Imants

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篮球少年张
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/ Ben / Wang
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“ChiangCanDunk”centersonanAsianAmericanteenandbasketballfanwhowantstobeabletodunk,buthesoonlearnsmuchmoreabouthimself,hisfriendsandhisfamily.
忏悔录
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  The story revolves around a G8 meeting, held at a luxury hotel on the German coast, where the world’s most powerful economists are gathered to enact important provisions that will deeply influence the world economy.  One of the guests is a mysterious Italian monk (Servillo), invited by Daniel Rochè (Auteuil), the director of the International Monetary Fund. He wants the monk to receive his confession, that night, in secret. But the next morning, Rochè is found dead.
伦敦娇妻第二季
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HayuishintingatthecastannouncementofTheRealHousewivesofLondonwithanewteaser.ThestreamerdroppedavideosharingthelogoforRHOLforthefirsttime,whichusesanumbrellaasthefranchise’ssymbol.“London’scalling—who’sontheline?Don’tletitgotovoicemail.Castannouncementsoon,”readsthecaption.RHOLisHayu’sfirstoriginalseries,anadaptationofBravo’sRealHousewivesfranchisesetinLondon.ChanelAyan,astarofBravo’sTheRealHousewivesofDubai,commented,“Julietiseverything.”
恐龙十三号
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Everyone knows Sue, the majestic Tyrannosaurus Rex skeleton that is the pride of Chicago’s Field Museum of Natural History. Less known is the bizarre seven-year tale of intrigue, perfidy, double-dealing, and government intervention that resulted in the dinosaur-hunting discoverers, members of South Dakota’s Black Hills Institute, being divested of their find, cheated of recognition, and even sent to prison. Assembly of the gigantic fossil is something of a metaphor for filmmaker Miller’s meticulous reconstruction of a story that includes home movie footage of Sue’s discovery and recovery, her 1992 - kidnapping by heavily armed FBI agents, a rip-roaring courtroom drama as her ownership falls into dispute, and her eventual sale at auction for a heart-stopping sum.
小野田的丛林万夜
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1944.LeJaponestsurlepointdeperdrelaguerre.Unenouvellegénérationd’officiersderenseignementsestforméeafind’entraverl’avancedel’ennemiaveccommeconsignedenejamaisserendre.Parmicesjeunesgens,unhomme,sec,droitetdéterminé,estenvoyésuruneîledesPhilippines,sonnom:HirooOnoda.Ila22ans.Pourl’Empirelaguerredureraencoreuneannée,pourOnodaelles›achèveradixmillejoursplustard.
我爱露西第五季
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LucycomplainsthatshedoesnthavenearlyenoughHollywoodsouvenirs,astatementwithwhichRickytakesissue.WhensheandEthelgototheGraumansChineseTheater,theynoticethatJohnWaynesfootprintsareloose,sotheyprythecementblockoutofthegroundandtakeitbacktothehotel.
手术室的故事外科医生生命边缘第二季
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/ 内详
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DocumentaryseriesgoingbeyondthetheatredoorsofQueenElizabethHospitalBirmingham,wheresurgeonspushmedicalboundariestothelimits.?EverySecondCounts?Surgeonshavejustminutestoperformlife-savingemergencytraumaoperations.?GettingBetter?Asurgeonremovesawoman’soesophagusandusesherownstomachtoreplaceit.?ANewBeginning??AtBirminghamChildren’sHospital,twochildrenundergolife-changingsurgicalprocedures.?ARiskWorthTaking??SurgeonscarryoutQueenElizabethHospitalslargesteverremovalofexcesstissue.?PushingTheBoundaries?Afacialsurgeonventuresintounchartedterritorytooperateonapatient’sraredisease.?OneFalseMove?Theseriesreturnswithbrainsurgeryonapatientwhoisawakeandariskyaortarepair.
替身/Sunod
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Olivia Sazon (Carmina Villarroel) is a mother who is desperate to find help for her terminally-ill daughter.  As she takes on a demanding job at a call center in an old building in Manila, Olivia begins to experience a series of strange events that creep into her personal life.  And when the events start to affect her daughter's behavior, Olivia is forced to uncover the mystery that lies within the call center walls...but what's waiting for her inside may be more sinister than she ever expected
她说2022
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故事聚焦《纽约时报》女记者乔迪·坎托尔(佐伊·卡赞饰)与梅根·吐赫(凯瑞·穆里根饰),她们联手撰写了这个世代最重要的一篇报道,进而引发#MeToo运动,不但揭发了好莱坞数十年来默许的性侵真相,也永远改变了美国文化。影片根据畅销书《她说:打破性骚扰的故事,帮助点燃了一场运动》(SheSaid:BreakingtheSexualHarassmentStoryThatHelpedIgniteaMovement)改编。
狂野街头
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007  Author TimothyFarrell from Worcester, MA  Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.  The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)  -from imdb
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