Kapor
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菲利达·劳埃德
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Single-motherSandra(ClareDunne)escapesherabusivepartnerwithhertwoyoungchildren,onlytofindherselftrappedintemporaryaccommodation.Aftermonthsofstruggling,shedrawsinspirationfromoneofherdaughter’sbedtimestoriesandhitsupontheideaofself-buildinganaffordablehome.ShefindsanarchitectwhoprovidesherwithplansandisofferedlandbyPeggy(HarrietWalter),awomanshecleansfor.Aido(ConlethHill),abuildingcontractor,appearswillingtohelptoo.Butasherpastrearsitshead,intheformofGary(IanLloydAnderson),herpossessiveex,andasbureaucratsfightbackagainstherindependentspirit,willSandrabeabletorebuildherlifefromthegroundup?
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réalisation Judith Du Pasquier un film de Sylvie Quesemand Zucca et Judith Du Pasquier production Abacaris Films coproduction ARTE France avec la participation de LCP Assemblée nationale soutien Fondation France, CNC, DICOM, Paroles et Cultures, PROCIREP et ANGOA diffusion ARTE France L’anorexie reste une énigme pour les familles, pour les médecins, pour les jeunes filles elles-mêmes. Pourquoi donc s’imposent-elles ces privations extrêmes En France et en Europe, les récits éclairants de femmes guéries et les réflexions de soignants très impliqués abordent l’univers complexe des anorexies contemporaines et explorent les nouvelles manières de soigner. Sélection Prix Média d'Enfance Majuscule 2017
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迪尔幕德·劳伦斯
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Following a court appearance for drunk driving, Leo is required to perform unpaid work as a punishment, assisting AJ, a community worker on a run-down,largely black-occupied housing estate in South London. AJ is hoping to divert boys away from crime by encouraging them to do sports, and, though initially dismissive of Leo as a white intruder, comes to respect him after he has s...
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After20yearsoflivinginWashington,D.C.,MarkKleinseeksmuch-neededsolacebymovingtotheremotewildsofWestVirginia.Toeasehisloneliness,hesendsregularvideoupdatestomembersofhisOCD-supportgroupbackinthecity.ButMarkgraduallyrealizesthatdespitehisnew,isolatedsetting,hemaynotbealone.Fromtheendlesswoodssurroundinghishome,somethingelseiswatching.
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An intimate look at post-re册ution Libya through the eyes of an aspiring all-female soccer team, whose struggle to gain mainstream acceptance mirrors the broader challenges facing women in contemporary Libyan society.
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拉姆·麦德拉瓦尼
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Reassigned from TV to radio, a frustrated anchor sees both danger and opportunity when he receives threatening calls on the air.bywww.qujuji.com Electronic Media Exposed Anwar Says An Anchor is an actor , Actor needs audience and audience need drama, these three lines expose the electronic media today in Ram Madhvani's release today DHAMAKA at Netflix. A remake of 2013 Korean Film 'The Terror Live 'and shot in only 10 days and the credit goes to Neerja and Aarya director and the Superstar in making Kartik Aaryan. Madhvani idea of filming is at loggerheads with the area the film is traversing, he is more into explosion , probably since the title is Dhamaka . I liked the way Aaryan Khan's initial life has been shown in the opening song . No other cast has been given much exposure and passing on the buck is the way of corporate life has been perfectly narrated . At points the movie seems going slow but suddenly picks up . Madhvani has been able to drumming up the tensions and also able to sustain it . A new trend set by Madhvani , the main cast carries the whole movie on hisher shoulder, whether it was Sonam Kapur or Sushmita Sen and now Kartik Aarayan . Watch it today after India- Newzealand 20-20 for stealing performance of Aaryan. #Netflix #anwarsays #DhamakaOnNetflix #kartikaaryan #movie2021 #moviereview #RamMadhvani #ElectronicMedia #sealink #explosion #tvanchor.
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EderleziRisingisanexcitingsciencefictionromancesetinnearfutureaboutthepioneeringspacemissiontoAlphaCentauriundertakenbythemultinationalEderleziCorporation.EderlezirecruitsMIlutinaSlavcosmonauttrainedinthenewlyreformedfuturisticSovietUnionandaccompanieshimwithNimani,afemaleandroidprogrammedtofulfillwhateverhedesires.
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尼古拉斯·佩雷达
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AcclaimedMexican-CanadianauteurNicolásPeredareturnstotheFestivalwithMinotaur,apendanttohis2009featureJuntos.ShotintheMexicoCityapartmentofPereda'ssignatureactorGabinoRodríguez,Minotaurisanincandescentchamberpiecethatobservesthreethirtysomethings(Rodríguez,LuisaPardoandFranciscoBarreiro)astheysleep,dream,read,andreceivevisitors(includingthehousekeeperwhotakescareofthem)intheircommunalspace.Alovelyandlethargicspelliscastasanambiguous,Marienbad-likelovetriangleemergesamongthetrio,conveyedthroughliterature(booksfunctionastelepathictransmittersanddefinersofrelationships),choreography,andtheacutephysicalpresenceofthethreeleads.ExtendingPereda'srecurringinterestsinclass,socialstructureandfamilyrelationsinMexicansocietyinitswraithlikefantasyofaleisureclassthatisquiteliterallysustainedinitsnarcolepticexistencebytheministrationsofthedomestichelp,MinotaurevokesthefilmsofTsaiMing-lianginitsdistendednaturalism,ritualisticsolitude,andcreationofacloisteredworldsuffusedwithlonging.ThesurrealauraofMinotaurseepsbeyondtheconfinesofthetrio'sapartmentintoastrange"nightwithoutdistance"inLoisPatiño'shallucinatoryportraitofbordersmugglingintheGerêsMountainsbetweenPortugalandGalicia.Castingrealtownsfolk,someofwhomweresmugglersintheiryouth,PatiñoplacestheirstifflyStraubianpresenceswithincross-processed,multilayeredtableauxofrocks,river,andtrees—anever-indeterminateplacethathasimbibedandbornewitnesstoinnumerable,desperateactsofsurvival.Conjuringaninstantinthememoryofalandscapefilledwithghosts,Nightwithoutdistanceextractsspellbindingfantasyfromthereal.
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The story of a five year old little rebellious girl Vitka with her teenage cousin Larysa and her boyfriend, the young criminal Scar unfolds in a Ukrainian provincial setting. Larysa finds herself at a crossroads after the death of her father. Yearning to be self made, the village community ostracizes her for loving Scar. Larysa discovers her grandmother once sacrificed her love for a young gypsy abandoning him for traditional values and other people's opinions. Larysa's mother is too psychologically weak to support her daughter. Larysa and Scar plan to escape from a life of crime, misery and their relatives. But are they ready to pay the full price for freedom?
