Pand
搜索"Pand" ，找到 以下影视作品
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安东尼·迪布拉西
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Arookiepoliceofficerwillinglytakesthelastshiftatanewlydecommissionedpolicestationinanattempttouncoverthemysteriousconnectionbetweenherfather'sdeathandaviciouscult.
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玛利亚·施佩特
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Lynn(22)liveswithherbrotherinBerlin.Theresheenjoystheadvantagesoffamilylife,withoutreallyfeelinginvolvedinit.Shedoesnothaveanypreciseaiminlife,butmanagestoawakentheinterestofmanypeoplewithherdirectandspontaneouscharacter.HerboyfriendDavidisverydifferent:heisentirelyengrossedinhisverydisciplinedswimmingtrainingfortheworldchampionships.DaviddoesnotintendtoallowhimselftobedistractedbythecomplicatingfactorsofarelationshipwithLynn.WhenLynn,workingbehindthetillofrestaurant,meetstheJapanesestudentKoji,everythinggetsmorecomplicated.Theycan’texchangemanywords,butitissoonclearthattheirmomentstogethermeanalottobothofthem.
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那奇欧·维加隆多
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中年男子海克特（Karra Elejalde 饰）和妻子克莱拉（Candela Fernández 饰）搬到郊外一幢别墅居住，他用望远镜观察四周的景物，却意外看到一个正脱去衣衫的妙龄女子。海克特心感疑惑，决定前往女子出现的灌木丛中查看一番，结果遭到一个手持尖刀、全身缠满绷带的男子的追杀。海克特仓皇之中逃入一所空旷的实验室内，并在其中的大水槽内躲了起来。次日，当海克尔回到家时，却看到另一个自己正和妻子搬家具，他不知不觉穿越时空来到了一天前。原来水槽是一个时空机器，海克特的命运无意间发生了改变…… 本片荣获2008年阿姆斯特丹奇幻电影节黑郁金香奖、2007年奥斯汀奇幻电影节新浪潮奖。
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未多少的未来,截瘫囚犯马特·米尔斯会面Satoshi-Telefair Industries的董事会,董事会感激他参加这个名目。迫于压力,米尔斯允许让他从新行走,她赞成成为自愿者。他被打针了一种分解纳米资料,而后梗塞而逝世,当他醒来时,他的腿曾经规复了功效,但是他却径自呆在一个钢制的囚室里,在第一个提到的试验装备——车轮里。一系列的袭击者对米尔斯的身材形成了伟大的损害,熬煎着他的精力,但是分解的纳米资料不只规复了他受损的器官,还从新塑造了他的气力。这个试验可能被计划成杀人,但米尔斯信心活下去——在董事会第一次发明她之前回到她的女儿身边。
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Doug Baily's father is weird, but a strange machine in the garage now makes him invisible too. Its a roller coaster ride of fun and hijinks as Doug tries to turn his invisible dad back to normal again
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TenyearsaftersigningoffofoneofTV’smosticonicshows,Carly,Spencer,andFreddieareback,navigatingthenextchapteroftheirlives,facingtheuncertaintiesoflifeintheirtwenties.
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丽贝卡·托马斯
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该剧根据同名播客改编,讲述档案管理员DanTurner(马莫多·阿西饰)接受了一份神秘的工作,去修复一批1994年损坏的录像带。他发现自己修复的是纪录片制作人MelodyPendras(迪纳·什瓦比饰)的作品,这些作品是关于她对一个危险邪教的调查。当Dan卷入Melody的故事中,他相信自己能将她从25年前的可怕结局中拯救出来。
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
