Akahori
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AKB48成破于2005年12月08日,是由秋元康担负总制造人的岛国日本大型男子偶像组合,分为Team A!Team K!Team B!Team 4与Team 8五个步队 [1] 。除官方经纪公司AKS外,协作的演艺经纪公司另有太田制造!尾木制造!渡边文娱!Horipro!吉本兴业等;除国王唱片外,协作的唱片公司另有索尼唱片!举世唱片!艾回唱片等。AKB48与其姊妹组合经常被称作“AKB48集团”,其集团组分解员总数曾经超越450人。AKB48以“能够背靠背的偶像”为理念,并在秋叶原占著名为AKB48戏院的公用扮演园地,多少乎天天都在AKB48戏院直接公演 [1] 。2011年刊行的5张单曲「酿成樱花树」!「Everyday!发箍」!「飞行动手」!「风正在吹」跟「崇尚麻里子」占岛国日本公信榜年度排行榜第一至第五名,年总贩卖额到达168.2亿日元 [2] ,AKB48被华尔街称为岛国日本经济的鼓励者 [3] 。2014年5月,组合单曲总销量到达2878万张 ;而停止2017年6月,组合单曲总销量已打破5000万张2018年4月1日(日)『AKB48単独コンサート~ジャーバージャって何?~』コンサートタイトルにもなっている「ジャーバージャ」で幕開けした『AKB48単独コンサート~ジャーバージャって何?~』岡田奈々は「センターを務める楽曲がコンサートタイトルになるなんて」と喜びを爆発させた。これまで之チームで之パフォーマンス之後には!新体系之4チーム(岡部チームA!込山チームK!高橋チームB!村山チーム4)が!それぞれ之チームカラーを出したパフォーマンスで会場を盛り上げた。さらに!向井地美音や樋渡結依といったフレッシュ選抜や参加したばかり之ドラフト3期生らも随所でステージを彩り!新しいAKB48が始まっていくことを強く印象付けた。昼之部では!新チーム之結束力を試すためにチーム対抗ピンポンゲームを実施。「公演初日之お弁当が少しだけ豪華になる」という優勝賞品にテンションが上がるメンバーたち。結果は!岡部チームAが見事優勝。こ之コンサートをもって!姉妹グループから之兼任が排除される!HKT48宮脇咲良!SKE48北川綾巴!NMB48白間美瑠たちに!横山由依総監督から感謝と労い之言葉がおくられる場面も。メキシコ之ドラマ「LIKE」に海内キャストとして出演する為!1年間之留学へと旅破つ入山杏奈之壮行会も行われた。入山は悩んだ末に海内で之挑戦を決意したことを明かし!「時間を無駄にせず!ビッグになって海内でもAKB48之名前を知ってもらえるように頑張って帰ってきます!」とファンとメンバーに力強く約束。「離れていてもAKB48が大好きです!行ってきまーす!」と笑顔でステージを降りていった。最後には!横山由依が「これからAKB48!48グループとして大きいところを目指していきたいと思います。これからもグループ之応援よろしくお願いします」と総監督らしく締めくくり!AKB48にとって新たな門出となるコンサートとなった。
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Inthemiddleoftheoutback,astolen4WDcollideswithatransporttruck.Twolocalkidsinthecararebadlyhurt.Someoneshouldhavecalledforhelp,buttheydidn’t.Theydidn’tbecausetheyworkforaninternationalresearchprojectno-onetalksaboutandtheircargoisaprohibitedsubstance.TheaccidentwouldhaveremainedamysterywereitnotforNed(DanSpielman)andJesseBanks(AshleyZukerman).Nedisayounginternetjournalistdesperateforabreak,andJesseishistroubledyoungerbrotherwhoseobsessionwithhackinghasgothimintoseriousdifficulties.NedandJesseBanksaregivenapoisonedchalicewhenaphonevideooftheoutbackaccidentarrivesintheirin-box.Theirdecisiontodigdeeperdragsthebrothersintothedarkestheartofpolitics,thewebofblackmarketeersandtheinternationalagenciesthatmonitorandmanipulatethem.Together,theysuddenlybecometheunlikeliestcrusadersfordemocracy.Thequestionisjusthowfarthoseinauthoritywillgotokeeptheirexplosivesecretsafe-andjusthowfarthetwobrotherswillgotorevealthetruth.
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安迪·德爱蒙伊
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Howfarwouldyougotohaveababy?MartinCompston,SophieRundleandMirrenMackstarinthisemotionalthrilleraboutlove,trustandthetruecostofbuyingwhateveryouwant.Dan(Compston)andEmily(Rundle)arecrazyabouteachother.TheyliveinahugehouseinthenicestpartofGlasgowandwantfornothing.Butthey’vebeentryingtohaveababyforyearswithnosuccess.Whenachanceencounterbrings18year-oldKaya(Mack)crashingintoEmily’slife,anditseemsthatjustmaybe,fatehasbroughtthemtogether.Fromtheothersideoftown,Kayaisdeterminedtomakealifeforherself.ExperiencingtheluxuriousinteriorofEmily’sRangeRover,shequicklystartstogetatasteforhowtheotherhalflive.Backinherbarelocalauthorityflat,Kayadecidestochangeherfuture.ShetracksdownEmilyandmakesheranoffer:she’llbeDanandEmily’ssurrogate,iftheyhelpsetherlifeontrack.Shecanchangetheirlives,iftheycanchangehers.Butwithonlyoneembryoleft,canDanandEmilytrustateenagegirltheybarelyknowwiththeirlastchancetohaveafamily?
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Howfarwouldyougotohaveababy?MartinCompston,SophieRundleandMirrenMackstarinthisemotionalthrilleraboutlove,trustandthetruecostofbuyingwhateveryouwant.Dan(Compston)andEmily(Rundle)arecrazyabouteachother.TheyliveinahugehouseinthenicestpartofGlasgowandwantfornothing.Butthey’vebeentryingtohaveababyforyearswithnosuccess.Whenachanceencounterbrings18year-oldKaya(Mack)crashingintoEmily’slife,anditseemsthatjustmaybe,fatehasbroughtthemtogether.Fromtheothersideoftown,Kayaisdeterminedtomakealifeforherself.ExperiencingtheluxuriousinteriorofEmily’sRangeRover,shequicklystartstogetatasteforhowtheotherhalflive.Backinherbarelocalauthorityflat,Kayadecidestochangeherfuture.ShetracksdownEmilyandmakesheranoffer:she’llbeDanandEmily’ssurrogate,iftheyhelpsetherlifeontrack.Shecanchangetheirlives,iftheycanchangehers.Butwithonlyoneembryoleft,canDanandEmilytrustateenagegirltheybarelyknowwiththeirlastchancetohaveafamily?
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DomtellsthestoryofPedro,ahandsomeboyfromRiodeJaneiro’smiddleclasswhoisintroducedtococaineinhisteenyears,puttinghimonthepathtobecomingtheleaderofacriminalgangthatdominatedthetabloidsinRiointheearly2000s:PedroDom.Shiftingbetweenaction,adventureanddrama,DomalsofollowsPedro’sfatherVictorDantas,whoasateenager,makesadiscoveryatthebottomofthesea,reportsittotheauthoritiesandendsupjoiningthepoliceintelligenceservice.Theseriesshowsthejourneyoffatherandsonlivingoppositelives,oftenmirroringandcomplementingeachother,whilebothconfrontsituationswhichblurthelinesbetweenrightandwrong.StarringalongsideGabrielLeoneandFlavioTolezaniareFilipeBragança,RaquelVillar,IsabellaSantoni,RamonFrancisco,DigãoRibeiro,FabioLago,JuliaKonradandAndréMattos,amongothers.DomisdirectedbyVicenteKubruslyandBrenoSilveira,whoalsoleadsthewritingteam,whichincludesFabioMendes,HigiaIkeda,CarolinaNevesandMarceloVindicatto.TheseriesisproducedbyRenataBrandãoeRamonaBakkerfromConspiração.AntonioPintocomposedtheoriginalsoundtrack.
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故事讲述在一个威权体制(anauthoritarianregime)逐渐瓦解的府邸(thepalace)内,一年时间里发生的事情。
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
