Natassia
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TheVigilanteDiariesisahighoctaneaction-adventurefilmfeaturing90’smovieheroes,explosiveaction,andinternationalespionage.Thefilmrevolvesaroundateamofblack-opsagentsturnedcrime-fighters,ledbyabroodinganti-hero,knownonlyas"TheVigilante."Thesejam-packedmissionsofrescueandrevengetakeusfromthemega-mansionsandunderbellyofLosAngelestofarawayplaceslikeIraq,Armenia,Russia,andTheUnitedKingdomtointroduceustoacastofcolorful,dangerous,andhilariouscharacters.FromBeverlyHillsfilmmakerMikeHanover,toatrioofAsianfemmefatales,toruthlessArmenianmobsters,andatthetop,apairofdeepcoversuperspieshellbentonthrowingtheworldintochaos.
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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乌维·鲍尔
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20世纪上半叶，战争的阴影盘旋于欧洲大陆上空。很快，一场惊世灾难席卷全世界，纳粹的铁蹄恣意践踏着人类的生命和尊严，地球变成了充满烈火的地狱。一列纳粹用来运输俘虏的火车，遭到了游击队员的袭击。对决中，一道黑色的身影格外引人注目。她仅凭着手中的冷兵器便将全副武装的纳粹士兵一一收拾。这便是已存活上半年历史的吸血鬼莱恩（NatassiaMalthe饰）。在这次行动中，莱恩手刃德军军官艾卡特（MichaelParé饰），不曾想却让对方感染了自己的血，从而转化成一只有着邪恶力量的吸血鬼。而德军的疯狂医生马格勒（ClintHoward饰）更企图打造一支吸血鬼部队。莱恩不得不去面对这个亲手种下的恶因……本片根据同名惊悚动作游戏改编。
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马塞尔·哈侬
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Synopsis:Julienetsonpreneurdeson,Michel,tournentàBrugesundocumentairedecommande.Julienrêveaufilmqu’ilpourraittournerdanscettevillemystérieuse:uneadaptationdeShakespeareoudeMusset.LerejointbientôtSophie,safemme,anciennecomédienne,quisouffredeladistancequeJuliensemblemettredansleursrapports.Bientôt,àuneexpositiondepeinture,ellerencontreunartistequ’ellevoitsouslestraitsdeJulienetquil’inviteàvenirvisiterFlorence.ElleconfieàMichelsestourments.Julien,desoncôté,vientd’accepterlapropositiondesonproducteur:réaliserune"histoire"avecdes"personnages"et,pourquoipas,des"vedettes"...Alorsqu’ellesemblaitdécidéeàsuivrel’inconnu,SophiesejettedanslesbrasdeJulien.Lemetteurenscènequitourneunfilmintitulé"L’hiver"demandeunenouvelleprise.Pourlasecondefois,SophiesejettedanslesbrasdeJulien.Lepeintreinconnus’enva...©FichesduCinéma“Onecouldspendforeverunravelingthisendlessnet,sotightlywovenwithsignsandechoes,whichbecomesricherwitheveryviewing.Hanoun’sformalinvestigationofthefragmentandthe(almostsubliminal)flashframe,ofveryslightlyalteredvariationsandrepetitions,whichheappliestosituationasmuchastodialogue(oftenrepeated,eitherwithinthesameshotorfromadifferentangle)revealssomethingoftheinteriorityoffilm,ofitscreator’sunconscious,whichbecomesthatofhischaracters.ThisstructuralresemblancetoaRussiannestingdollshouldnotconfuse;it’sratherthecontraryofthisdetachmentwithwhichthefilmends.ThemoreHanouncompresseshisdreamsofdreamswithindreams(films),thecloserhegetstointimacy.”-EmericdeLastens(Re:Voir)
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We are inEast Berlin, 1978. It’s summer, three years after Wassilly’s death. Nelly’s boyfriend and Alexei’s father died in a car accident in Russia. Since he is dead, Nelly wants to leave too. Away from the GDR, to leave the grief and the memories behind. To get a fresh start. That should be possible in the West, or so Nelly believes.
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霍尔·哈特利
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Jude,acollegeliteratureprofessor,fallsforoneofhisstudents.SheismoreinterestedintheempiricalexperienceofarelationshipwithamanwhoselifeisruledbythethemesoftheRussianLit.heextollsinclass.Judeshowsaninterestingsideofthestigmasassociatedwithtransgenerationalrelationshipsandhowtodealwiththeinevitablepainofalovedoomedtofailure.
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列昂尼德·盖代
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德米特里·哈拉季扬
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Dmitri
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Kharatyan
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安德列·米亚科夫
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Andrey
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Myagkov
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Kelly
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McGrill
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米哈伊尔·科克舍诺夫
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Yuri
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Volyntsev
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Emmanuil
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Vitorgan
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阿尔缅·哲加科汉良
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Armen
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Dzhigarkhanyan
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马姆卡·基卡列伊什维利
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鲁斯兰·艾赫迈托夫
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Vladimir
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Ferapontov
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Mentay
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Utepbergenov
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列昂尼德·库拉夫廖夫
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Vladimir
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Sedov
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叶夫根尼·维斯尼克
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娜塔莉亚·克拉奇科夫斯卡娅
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尼古拉
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Thepresidentsoftwosuperpowers,theSovietUnionandtheUnitedStates,areexpectedtomeetforimportantnegotiations.However,themeetinginjeopardyduetoragingoftheRussianMafia,settledinAmerica.MafiosoRabinovicheveninterferewiththeconversationoftopsecrethotlinebetweenthepresidents.Sobeginsacomedy,inwhichKGBagentFyodorSokolovandCIAagentMaryStarexposetheArtist,aheadoftheMafia,feigningofvariousSovietleaders.
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依莱姆·克里莫夫
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Thisisstoryaboutadentistwiththetalentofpainlesslyextractingteeth,andwhathappenstohimasaresultofbeingnaturallygoodathisjob.Itistoldwithhumour(muchofitquitesubtle,almostsurreal,andinthebackground-imagineastreetscenewhereeveryoneonthesidewalkononesideoftheroadwalksinjustonedirection,andontheothersideintheother),poignancy,andafrequentbreakingofthe4thwallbetweenthemovieandtheaudience(thinkofwhathappensinShakespeare’splays,andyou’llbeclose).ItalsofeaturessomesongsbyNovellaMatveyeva,afamousRussiansinger-songwriter(hersongsaresungbytheleadingactress).
