouldneverthrowapunchintheValleyagain.JabsnowfindsherselftrainingWindsortosurvivethepainful,unexpectedpathshe’sabouttotake.Everycorner.Everyalley.Everydoorway.Shemustfollowthelastfootstepsofhersisterinordertocomeface-to-facewithTory’skillerinFIGHTVALLEY.
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加布里埃尔·兰格
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大卫·鲍伊的列传片真的来了。一部名为「星尘」(Stardust)的影片已在运作中,聚焦1971年,年青的鲍伊第一次去往美国,鼓励了他创作出环球著名的专辑跟音乐抽象“Ziggy Stardust”。定由歌手兼演员约翰尼·弗林(「野兽」)扮演鲍伊。 另有吉娜·马隆(「饥饿游戏」)扮演鲍伊的第一任老婆Angie,马克·马隆(「美人摔角同盟」)扮演他的唱片公司宣扬。导演则宣告为Gabriel Range(「我是仆从」),往年6月开拍。
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Cutofffromcivilisation,asinglemotherputsherchildrenonhighalertwhentheybringhomeayounggirlcakedinclay.Shetellsofspiritsandspirithunters,butthesearenotmeresuperstitions.Asmorestrangersshowuponherdoorstep,shequicklyfindsanotherreasontofeartheforest.
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DouXiao
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AkidrushedintotheShaolinTempleanddefeatedsomemonksasproofhewasqualifiedforbeingadiscipleofShaolinAbbot.Shaolinmonksrefusedhisrequest.TheShaolinAbbotwastouchedbyseeinghiskneedowninfrontoftheShoalintempleforthreedays.TheAbbotsenthimtoplantvegetablefieldsasastartofkungfuskillpractice.Meanwhile,thekidwaseagertolea...
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Juin1940.Villeneuve,villageducentredelameijubar.netFrance,estbouleverséparl’arrivéedel’arméeallemande.Hortense,Jean,Raymond,MarieétaientalorsdesFrançaisesetdesFrançaisordinaires...ilsdeviendrontpatriotes,traîtres,collaborateursourésistants.Auxrèglesimposéesparl’occupationallemanderépondentcellesdeladésobeissancecivileoudelaclandestinité.Onapeur,onafaim,onsedéchireaunomdesvaleursetd’unecertaineidéedelaFrance...ouparfoissimplementparamour.
