Lacke
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埃格勒·维特利特
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OnaandSaulearebestfriendsandpassionatecookswhoarestuckworkingat"Tasty",alocalcanteen.OnaisasinglemotherandSaulėisanenthusiasticgirlfromthecountryside.Oneday,SaulėenrolstheminanationalTVcookingcompetition,whichoffersarestaurantasthegrandprize.WithoutOna'sconsent,sheliesabouttheirculinaryexperience.Reluctantly,OnagivesintoSaulė’sliesandtheybothmanagetoenterthecompetition.Despitebeingviewedasajoke,theirpopularityskyrocketsonsocialmedia.AsOnabecomestheaudience’sfavourite,tensionbetweenthefriendsescalatesasit’sfuelledbytheshow'smanipulativecelebritycontestant,Bruknė.OnaevenstartsdatingaFrenchjurymember,addingtothefriction.Willtheirfriendshipsurvivetheintensepressureofthecompetition?
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村井浩
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MackenzieDavis及HimeshPatel将主演HBOMax的10集末日题材限定剧《#第11号站#StationEleven》，这部剧改编自EmilySt.JohnMandel所写的小说。《第11号站》由PatrickSomerville负责，是部在末日下的多线剧集，剧中讲述世界因为灾难性流感而陷入末日，幸存者们则试图重建这个世界。MackenzieDavis饰演佐治亚州流感下幸存的Kirsten，现在是莎士比亚剧团演员﹑HimeshPatel饰演失望的Jeevan，在流感爆发后得站出来成为领导人。
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This film, very much of its time shows London in the early 1970's. Of course now a different world. Note the old fashion Underground ticket machines, and the Black and White Telly in the flat. The location looks very much like Churchill Gardens, Pimlico, with Battersea Power Station in the background. And, plenty of smoking going on, in pubs, and on the tube. The film is strangely sexy in its own way, with the young girl playing along with the much older man, its really a sexual fantasy come true. It is another one of those British low budget film where the low budget adds to rather that take away value. Watch for fun, which is what it is.
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罗伯特·塔尔海姆
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TwoGermancomputerpioneerswhogotocourtinthefightagainstanapparentlyinvincibleopponentinordertoberecognizedastheinventoroftheGoogleEarthalgorithm.Theseriesilluminatesboththehackersceneinpost-reunificationBerlininthe90s,aswellastheidealisticworldofearlySiliconValleyandtheharshrealityofamulti-milliondollarprocess.
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卡洛斯·康塞桑
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约翰·尤海斯
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安娜贝拉·莫雷拉
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米格尔·阿莫里姆
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Ivo
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Arroja
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André
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Cabral
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Jo?o
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Cachola
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Vicente
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Gil
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Diogo
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Nobre
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Gustavo
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Sumpta
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Sílvio
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Vieira
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Ulé
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Baldé
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Meirinho
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Mendes
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里诺尔·森微娜
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Leonor
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Silveira
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Angelina
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Gonga
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Agostinho
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Candongo
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Madaleno
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Cape
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Djucu
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Dabó
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Milagre
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Janeth
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de
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Jesus
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Silvio
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In1974,thePortugueseandtheirdescendantsfledAngolawherenationalistgroupsgraduallyclaimedtheirterritoryback.AtribalgirldiscoversloveanddeathwhenherpathcrossesthatofaPortuguesesoldier.Then,aPortuguesesquadisbarrackedinsideawallfromwhichtheywillhavetoescapeoncethepastcomesoutofthegravetoclaimitslong-awaitedjustice.
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雅克·贝克
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The last year of life of the Italian-French painter Amedeo Modigliani (1884-1920) who died with 36 years, was played by Gérard Philipe, who was lethally sick during the shooting of this movie and died shortly after its release, 1959, with 36 years - on one of the two diseases that Modigliano had himself and exactly in his age. Further, this movie was directed by Jacques Becker - after the sudden death of Max Ophüls. Becker, too, died only 2 years after this movie.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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From the stage of the Royal Shakespeare Theatre in Stratford-upon-Avon, hosts David Tennant and Catherine Tate are joined by Benedict Cumberbatch, Judi Dench, Ian McKellen, Dame Helen Mirren, Meera Syal, David Suchet, Rufus Wainwright, Tim Minchin, Gregory Porter, Joseph Fiennes, English National Opera, The Royal Ballet and Akala for a very special evening. Together they mark the life and work of William Shakespeare on the 400th anniversary of the playwright's death. This unique event takes place in the presence of their Royal Highnesses the Prince of Wales and the Duchess of Cornwall and celebrates Shakespeare's extraordinary legacy and his enduring influence on all performance art forms - from opera to jazz, dance to musicals.
