Mahaut
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Kasik、Panturath和Taanta是三个相互接壤的国家。Kasik在北边，物产丰富，有钻石之国的美誉，却没有用来出口矿产的海港；Panturath在Kasik和Taanta两国中间，由王后摄政；Taanta在南边，是个弱小的国家，却拥有海港。Taanta国国王看中了Kasik国的富有，而Kasik也需要出海口，因此两国联姻。听信了Kasik国的国王Rangsiman不好谣传的Taanta公主Manisara在迎娶她的那天，骑马逃走，碰到在边境的Panturath国王子Tayutiton，被带到Panturath国的行宫。Panturath的公主Tasiga听说哥哥并没有把Manisara公主送回Kasik，不由担扰这件事将会引发战争，于是决定动身前往行宫，途中被一群黑衣人伏击，和随从走散，遇上乔装到Panturath查探虚实的Kasik国王，被迷晕带到了Kasik国队伍。究竟Kasik国国王为什么要药迷Tasiga公主？是一见钟情还是出于政治的目的？而由Panturath国Manisara公主的逃婚引发的一连串事件是否会导致三国之间的纷争，三国又将如何行动？
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安迪·海伊
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IntheChristmasspecial,it’sChristmasinDarrowby,andHelenandJamesrealisetheyhaven’tagreedonwherethey’respendingChristmasDay.MrsHallisexpectingthematSkeldaleandJennyisexpectingthematHestonGrange,andthepairarereluctanttodisappointeitherofthem.Thesituationraisesbiggerquestionsaboutwhattheirliveswilllooklikeinthefuture.Whenabelovedlocalpetistakenseriouslyill,Siegfriedhastobringitintothepracticeforemergencytreatment.Inthefaceofsuchanemergency,HelenendsupfeelinglikeasparepartattheSkeldaleChristmasparty,butfellowfarmerDaveKitsoncouldendupbeingthesolutiontoHelenfindingherplaceatSkeldale,andthekeytotheanimal’ssurvival.Tristanlearnsthatitmightbetimetotakehimselfmoreseriouslyandrevealssomeimportantnews,whileacardfromJames’sfatheraskinghimtophonethemonChristmasDayleavesJamesontenterhooksaboutwhetherhecanmakeamendswithhisfamily.
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1941年第二次天下大战残虐时代,德国纳粹入侵苏联。在阅历长达4个月的攻坚战无果后,希特勒决议用饥饿跟围困的方法牟取列宁格勒。纳粹围城三年,血流成河的列宁格勒成为一座逝世亡之城。 英国女记者凯特·戴维斯（米拉·索维诺 Mira Sorvino 饰）在火线采访时,与她的爱人美国记者菲利普·帕克（加布里埃尔·伯恩 Gabriel Byrne 饰）掉散,被困列宁格勒。孤破无援的凯特幸得列宁格勒义勇军女警妮娜（欧嘉·苏图洛娃 Olga Sutulova 饰）的赞助与呵护。两人据守在雪窖冰天的烽火之中,与饱受饥饿熬煎的苏联军平易近一同,为生活而战。
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萨姆·佩金帕
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Mike Locken is one of the principal members of a group of freelance spies. A significant portion of their work is for the C.I.A. and while on a case for them, one of his friends turns on him and shoots him in the elbow and knee. His assignment, to protect someone, goes down in flames. He is nearly crippled, but with braces is able to again become mobile. For revenge as much as anything else, Mike goes after his ex-friend.
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After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --? Official Site
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肖恩·吉布朗尼
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露露·威尔逊
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佩顿·伊丽莎白·李
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伽塔·马塔拉佐
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马库斯·斯克里布纳
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小克里斯·施密特
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莎拉·谢尔曼
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凯莱布·希伦
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杰克·马丁
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Shiv·Pai
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Adam·Herschman
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瑞安·米乔
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Aidan·Micho
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Lucas·Zelnick
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Luke·Burke
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Chelsea·Matkins
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Tommy·Armstrong
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Lydia·Hynes
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Hyde·Healy
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Miguel-Andres·Garcia
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Thestoryissaidtofollowapairoflonercollegeundergrads,JackandMontgomery,whoorderatake-outpie,butaccidentallytakeahomemadedrugthatturnsatwo-floorjourneydownstairsintoa“mind-bendinglytransformativequest.”
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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Thescreenplaytellsthestoryofthetoxicrelationshipbetweentwostrong,independentwomenwhoareawarethattheyarealoneintheworld:Beatriz,whohasapparentlyachievedeverythinginlifethatshesetouttodo;andSofía,whothinkssheisreadytodowhateverittakestogetthelifeshebelievesshedeserves.
