Lathan

HayuishintingatthecastannouncementofTheRealHousewivesofLondonwithanewteaser.ThestreamerdroppedavideosharingthelogoforRHOLforthefirsttime,whichusesanumbrellaasthefranchise’ssymbol.“London’scalling—who’sontheline?Don’tletitgotovoicemail.Castannouncementsoon,”readsthecaption.RHOLisHayu’sfirstoriginalseries,anadaptationofBravo’sRealHousewivesfranchisesetinLondon.ChanelAyan,astarofBravo’sTheRealHousewivesofDubai,commented,“Julietiseverything.”

Thefilmtellsthestoryofajournalistcouplewhoinviteamanandwomanintotheiridyllicvillagehome,butwhatbeginswithaninformalinterviewdescendsintoanightmarishfightforsurvival.

Time-travelingwitchfromthe17thcenturyescapesdeathandfindsherselfinmoderndayCartagena.Itisanadaptationofthenovel"Yo,Bruja"(I,Witch)byIsadoraChacón

"Deepwithinthe100-Acre-Wood,adestructiveragegrowsasWinnie-the-Pooh,Piglet,Owl,andTiggerfindtheirhomeandtheirlivesendangeredafterChristopherRobinrevealedtheirexistence.Notwantingtoliveintheshadowsanylonger,thegroupdecidestotakethefighttothetownofAshdown,homeofChristopherRobin,leavingabloodytrailofdeathandmayhemintheirwake.Winnieandhissavagefriendswillshoweveryonethattheyaredeadlier,stronger,andsmarterthananyonecouldeverimagineandgettheirrevengeonChristopherRobin,onceandforall."

Olivia Sazon (Carmina Villarroel) is a mother who is desperate to find help for her terminally-ill daughter.　　As she takes on a demanding job at a call center in an old building in Manila, Olivia begins to experience a series of strange events that creep into her personal life.　　And when the events start to affect her daughter's behavior, Olivia is forced to uncover the mystery that lies within the call center walls...but what's waiting for her inside may be more sinister than she ever expected

ThestorychartshowyoungPolishrefugeeJanBojarskibecamethebiggestcounterfeiterofalltime,“theCézanneoffakemoney”,inpost-warFrance;how,foroverfifteenyearsandunbeknownsttohisfamily,thismanledadoublelifemakingcounterfeitmoney-whichwas“morereal”thanthenotesprintedbytheBankofFrance-inashedatthebottomofhisgarden;andhow,inalltheseyears,thisunparalleledfakermanagedtoslipthroughthepolice’snettobecomethethorninCommissionerMattei’sside,overthecourseofahuntwhichfastturnedintoaduelforthesetwoobsessives…

《太空无垠》根据同名小说改编。《太空无垠》系列小说目前共有三本。2011年出版的《巨兽觉醒》（LeviathanWakes）曾获雨果奖最佳小说奖提名和轨迹奖最佳科幻小说奖。之后又出版了《凯列班战争》（Caliban’sWar）和《地狱魔王之门》（Abaddon’sGate）两本书，均获不俗反响。目前Syfy预定播出《太空无垠》的前十集，而是否会继续制作则要看播出时的反响。Syfy希望借此剧重现《太空堡垒卡拉狄加》系列的辉煌。《太空无垠》故事发生在200年后的未来，一位硬派的侦探和一个走私太空舰的舰长联手调查一个神秘女孩JulietteMao(弗罗伦丝·费佛瑞饰演)的失踪案，他们穿越太阳系揭发人类历史上最大的阴谋。这名侦探将由托马斯·简饰演。他名叫米勒，被描述为厌世者，家乡是位于火星和木星之间的小行星带。他为行星带上的一家大型安保组织工作，有着粗犷的外表和敏锐的直觉。

Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment