Kapor

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真人快打传奇蝎子的复仇
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Plotunknown.Reportedlyananimatedprojectbasedmolikan.comonthelong-runningMortalKombatvideogamefranchise.
浴缸里的美人鱼
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DougisanawkwardFloridadrugaddict.Divorcedandalone,hesharescustodyofhisyoungdaughterwithhisex.Doug'sreelingfromlosinghisjobatalocalstripclub,wherehetakescareofthefishintheaquarium.Thingsarebeyondbleak-soDougzipshisboatoutintotheGulftoendthepainofhisreality.Butathislowestpoint,hediscoversaninjuredMermaidcreatureclingingtolife.ForDoug,it'sasignfromtheUniverse-sohebringsherhome,giveshershelterinhistubandbeginstonurseherbacktohealth.HeevennamesherDestiny.Astheirrapportblossoms,wordofhissecretgetsoutandheisforcedtoprotecthisnewfriendbyanymeansnecessary.
最后通牒:酷儿的爱第一季
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/ 内详
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InTheUltimatum:QueerLove,fivenewcouples,madeupofwomenandnon-binarypeople,areatacrossroadsintheirrelationship.Onepartnerisreadyformarriage,theothermayhavedoubts.Anultimatumisissued.Andinjustovereightweeks,eachcouplewilleithergetmarried,orgetout,aftertheyeachchoosenewpotentialpartnersinalife-changingopportunitytogetaglimpseoftwodifferentfutures.TheUltimatum:QueerLovelaunchesMay24,onlyonNetflix.
异端
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DidierKonings’simmeringmediaevalhorrorWitteWievenexplorestheconfluenceofreligionandpatriarchyinanexcessivelypuritanicalDutchvillage.Blamedbyhercommunityforbeingchildless,Friedaimmersesherselfinprayerandritual.Whenshereturnsunscathedfromtheforbiddenforestsurroundingthevillage,havingevadedalecherousbutcher,sheiscondemnedasanagentofthedevil.Frieda,however,findsnewfaithinthedarkpowersthatinhabitthewoods.Shotinareducedcolourpaletteattheedgeofvisibility,Konings’grippingfilmconstructsaconvincingpre-modernsocietywhosepracticesitelucidateswithpatienceandattention.AlthoughsetintheMiddleAges,WitteWievendisplaysanunmistakablycontemporaryspirit,craftingafeministparableaboutwomendiscoveringnewwaysofunderstandingtheirlivesandtheworld.
葬礼的节拍
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Thefilmisinspiredbythetrue-to-lifestoryofthediscoveryofthelong-lost“Opus28”manuscriptfromNorwegiancomposerJohanHalvorsen,originallyperformedin1909byCanadianviolinistKathleenParlow,towhomthepiecewasdedicated.CampbellportraysastudentwhoseekstocompleteherthesisonParlowbyorganizingapublicperformanceof“Opus28”fromTorontotoOslo.ThecastincludesDueñas,MelanieScheiner,EveDuranceau,MaximGaudette,Rosa-JohanUddoh,andEileenDavies.
索尼娅与公牛
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A comedy about two people with different world-views, from different places, whose fate, with the help from a bull Garonja (a name given to the black bulls in villages of Croatia), intertwine. Ante (Goran Bogdan) is a peasant from Dalmatian hinterland, a son of an bull fights organizer, and skilled insurance salesman. He is known by his powers of persuasion. At the voting for the Law for animal protection, biggest controversy is considering bull fights. Sonja (Judita Frankovic) is from Zagreb, an inveterate activist fighting for animal rights. In Dalmatian hinterland nobody can understand her attitude. They conclude that Sonja, regardless of the declared intense love of animals, would not dare stand in front of a bull. About Sonja and Anthony , the central pair who in his romantic comedy game going a little farther - a little back, a series of actions is carried out in the style of a wild untamed satire at the expense of local yellow media and important institutions such as the ...
侠女内莉
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TheoffshootwouldcenteronMariaSten‘sfanfavoritecharacterFrancesNeagley,acorporatesecurityprofessionalandformermilitarycolleagueofJackReacher(AlanRitchson)intheArmy’s110thSpecialInvestigationsUnit.
莉娜的假日
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SoonafterthefalloftheBerlinWall,Lena,fromtheformerEastGermany,plansatriptoHollywood.Shehasplannedheritinerarytotheminute,butwhenherbagisswitchedattheairportandsheloosesthenameofherhotel,allherplansarethrownintochaos,andshefindsherselfinthemiddleofatypicalHollywoodsuspenseplot.Afriendlycabdrivertriestohelpout,butdoesntbelievebadguysarereallyafterher.
鬼屋欢乐送美版
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CBS宣布开发英剧《鬼屋欢乐送Ghosts》的美版,Lionsgate及BBCStudios合作制片﹑由JoePort及JoeWiseman负责。《鬼屋欢乐送》讲述一对年轻夫妇搬到梦想的乡间别墅后,发现这儿原来有着一群不同时期的鬼魂,而他们都想把主角二人赶出去。
从今天到明天
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  Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
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