Paur
搜索"Paur" ，找到 以下影视作品
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丹尼斯·塔诺维奇
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波塞战争期间。雾色中，一队波斯尼亚士兵向塞尔维亚阵地接近，不幸天明时被对方发现，波斯尼亚士兵西基（Branko Djuric 饰）中弹滚入战壕，战友则全部牺牲。塞方派出新兵尼诺（Rene Bitorajac 饰）在一老兵带领下检视战场，老兵将弹式地雷塞入波方士兵尸体下面充作陷阱，找到了武器的西基突然出现，击毙老兵后将尼诺俘虏。不久“尸体”突然醒转，西基看着地雷上的战友无能为力，只好与尼诺二人在波塞阵地之间的无主地带请求帮助。联合国维和部队接到求助赶到现场，维和高层领导本着避免麻烦的原则拒绝施救，英国女记者珍妮获得这一消息后借媒体力量对维和指挥部施压。但是维和部队与媒体的介入，并没能扭转混乱战争中的又一悲剧事件。 本片获2002年奥斯卡最佳外语片奖等二十余项褒奖。
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HomeInvasioncentresonafamily,thatstrivestofitintosociety.TheyhavebeensentbytheirevilouterspaceleadertoinvadetheEarth.Buttheirtrueidentityissoonrevealed,whentwoburglarsbreakintotheirhome.Thefamily,whoisenjoyinglifeonEarth,startstohavesecondthoughtsabouttheirassignment.Withthehelpoftheburglars,theydecidetostoptheevilaliens’invasion.
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Netflix宣布预订一部8集家庭+狗狗题材的单镜头喜剧《杜德治愈力TheHealingPowersofDude》，由EricaSpates及SamLittenberg-Weisberg负责﹑RichieKeen执导。这部剧灵感来自EricaSpates及SamLittenberg-Weisberg的社交焦虑经验，剧中讲述一个11岁男孩Noah患了社交恐惧症，当他入读中学时遇上混种情感抚慰狗Dude，而他俩意外地成为需要彼此的组合。剧集主演包括TomEverettScott﹑LarisaOleynik﹑LaurelEmory﹑MauricioLara﹑SophieJaewonKim﹑狗狗Dude及JaceChapman。
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Afterherhusbandisbrutallymurdered,awidowedhomesteaderseeksrevengeandleaveseverythingbehindtohuntdownhiskiller.
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ACLUlawyerJefferyRobinson’sshatteringtalkonthehistoryofU.S.anti-Blackracismisinterwovenwitharchivalfootage,interviewsandRobinson’sstory,exploringthelegacyofwhitesupremacyandourcollectiveresponsibilitytoovercomeit.
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本剧（SecretDiaryofaCallGirl）改编自一名自称“白日美人”（BelledeJour）的性工作者的博客“白日美人：一位伦敦应召女郎的日记”（BelledeJour:diaryofaLondoncallgirl），讲述了一名应召女郎两面生活：面对家人，她是Hannah（BilliePiper饰演），一个做着无聊甚至无人愿意提及的工作的法律秘书；面对各类客人时，她是Belle（BilliePiper饰演），或冷艳或妩媚或可人或羞赧的高级娼妓。
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This three-part series journeys the length, breadth, and height of the Andes to reveal the incredible natural history of the longest mountain range on earth. In the Northern Andes, rising mountains and erupting 册canoes have produced a stunning variety of life. Boasting poison frogs, legless amphibians, high-flying monkeys, the continent"s only bears, and the world"s last tropical glaciers, the Northern Andes are unlike anywhere else on Earth.
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Nostalgic for his glory days, a frustrated stay-at-home dad invites all of his high school Facebook friends to an 80s-themed surprise party for his exhausted corporate wife.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
