Dayanc
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Duringanexclusivetour,apowerbreakdowninsideasecretprisonknownastheDeathHousesendstwoagentsfightingthroughalabyrinthofhorrorswhilebeingpursuedbyaruthlessarmyofroaminginmates.Astheyfighttoescape,theagentspushtowardthelowestdepthsofthefacilitywheretheylearnasupernaturalgroupofevilbeingsaretheironlychanceforsurvival.
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Let Me Go is a film about mothers and daughters, it is about ghosts from the past and the impact they leave on the present. Developed from Helga Schneider's true life story, Let Me Go explores the effect on Helga's life of being abandoned by her mother, Traudi in 1941 - when she was just four years old. The film is set in the year 2000 - following not only Helga and Traudi's journeys but the next two generations and how Beth, Helga's daughter and Emily her granddaughter are confronted with the long-term effects of Traudi's leaving. When Helga receives a letter telling her that Traudi is close to death, it is Emily with whom Helga shares the truth. Emily 册unteers to accompany her to Vienna to meet the great-grandmother she thought was dead, and experience the unraveling of the darkest of family secrets.
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Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness.
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Theo Abrams is an ex-Cape Town fireman suffering from severe Post-Traumatic Stress Disorder. Unable to return to work due to the psychological trauma sustained during a failed rescue mission, an increasingly frustrated and volatile Theo's world is rocked when one morning, he wakes up next to his wife's murdered corpse with no recollection of what transpired and all evidence suggesting that he's killed her. When the police label him as the prime suspect, Theo goes on the run, and is soon being hunted by Deputy Chief of Police, Alan Shard, a notoriously ruthless soldier of the law, who is hell-bent on catching Theo as one last act of service before he officially retires. However, when an unknown third party is thrown into the mix, Theo discovers an alarming connection between the sinister forces hunting him in an attempt to silence him permanently for a reason he can't comprehend; and a recent investigation his wife was conducting into a global armament contractor. When connecting the dots becomes a matter of life and death, Theo becomes embroiled in a desperate fight for survival and must figure out who really murdered his wife before a terrifying conspiracy changes the course of a nation forever.
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大卫·鲍伊
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AnintimateportraitoffivekeyyearsinDavidBowie'scareer.FeaturingawealthofpreviouslyunseenarchivethisfilmlooksathowBowiecontinuallyevolved,fromZiggyStardust,totheSoulStarofYoungAmericans,tothe'ThinWhiteDuke'.ItexploreshisregenerationinBerlinwiththecriticallyacclaimedalbumHeroes,histriumphwithScaryMonstersandhisglobalsuccesswithLet'sDance.Withinterviewswithallhisclosestcollaborators,thisfilminvestigateshowBowiehasbecomean'iconofourtimes'.
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拉契得·波查拉
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1944年至1945二战期间,一群阿尔及利亚的伊斯兰教小伙子应召入伍,被编入法国军队,参加对德国的反击战。阿布戴卡德( 罗舍迪·泽姆 Roschdy Zem饰)因通过军事理论考试而被授予下士军衔,在上级命令下带领同乡的弟兄们编进严厉的马丁尼兹中士(伯纳德·布兰肯 Bernard Blancan 饰)的队伍中。在首次训练中,矮小伙萨义德(贾梅尔·杜布兹 Jamel Debbouze 饰)在应对中士投手雷的考察时险些酿成大祸,幸好中士出手敏捷,反应神速,才让这批新兵幸免于难。在战斗中,这些新兵表现神勇,特别是下士,中士对他另眼相看。午餐时,出于对非洲士兵的歧视,食品分配极为不公,为了各种族士兵权益,下士不惜以下犯上,贸然顶撞了中士,两人是否就此结下私人恩怨?非洲士兵们的命运又何去何从?
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乔尔·兹维克
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Toula(妮娅·瓦达拉斯NiaVardalos饰)虽然在美国出生长大,却是生活在一个巨型的希腊世界中,整个庞大的家族以父亲权威般的意志为代表坚持着希腊是世界之源的精神动力,从小就眼观着家人古怪行为的Toula听得最多的就是母亲与神经质祖母的言论:嫁给一个希腊人,生一大堆希腊小孩,喂饱自己的肚子直到世界的最后一天。长到30岁的Toula邋遢肥胖,在一次夜雨中继续听着父亲的唠叨,然而当她走进日复一日工作的家庭餐馆时,她决定要改变自己的命运!她去学习,去美容院整理自己的仪容,当她浑身散发出自信时,命定的白马王子Ian(约翰·考伯特JohnCorbett饰)出现了,二人一见钟情,迫不及待要组织自己的新家庭。对这个庞大的希腊家族来说,Ian不折不扣是一个外人,婚礼的繁琐和斗争才刚刚开始,不同的价值观引发了一连串笑料。
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ItssummertimeinahotandemptyBuenosAires.Marcelasworldisshakenwhenhersisterdies,leavinghercompletelyoutofsorts.Stillgrieving,shemustdealwithclearingoutherflat.Oneofherdaughter’syoungfriends,Nacho,appearsonthescene,eagertohelp,apresencewhichleadstosharedroadtripsandadventures.Duringtheseconfusingdays,peopleandconversationsfromanothertimewillmingle,promptingquestions,whiletheimminenceofeverydaylifeclosesinonher.
