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After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --? Official Site
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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The two best friends Karsten and Petra goes on a cabin holiday for skiing fun. Tough guy Petter is a good skier, and Karsten thinks Petra likes him more. Maybe he can prove himself if he competes in a ski jumping competition?
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BBCOne及HBO合拍8集剧《杰克绅士GentlemanJack》（前名《ShibdenHall》）由SallyWainwright负责，美方现定于美国时间4月22日首播，英方会较晚播出。《杰克绅士》是根据现实人物AnneLister所改篇，在1832年的Halifax，被当地人称为杰克绅士/GentlemanJack的AnneLister（SuranneJones饰）是个富有的地主，她亦是位日记作者﹑旅行家，并且自知及开放地以女同性恋身份生活的人，被称为”Thefirstmodernlesbian”。剧中将会描述她与家人﹑仆人﹑房客﹑商业对手，以及同性恋人AnnWalker之间的关系。其余演员包括SophieRundle﹑DerekRiddell﹑VeronicaClifford﹑SylviaSyms﹑BrendanPatricks﹑CasparPhillipson﹑PollyMaberly﹑LucyBlack﹑StephanieHyam﹑DinoFetscher﹑RupertVansittart﹑MichaelXavier﹑GemmaWhelan﹑TimothyWest﹑GemmaJones﹑StephanieCole﹑PeterDavison﹑AmeliaBullmore﹑VincentFranklin﹑ShaunDooley﹑JoeArmstrong及RosieCavaliero。
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格雷格·施密丁格
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17-year-oldJakobwantsnothingmorethantofeelalive.Uncontrollableanxietyattackspreventhimfromdoingsoandforcehimtoescapeintovirtualworlds.Onenight,hemeets26-year-oldKristjaninacamchat.Theirencountermarksthebeginningofatranspersonaljourneytothewoundsoftheirsouls.
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林诣彬
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MorenaBaccarinandRyanMichelleBathéstarintheultimatehigh-stakesshowdownbetweencriminalmastermindElenaFederovaandFBIAgentValTurner.WhentheyplayElena’sgame,deadlytruthsarerevealed...andeveryonebowstothequeen.
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吉莉恩·贝尔
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TheplotoftheshowrevolvesaroundAbby,who,upondiscoveringherhighschoolcrush’spreferredcoitalposition,seekstofamiliarizeherselfwithitwiththeassistanceofalocalstripper.However,asAbbygrappleswiththeideaofadvancingtheirrelationship,sherealizesthatthejourneyhasgrantedhermuchmore:anewfoundsenseofselfandalastingfriendship.
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凡妮莎·帕里斯
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Uninspired and newly single painter Sara is down on her luck and wants nothing more than to get away from her problems. When she decides to take a trip to visit her mom, she becomes involved in the efforts to save a local church which is in danger of closing down.
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伊凡·帕瑟
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一直作為米路斯．科曼劇本鐵三角（另一位是帕培錫，也是本片編劇之一）成員的艾雲．巴薩，當然也走低度戲劇路線。同是音樂家的彼德與卡洛老友重逢，生活狀況大不同，你有伴侶我有家庭，然而都有說不出的不明朗，唯有以酒與音樂代替口水。全片推展不問目的，只在剎那間的意圖，行行企企比起科曼更義無反顧，卻有生活淡如流水的詩意和繆思，叫觀眾聯想到二十年後的伊力．盧馬。巴薩鍾愛音樂的程度不下於文字和電影，古典音樂與民間音樂於全片迴轉迴盪，難怪成了奇斯洛夫斯基十大心愛電影之一。 康城影展青年評審團獎，美國全國影評人協會特別獎 這部1966年的珍品，是捷克新浪潮短暫生命中最佳作品之一。成名音樂家到小鎮探訪舊同學，舊同學是個窮音樂教師，有時在喪禮上吹奏樂曲。平凡的素材在巴素手裡，變出風趣復罕見的旋律，一部憂鬱的喜劇，或灰色喜劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
