Ge
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托马斯·施拉梅
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本季情节贴合80年月的标忘性变乱,包含核战片子「大难后」（TheDayAfter）的上映!前总统里根的星球大战演说!大卫-科波菲尔让自在女神像「消逝」的神奇把戏。第四序的中心境节是「这个苏联特务家庭怎样生活（怎样自保）」。与此同时,被软禁在俄罗斯的双重特务Nina有可能重返美国,与前恋人StanBeeman团圆。请留神这个「有可能」,由于当初谁也说禁绝。Jennings家的小儿子Henry本季有更多出境时光,他在前两会合常常与街坊Stan待在一同。上一季存眷了Paige的变更,也许这一季要存眷Henry的变更！别的,KeriRussell的有身不会写进剧情中。FX表示该剧可能在本季或许第五季停止。
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Setin790AD,VikinganefeaturesthedailychallengesofpeoplelivinginasmallVikingvillage,frompowerstruggle,brotherrivalry,genderequality,tobetrayalandfriendship."It’sthestoryofpeoplefromourtime,butlivingduringtheVikingera.Ofcourseeverydaychoiceshavefarmoredramaticconsequencesandthatmakesforgreatcomedymaterial.
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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萨杜斯·奥沙利文
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TheindomitableDCIVeraStanhope,assistedbyhertrustedcolleague,DSJoeAshworth,stepsupforanotherseriesofchallengingcases.Sheinvestigatesthemysteriousdeathofapensioneronabusycommutertrain(OnHarbourStreet),unearthsathirtyyearmysteryafterabrutalmurderonthesandsofaseasideresort(Protected),unpicksthetragiclastmonthsofafailednovelistgunneddownonaremoteNorthumberlandmoor(TheDeerHunters),anddelvesintothetangledlifeofabusinessmanfoundfloatinginthewaterundertheGatesheadMillenniumBridge(DeathofaFamilyMan).InspiredbythenovelswrittenbyrenownedcrimewriterAnnCleeves,andfilmedagainstabackdropofoutstandingNorthumberlandlandscapesandatmosphericproduction,eachenthrallingstoryisenhancedbythecaptivatingperformanceofBrendaBlethynasthisshambolicyetbrilliantdetective.
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兰德尔·赖特
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The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael. Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism. As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.
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《都市侠盗》的第二季已经完美收官，但是Nate被捕，小组乘直升机被迫离开这样的结局却始终纠结人心。TNT早已宣布预定第三季，将在今年夏天回归。在第三季的开幕片，我们将欢迎一位固定演员的家人，他就是饰演Hardison的Aldis Hodge的哥哥艾德文·霍德吉(Edwin Hodge)。他将饰演一位会计师，曾经因为很小的交通罪而被关进监狱。但在狱中，他被指证杀害了另外一名囚犯，而恰巧，刚刚被抓获的Nate和他被关押在了同一所监狱中……
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朱利安·霍姆斯
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在享用一个难过的假期之后,Scott（SullivanStapleton）跟Stonebridge（PhilipWinchester）被召回20分部接收新的义务。另一名20分部间谍在黎巴嫩贝鲁特追踪精深莫测的恐惧分子al-Zuhari可怜丧命,Scott跟Stonebridge必需查清事件的本相。一条新线索引诱他们离开哥伦比亚的偏远森林——拒信al-Zuhari的一个盟友正躲藏在这片由权势宏大的贩毒团体掌握的地域。RhonaMitra将继承在本季表演RachelDalton少校,MichelleLukes表演JuliaRichmond中士,LiamGarrigan表演LiamBaxter中士。本季新加盟的演员包含：RobsonGreen表演PhilipLocke上校；DougrayScott表演反叛间谍JamesLeatherby；MilaunaJackson表演反恐行为组在履行义务进程中碰到的症结人物KimMartinez；ZubinVarla表演奥秘的可疑工具LeoKamali。
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这是往年11.14首播的一个记录片,报告了35年来产业光魔公司为片子殊效做出的巨大奉献。产业光魔不只为有数的大片制造殊效,也创造了视觉殊效自身,它占有天下上最有才干的片子艺术家,一直地把视觉殊效推向一个更高真个水准。 产业光魔在这35年间,制造了300多殊效片子,不任何其余公司可以到达这个记载,乃明日亲近也不。 这一个小时长的记录片中采访了George Lucas, Steven Spielberg, Ron Howard, J.J. Abrams 跟 Jon Favreau, 另有演员 Samuel L. Jackson 跟 Robin Williams, 制片人 Jerry Bruckheimer 跟 John Lasseter, 迪士尼跟皮克斯动画公司的首席创意。也采访了很多产业光魔的症结视觉殊效总监,Dennis Muren, John Knoll, John Dykstra, Pablo Helman, Ben Snow 跟 many more. 记录片中涵盖了太多的采访,很多未公然的片断跟深刻的幕后（深刻。）,横竖假如你是一个片子殊效喜好者,或许是一名CG先生,艺术家,这是相对不克不及错过的片子。
