Case
搜索"Case" ，找到 以下影视作品
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大卫·曼德尔
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该剧基于公共记录和Egil“Bud”Krogh、MatthewKrogh合著的《Integrity》一书创作。故事讲述总统RichardNixon自己的政治打手、“水门事件”主谋E.HowardHunt（伍迪·哈里森饰）和G.GordonLiddy（贾斯汀·塞洛克斯饰）如何意外推翻了他们本想竭力保护的总统职位。Nixon有一支团队“水管工/WhiteHousePlumbers”，专门为他收集政敌情报、抹黑对手、阻止内部人士爆料等，E.HowardHunt和G.GordonLiddy就是该团队的指挥人。
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Facing a bleak future, a young man runs away to Mexico where he is recruited by the mysterious captain of a paramilitary group of teens who fight drug cartels. Isolated at their desert camp and unsure what he's fighting for, he seeks to prove himself in this crucible of manhood.
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马特·里夫斯
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十年前,人类为本人的愚昧支付凄惨价值,凶恶致命的猿流感病毒伸张寰球,天下消灭殆尽。而在毗连旧金山的原始森林,凯撒（安迪·瑟金斯 Andy Serkis 饰）率领猩猩搭档们树破起忧心如焚的王国,直到某一天,猩猩的故里的安静再度被人类攻破。在旧城苟延残喘的人类面对动力危急,他们试图应用森林要地大坝的发电站供给动力。青年迷信家马尔科姆（杰森·克拉科 Jason Clarke 饰）试图压服集合地担任人德里弗斯（加里·奥德曼 Gary Oldman 饰）,生机经由过程跟平局腕获得猩猩部落的信赖跟赞成。但是凯撒的好盟友科巴（托比·凯贝尔 Toby Kebbell 饰）却无奈摒除对人类的仇恨,他实验着挑衅者凯撒的威望。 人类跟猩猩,两边当心翼翼试探,而战役在所不免……
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故事描述一名开音像店的亿万富翁JohnnyRose（EugeneLevy）和他的肥皂剧明星妻子Moira（CatherineO’Hara）、嬉皮士儿子David（DanielLevy）、交际花女儿Alexis（AnnieMurphy）在一夜之间破产。这家人不得不离开已经习惯了的奢华生活，回到乡下去「从零开始」。好在他们还有一点私人领地：当年他们抱着好玩的心态在最偏僻的角落里买下一座几乎没有人烟的小镇（镇名即本剧标题「施米特湾」），现在这里成了他们仅存的落脚点。他们必须尽快适应新的贫穷生活，找到家庭的真谛……但这个穷乡僻壤的地方让他们感觉「限制」太多！
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约翰·希尔寇特
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俄罗斯黑帮喽罗伊琳娜（凯特·温丝莱特 Kate Winslet 饰）指示一批腐烂的警员直接了一同完善的银行掳掠行为,因为多少人均身处警界外部,反侦查才能极强,因而想要查出案件的本相多少乎是弗成能的事件。但是,多少人并不晓得的是,真正的威逼并非来自警方的考察,而是有人正在虎视眈眈的盯着他们所掉掉落的巨额待遇。 此役之后,伊琳娜野心不减,殊不知多少名警员在伟大的压力之下早曾经抵触重重,濒临瓦解的边沿。此中之一马库斯（安东尼·麦凯 Anthony Mackie 饰）不只要面临心坎的挣扎,还要敷衍谁人初出茅庐公理感爆棚的菜鸟错误克里斯（卡西·阿弗莱克 Casey Affleck 饰）,灵敏的克里斯好像曾经开端觉察本人身边正在产生的事件。
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Depressing,darklovedramawiththinstoryline,thatmakesyouwonderwhetherthemakersbelieveinlifeatall.Themaleprotagonistisconstantlyrunningintoproblemsandgetsbeatenuptimeandtimeagain,somuchsothatafterawhileIcouldnothelplaughing,whichcannothavebeentheintentionofthemakers:theyarevèry,vèryserious.ThecruxofthefilmseemstobeasharpcommentonthemoneydrivenGermansociety,inwhichitisimpossibletoshowanyrealaffection;ofcoursethiscouldbeadilemmaofthemakersthemselves:moneyisnottheproblem,butwhatyoudowithit.Notforgottenistoincludeanextremerightwingmanwhoseself-proclaimedpurposeinlifeitistofreethestreetofsociallyundesirableelements.Itisallveryheavysymbolismwithnorelief,butitiscertainlywell-madewithascriptthat-asthefilmprogresses-becomeslessandlesssurprising.Thetwoactingleadsaregood;finecinematography.(janonderwater)
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Nina is twelve years old and her world has just been shattered to smithereens: Her parents’ marriage has broken down and they are getting a divorce. After his internationally successful debut Miracle Juraj Lehotský now brings us an intimate drama in which the viewer looks upon the world and the selfish, visionless behaviour of adults through the eyes of a 12-year-old girl. A girl who is resilient and belligerent, but also vulnerable and just as fragile as the miniature world she creates for herself in the garden shed.
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
