Varot
搜索"Varot" ，找到 以下影视作品
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Norm,thenewlycrownedpolarbearkingofthearctic,mustsaveNewYorkCityandhishome.ButNormgoesfromherotovillainwhenhe'sframedforacrimehedidn'tcommit.Hemustworkwithhisfriendstoclearhisgoodnameandhelpsavehiskingdominawinner-take-allhockeymatch
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麦温
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法国巴黎,警员体系中有一支特殊的军队——青少年警队（Juvenile Protection Unit）,吸毒!贩毒!杀人!损害!迫害都与他们有关,而予以接办的独一尺度或许工具只有一个,那就是宽大的青少年群体。任务中他们对受害人以及怀疑人寻根究底!穷追不舍,只为漓清本相,还孩子们一片自在安康的生长天空。生涯中他们为了各自的政见高声争辩,也同样各自遭遇着生涯中的喜怒哀乐与磨练。他们是极端平常的一群人,又在做着一份意思严重的任务…… 本片荣获2011年戛纳国际片子节评委会最佳影片奖；2012年法国恺撒奖最佳剪辑奖跟最具潜力女星奖项（Naidra Ayadi）。
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HugoLlor,a12-year-oldboywhospendsmostofhistimeonthestreets.Hisdayisalsospentintheshipyardsandhisdreamistobecomeashipbuildingcraftsman,althoughhisfateisuncertain.Hugo'slifeisnoteasy,heisaverylonelyboyandhismotherisforcedtomoveawayfromhim,buthehasthesupportandprotectionofarespectedoldman:ArnauEstanyol.
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奥斯卡·米绍
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Abandoned by her fiancé, an educated negro woman with a shocking past dedicates herself to helping a near bankrupt school for impoverished negro youths. Within Our Gates was created in response to The Birth of a Nation which depicted southern whites in need of the Ku Klux Klan to protect them from blood thirsty blacks. Micheaux shows the reality of Dixie racism in 1920, where a black man could be lynched for being in the wrong place at the wrong time.
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After leaving the military, Hassan returns home to help his brother settle a debt, to do so they must team up to fight the organiser's sons.
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罗杰（Taran拉姆），一个刻板的政治家有宏伟的计划，向他梦中女孩(阿娇Jacobs)在她家的湖房子求婚。但一切都出现问题时，他遇到了他潜在的姐夫托（鲍比·莫伊尼汉）︰全职的夏令营辅导员，金子般的心与野生感乐趣，渴望罗杰的最好的朋友，和最终使他陷入一连串的不幸事件。正如罗杰试采取无耻捕鱼远足，推进水喷气背包和美国历史主题音乐剧之中的立场，他意识到作为一个新的家庭的一部分可能比他预想的更难。tvb1.cc
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AmodernRobinHoodswitchesfromstealingtoprotectingwhencircumstancesmakehimthereluctantbodyguardofahigh-profileclient.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
