LL
搜索"LL" ，找到 以下影视作品
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凯瑟琳·兰福德
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德文·特雷尔
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古斯塔·斯卡斯加德
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丹尼尔·沙曼
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塞巴斯蒂安·阿梅斯托
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莉莉·纽马克
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莎罗姆·布龙-富兰克
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彼得·穆兰
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埃米莉·科茨
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比利·詹金斯
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马特·斯托克
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贾斯帕·雅各布
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娜塔莎·奥诺诺博
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克里夫·罗素
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阿什利·班纳曼
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波利·沃克
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索菲亚·奥克斯纳姆
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约翰内斯·豪克尔·约翰内森
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索菲哈克尼斯
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贝拉·戴恩
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凯瑟琳·沃克
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安德鲁·惠普
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优素福·凯尔科尔
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娜塔莎·卡尔扎克
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彼得·吉尼斯
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特伦斯·梅纳德
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肖恩·吉尔德
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乔乔·马卡里
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安格斯·瑞特
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休·西蒙
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博·福勒
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朱利安·西格尔
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阿伊莎·安托
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该剧依据Frank Miller及Tom Wheeler所著的未出书同名青年向小说改编,采取Nimue的角度描写亚瑟王的传奇,她注定会成为壮大但喜剧的湖中妖女/Lady of the Lake；剧谍报告Nimue母亲过死后,她不测埠与年青的雇佣兵亚瑟成了搭档,他们将结伴找寻梅林并递交一把陈旧的剑。而在路程傍边,Nimue将成为反抗乌瑟王及白色骑士团的意味人物。
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陈翊恒
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1997年，用功读书且孝敬寡母的阿霆（陈伟霆饰）和早早便混社会的阿祥（曾国祥饰）、阿栋（徐伟栋饰）是自幼长大的好朋友。因做小生意的霆母被人欺负，阿祥等人叫来大哥耀文（谭耀文饰）相助。文哥是黑道响当当的人物，当年曾一夜之间横扫油麻地，但却甘心经营一家小水果摊。见识了文哥的义气，阿霆决心拜入其门下，希望早日赚大钱孝敬父母。经过多年的打拼历练，阿霆逐渐成长为足以独当一面的少壮派人物。他代大老板王波（卢海鹏饰）收账，由此与富家千金Michelle（诗雅饰）相识相恋。风光无限的阿霆惹到同门前辈火爆明（林利饰），不仅遭到残酷毒打，连恋情也出现转机。这一事件促使他的内心世界以及黑道格局发生天翻地覆的变化……
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瓦莱丽·勒梅西埃
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38岁的爱琳(卡林·特莱斯KarineTeles饰)和45岁克劳斯(奥塔维奥·穆勒OtávioMüller饰)是一对夫妻。他们在里约州郊区的一个叫彼得罗波利斯(Petrópolis)的小城市生活。他们有四个孩子，费尔南多(16岁),罗德里戈（10岁），还有一对双胞胎(5岁)。夫妻俩打拼多年为了完成建造他们的新房子。爱琳是做一份独立销售员的工作，同时也正要完成学习获取高校文凭。克劳斯经营一家复印店，也在店里买书。费尔南多，他们的大儿子，在打手球。因一次赛季中的突出表现，这个小伙子被邀请去德国加入职业队，他将要比自己预期还要快地离开自己的父母。爱琳不仅需要解决家庭生活中的日常事务，还得顾虑费尔南多一年一次的分开，并且得适应没有儿子在身边的生活。
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比利·怀德
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二战时期，一批美国战俘被关押在德军的监狱里，故事就发生在17号监狱（Stalag17）。有两名囚犯想要越狱，却被德军所杀，监狱里的囚犯们开始怀疑他们其中有人出卖了他们。大家都把嫌疑集中在一个人身上——狡猾的Sefton（威廉·霍尔登WilliamHolden饰）身上。Sefton虽然也是个囚犯，但他靠组织“赛马”、卖酒还有出租望远镜赚了不少钱。不久，一位美国中尉Dunbar（DonTaylor饰）被抓进狱中。他在法兰克福火车站制造了爆炸案炸死了不少德军。然而此事随即被德军军官OberstvonScherbach（奥托·普雷明格OttoPreminger饰）所获悉。Sefton被认为就是那个泄露了消息的内奸，挨了一顿揍。然而他依旧宣称自己是无辜的。Dunbar即将被纳粹军处死。到底谁才是真正的内奸？到底中尉Dunbar能否逃过一劫...
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格雷戈里·普罗金
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2013年的一天，瑞安（克里斯·J·穆雷 Chris J. Murray 饰）带着妻子艾米丽（布兰妮·肖 Brittany Shaw 饰）和年仅八岁但乖巧可爱的女儿莱拉（艾薇·乔治 Ivy George 饰）搬入了一栋大房子。适逢圣诞节将至，一节人喜气洋洋，快乐非凡。瑞安不知从哪还翻出一台老式的摄像机，他希望记录下家人每一个喜悦的瞬间，谁知从开机的第一天起便发现种种异常在房子内出现。夜幕降临，女儿逐渐表现出诡异的举止。与此同时，瑞安和哥哥迈克（丹·吉尔 Dan Gill 饰）还翻出了几卷这栋房子20年前的主人们拍摄的录影带，影像中的内容令他们呆若木鸡。 只有女儿和摄像机能够看到的“隐形者”，令瑞安一家的生活乱作一团……
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Diz (Joel Courtney) is a reckless teenage drifter living life on the run. Abandoned by his parents as a child, he looks out for himself and doesn't accept handouts. He takes whatever he wants and runs. Jaded and determined to answer to no one, Diz lives a life marked by thievery and abandonment. Things change for Diz when he floats into a small town on the Snake River. There he is confronted by an unflappable old man named Marty and falls for Marty's guarded granddaughter, Selah. When Diz robs a local drug-dealing crazy, he becomes the owner of a giant pile of cash and the target of two vicious killers. With more money than he knows what to do with, and criminals at his heels, Diz puts the people he's learned to care about in danger, still trying to win Selah. But some things can't be stolen or bought. The River Thief is a film about guilt, self-sacrifice, and accepting life as a gift.
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Saturday Night Live had its thirtieth season on the 2004-2005 television season on NBC. The thirtieth season began on October 2, 2004 and ended on May 21, 2005 with 20 episodes in all.
Before the start of this season, Jimmy Fallon left the show. In the wake of his departure, Fred Armisen was promoted to repertory status, while Finesse Mitchell and Kenan Thompson remained feature players.
New cast members this season include Rob Riggle, an improv edian (at the Upright Citizens Brigade Theater) and U.S. Marine. This would be Riggle's only season on the show. In addition, SNL writer Jason Sudeikis (who appeared in many bit roles prior to joining the cast) joined the cast as a featured player for the last three episodes of the season.
With Fallon gone, Amy Poehler became Tina Fey's co-anchor on Weekend Update, making Fey and Poehler the first (and, so far, only) two-woman anchor team.
This season was also notable for Ashlee Simpson's infamous lip-syncing gaffe during her second performance (on the episode hosted by Jude Law). This season was also home to many sketches focused on the 2004 U.S. Presidential election, but, unlike the 2000 election (and later the 2008 election), there was little to no media coverage about the sketches.
This season was also, like seasons 6, 11, and 20 before it, lambasted for its relative poor quality. Many of the sketches were seen as "boring" and "fashionable".
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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Themayhemandmadnesscontinueinseasonthreeofthisbitinganduproariousadultanimatedcomedyseries.Wrappinguptheir“Eat.Bang!Kill.Tour,”HarleyQuinn(KaleyCuoco)andPoisonIvy(LakeBell)returntoGothamasthenewpowercoupleofDCvillainy.Alongwiththeirragtagcrew–KingShark(RonFunches),Clayface(AlanTudyk),FrankthePlant(JBSmoove)-"Harlivy...
