Gillin
搜索"Gillin" ，找到 以下影视作品
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李钟刚
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Gwangho,aprospectonhishighschoolbaseballteam,isnotdraftedbyaprofessionalbaseballteam.Hisdesiretocontinueplayingbaseballstrainshisrelationshipwithhisteammembers.GwanghoeventuallybeginssellingfakegasolinewithhisfriendMincheol.
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外卖速递员、退休人士、年轻师奶、健身教练和投资班大师，五人来自社会不同阶层，皆为钱而奔波，因股票群组骗案而债务缠身，痛定思痛组成赚钱联盟OPM，在联盟主脑的带领下，众人打开“钱的真相”之门，步上玩弄财技创富之路。三年内，OPM一步步由负债至滚到100亿，涉猎伦敦金、银行、富商、上市公司甚至全港创建项目，每个人的人生都被改变。然而，当财技慢慢变成骗局，有人为钱失去理想、放弃家庭，由追逐金钱至得到金钱却被金钱牵着鼻子走，OPM们更失去了选择与自由。当友情经历背叛、求生变成贪婪，在成为彻头彻尾地骗子前，我们都以为自己是为势所迫，但最后我们都变成自己曾经讨厌的人。置身骗局当中，有人选择继续Allin、有人选择抽身，亦有人选择看清真相。我们无法改变金钱世界，但可以选择是否重拾初心，把骗局变成理想！
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Batavia City, a beautiful city that no longer safely inhabited. Robbery, violence, and a variety of increasingly rampant criminality. In the midst of this chaotic city, Srimaya, a cafe waitress who dreams of becoming an actress never thought that dream would change her life. Her meeting with Bono, a film director and his friend, Wawan, will take her on a dangerous adventure full of thrilling action with lives at stake. Turning her from an ordinary girl into Batavia City heroine of hope, Valentine.
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雅克·欧迪亚
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巴黎13区的四位年轻的成年人Emilie、Camille、Nora、Amber，他们是好友，有时也是恋人，并且经常两者结是。四位主演分别为露西·张Lucie Zhang、马吉塔·桑巴Makita Samba([贵族动物])、珍妮·贝丝([不可能的爱])、诺米·梅兰特。 影片改编自《纽约客》漫画家Adrian Tomine的图文短片小说集《杀戮与死亡(Killing and Dying)》，欧迪亚与[艾娃]导演蕾雅·梅西斯、[燃烧女子的肖像]导演瑟琳·席安玛共同撰写了本片剧本。幕后团队包括：摄影师保罗·圭哈姆([艾娃])、音乐总监Pierre-Marie Dru([我失去了身体]、[安妮特])。 Playtime负责影片国际销售，Memento负责该片法国发行。影片目前已进入到拍摄第二周，计划最早于2021年春季发行。
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JohnWoodleftthepiecesofabrokencivilisationbehind,togobacktohisrootsinthewoodland,afteraviruspandemicstrucktheworld.Residinginasimplecabin,heonlywantspeaceandtoliveinharmonywithnature.Comingfromalonglineoftimbermen,hejoinedthearmyandservedasasoldierformanyyears.Rebellingagainsthissuperiorsforkillingciviliansundermartiallaw.Johnfeelshegothisownwifekilledwhensavinghundredsofinnocentciviliansfromcertaindeath.HiswifeexecutedpointblankasretributionforJohnsdisobedienceandsupposedheroicacts.Now,ayoungwomannamedMariaJohnsonhasescapedapandemicresearchlab.Shesbeenpartofexperimentstofindacureforthestillragingvirus.Carryingthepotentialcureinherblood,sheishuntedbyprofiteersandmercenarieswhoknowshersecret.CominguponJohnscabininthewoods,MariaisinstinctivelytakenintoshelterbyJohn.Hewantshertorecoverfastandleave,butbylearningher...
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卡里·安德鲁斯
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美国与俄罗斯签订商业协议确当晚,一位主要人物被刺杀,而特种军队偷袭手布兰登?贝克特（查德?科林斯 Chad Michael Collins 饰）则被当成了头号怀疑人。逝世里逃生后,布兰登认识到此事可能牵涉到了当局外部的暗中诡计,于是便找到了他独一能信赖的搭档—他的父亲,“ 双狙人”托马斯?贝克特（汤姆?贝伦杰 Tom Berenger 饰）。父子二人再度联手,而这一次,他们不只要面临中情局!俄罗斯雇佣兵的追捕,更要面临一位人称“逝世亡蜜斯”的岛国日本极道杀手（秋元才加 Sayaka Akimoto 饰）,而她占有着足以与二位传奇偷袭手相对抗的偷袭技巧......本片为“双狙人”系列的第八部作品。
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亚当·桑德斯
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IttellsthestoryofJimmy(Saunders),a42-year-oldman-childwhoselifehasn’tprogressedsincelosingtheelectionforseniorclasspresident25yearspriortothenowcurrentGovernorofTexas.Frustratedwithhiscircumstances,Jimmydecidestore-enrollinhighschoolandrunforclasspresidentagain.Butonceheleavesthesafeconfinesofhisdad’smemorabiliastoreandattemptstojointheTikTok-fueledpaceofGenZ,Jimmyquicklyrealizeshehasawholelotmoretolearnthanjusttheproperuseofgenderpronouns.
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Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
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Oneweekonacruiseship,withparties,funandnewfriendships.Theall-gayclienteleonboardarepreoccupiedwithtopicssuchasidentity,thebodybeautifulandthesearchforsex.Everyeveningisdedicatedtoanewtheme,challengingthepassengerstoevermoreextravagant,body-huggingoutfits.Inthecabinshowever,thetalkismorethanskindeepasthemenopenupabouttheirprivatelives.Marek,ayoungPolishmanjustwantstobeacceptedandlovedasahumanbeingandnotjustbecauseofhistautbody.DipankarfromIndiahasjustrecentlycomeout;heandPalestinianRamziarerevellinginthekindoffreedomtheycanonlydreamaboutintheirhomophobicsocietiesbackhome.MartinisHIVpositiveandpondershedonisticways,whilePhilippefromFranceobservestheproceedingsonboardserenelyfromhiswheelchair.InhisfeaturefilmdebutdirectorFerlandMilewskisucceedsinprovidingalookbehindthescenesofanostensiblysuperficialworld.Hishumorousapproachhelpshimcreateagenuinebondwiththeprotagonistswhotalkopenlyaboutgaydesires,freeloveandgoodold-fashionedmonogamy.
