Case
搜索"Case" ，找到 以下影视作品
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乔·拜尔德
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马修·麦克费登
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凯莉·霍威
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凯文·麦克纳利
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多萝西·阿特金森
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奥拉·希尔
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Emer Heatley
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Aoife Checkland
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Alan Sylvester
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理查德·迪兰
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布莱恩·卡斯佩
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里奇·基伯
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列娃·安德烈瓦伊达
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Bryan Lawrence
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乔基姆·斯卡利
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皮埃尔·伯格曼
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乔纳森·罗德斯
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伊戈尔·格拉布佐夫
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Alison Martin Jones
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Rita McDonald Damper
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杰里米·赛康伯
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丹顿·安德森
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本剧聚焦英国可耻的工党内阁大臣JohnStonehouse，讲述他的人生和所处时代的故事。MatthewMacfadyen饰演John，KeeleyHawes饰演其妻子Barbara。故事讲述1974年11月，JohnStonehouse，HaroldWilson（KevinR.McNally饰）政府内十分成功的一员，消失在了佛罗里达州一家大型豪华酒店的海滩上。他留下了一堆折叠整齐的衣服，游入海中试图伪造自己的死亡。震惊的公众和媒体以为这位北沃尔索尔的国会议员溺水身亡或是被鲨鱼吃掉了，留下了自己亲爱的妻子Barbara和三个年幼的孩子。Stonehouse是一个充满号召力、魅力四射，又自信满满的人，从他在议会的职业生涯早期开始，就给HaroldWilson首相和工党的坚定支持者就下了深刻印象。他出身工薪阶层，毕业于伦敦经济学院，第...
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杰西（罗丝-玛塔菲奥 Rose Matafeo 饰）仍然住在伦敦，并在当地的电影院工作，在与电影明星汤姆（尼凯什-帕特尔 Nikesh Patel 饰）分手后，她开始了新的单身生活。分手两年后，Jessie 开始面对成年的压力，面对自己的选择所带来的后果，她的朋友们都迈向了人生的下一个阶段，而 Jessie 却在质疑自己到底在寻找什么。
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A graduate of the Offenbach College of Design, Piotr J. Lewandowski has made his directorial debut with JONATHAN (working-title) based on an award-winning screenplay. The moving drama about family secrets and the obstacles to achieving one’s own happiness features Jannis Niew?hner, one of this year’s European Shooting Stars, in the title role of the 24-year-old Jonathan. The young man is caring unstintingly for his terminally-ill father Burghardt, but then sees his life in a new light after falling in love with Anka, who has come to nurse his father. However, the story takes another twist when Ron, Burghardt’s long-lost friend from his youth, re-appears — and a well-kept family secret is uncovered....
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[InAsYouSee,Farockisearchesforthoseinstancesandfactsinthehistoryoftechnologythathavebeenoverlookedorignored,alsoexploringtheambivalentrelationshipbetweentechnologiesdevelopedforciviluseandthosedesignedformilitarypurposes.Thusthefilmforinstancedescribeshowinthe1970'sworkersattheBritisharmsfactoryLucasAerospaceattemptedtod...
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Sam Hodiak finds himself drawn into a new case when he begins receiving mysterious packages with photos of missing girls. Charmain's risky undercover operation provides valuable information for a drug case but exposes her to great danger. Meanwhile, Charlie Manson and his growing family move into the home of their new benefactor, Dennis Wilson, in their continuing quest to break into the music business.
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Clara and Alejandro are moving to a new home, but soon he goes on a work trip and she stays alone, surrounded by closed boxes. This mess compels her to live new experiences that will lead her to question the closed and hermetic world where she lives.
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¿How far does a soccer fan go for his beloved national team? Mariano Cárdenas (Adrian Uribe), a married man and a civil servant, shows us that crossing the line when supporting the national team is a must. Mexico and the USA are in the final qualifying match for the 2018 - World Cup. Mariano is committed to giving everything he has, including his time and relationship with his wife, to be present in the game because he is convinced that his presence in the stadium is the only thing factor that will guarantee the victory. Everything is ready and organized for the big day. Unfortunately, plans change when Mariano learns of the death of his uncle, with whom he lived and with whom he wagered a large bet on the team. Mariano is torn between being at the funeral or escaping to accompany the team. Thanks to the decision he makes, he loses his job, his wife, his home but his heart is full as Mexico qualifies for the World Cup.
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50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
